INDEX 703
Destination panel (Import dialog),
66–68
Detail panel (Develop module), 382
default settings, 385
Noise Reduction controls, 384,
406 – 410
Sharpening controls, 382, 389–399
Detail slider, 394–396, 397
Develop module, 5, 37, 167–357
Adjustment Brush, 310–325
Auto Tone setting, 200, 201, 349
B&W controls, 360–379
Basic panel controls, 192–225,
244–247
Before/After viewing modes,
292–297
Blacks adjustment, 200, 204,
218–219
Camera Calibration panel,
284–291
Camera Raw compatibility,
178 –179, 342–345
camera-specific settings,
356–357, 677
Clarity adjustments, 220–223
color adjustments, 250–255
Contrast adjustments, 199, 202
copying and pasting settings,
346–347
cropping procedures, 182–190
Detail panel, 382, 389–399
Develop Presets panel, 285
display calibration, 169–173
Effects panel, 278–283
Exposure adjustments, 197,
202, 218
Graduated Filter tool, 326–328
HDR file processing in, 212,
214–215
highlight adjustments,
199–200, 203
Histogram panel, 205–207
History panel, 37, 333–334
HSL controls, 250–255
image-processing engine, 168
interface overview, 180–181
Lens Corrections panel, 256–277
localized adjustments, 310–332
Loupe Overlay view, 126–129
Match Total Exposures command,
216–217
presets used in, 348–357, 385
Process Versions, 176 –178
profile recognition, 169
Radial Filter tool, 329–332
Red Eye Correction tool, 308–309
retouching tools, 298–332
Saturation adjustments, 224–225
shadow adjustments,
199–200, 203
Snapshots panel, 334–337
Soft Proofing option, 41, 501,
503–508
Spot Removal tool, 298–307
synchronizing settings, 38, 231,
340–341
Tone Curve panel, 236–249
Tool Overlay options, 190, 305
Vibrance adjustments, 224–225
View Options, 182
White Balance tool, 192–196, 201
Whites adjustment, 200, 204
Develop Presets panel, 285
Develop Settings menu, 65
Diagonal crop overlay, 187, 188
digital asset management (DAM)
system, 584
Discard 1:1 Previews warning
dialog, 132
display screen
calibrating, 169–173
dual-display setup, 142–145, 427
soft-proofing considerations,
501–503
tips on choosing, 169
Distortion slider, 275
DNG files, 8, 678–683
compression for, 50, 681–682
converting raw files to, 50–51, 681
copying photos as, 50, 55,
678–681
exporting images as, 440, 442,
452, 681
metadata status for, 682
saving non-raw files as, 441
updating, 51, 680
validating, 683
XMP metadata in, 652, 654
DNG Profile Editor, 286–289
DPX video format, 457
Draft Mode Printing option, 470, 495
drag-and-drop import, 72–75
Drobo storage system, 698
drop shadows, 534
droplets, Photoshop, 448–451
dual-display setup, 142–145, 427
Dutton, Harry, vi
DVD/CD exports, 452–453
E
Earney, Richard, 350, 691
edge sharpening, 331–332
Edit in external editor command,
418– 419, 422
Edit in Photoshop command, 40,
417, 421
editing
books, 518–521
brush strokes, 312
capture time info, 593
collections, 160
external editor options for,
416 – 423
images in Photoshop, 40, 416–435
metadata presets, 598–600
video files, 231–235
Effects panel (Develop module),
278–283
Grain effects sliders, 282–283
Post-Crop vignette controls,
278–281
email
exporting photos for, 453–455
links to websites in, 580
metadata links to, 604
preconfigured signature for, 580
Web Gallery links to, 561
empty field searches, 638
Eraser mode, 312
EXIF metadata, 256, 257, 277,
572, 588
ExifTool editor, 595
Expanded Cells view, 116, 117
Export as Catalog dialog, 91, 95, 96
Export dialog, 44, 436, 437, 438, 442,
456, 670
Export Photo command, 458