Bedienungsanleitung Adobe Premiere Pro CC - 2015 (Seite 498 von 519) (Englisch)

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Compositing

Last updated 11/30/2015

Using blending modes

You can select the way in which Premiere Pro blends, or superimposes, a clip on a track in a Timeline with the clip or

clips on lower tracks.

1 In a Timeline, place a clip on a track higher than a track where another clip is located. Premiere Pro superimposes,

or blends, the clip in the higher track over the clip in the lower track.

2 Select the clip in the higher track, and select the Effect Controls panel to make it active.

3 In the Effect Controls panel, click the triangle next to Opacity.

4 Drag the Opacity value to the left to set the opacity to less than 100%.

5 Click the triangle in the Blend Mode menu.

6 Select a blend mode from the list of blend modes.

Blend mode reference

For in-depth information about the concepts and algorithms behind these blend modes as implemented in several

Adobe applications, see the

PDF reference material on the Adobe website.

The Blend Mode menu is subdivided into six categories based on similarities between the results of the blend modes.

The category names do not appear in the interface; the categories are simply separated by dividing lines in the menu.

Normal category Normal, Dissolve. The result color of a pixel is not affected by the color of the underlying pixel unless

Opacity is less than 100% for the source layer. The Dissolve blend modes turn some of the pixels of the source layer

transparent.

Subtractive category Darken, Multiply, Color Burn, Linear Burn, Darker Color. These blend modes tend to darken

colors, some by mixing colors in much the same way as mixing colored pigments in paint.

Additive category Lighten, Screen, Color Dodge, Linear Dodge (Add), Lighter Color. These blend modes tend to

lighten colors, some by mixing colors in much the same way as mixing projected light.

Complex category Overlay, Soft Light, Hard Light, Vivid Light, Linear Light, Pin Light, Hard Mix. These blend modes

perform different operations on the source and underlying colors depending on whether one of the colors is lighter

than 50% gray.

Difference category Difference, Exclusion, Subtract, Divide. These blend modes create colors based on the differences

between the values of the source color and the underlying color.

HSL category Hue, Saturation, Color, Luminosity. These blend modes transfer one or more of the components of the

HSL representation of color (hue, saturation, and luminosity) from the underlying color to the result color.

Blending mode descriptions

In the following descriptions, these terms are used:

• The source color is the color of the layer to which the blend mode is applied.

• The underlying color is the color of the composited layers below the source layer in the Timeline panel.

• The result color is the output of the blending operation; the color of the composite.

Normal The result color is the source color. This mode ignores the underlying color. Normal is the default mode.

Dissolve The result color for each pixel is either the source color or the underlying color. The probability that the result

color is the source color depends on the opacity of the source. If opacity of the source is 100%, then the result color is

the source color. If opacity of the source is 0%, then the result color is the underlying color.

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