Bedienungsanleitung Adobe Premiere Pro CC - 2015 (Seite 500 von 519) (Englisch)

618546

500

Zoom out

Zoom in

Vorherige Seite

1/519

Nächste Seite

494

Compositing

Last updated 11/30/2015

Linear Light Burns or dodges the colors by decreasing or increasing the brightness, depending on the underlying color.

If the underlying color is lighter than 50% gray, the layer is lightened because the brightness is increased. If the

underlying color is darker than 50% gray, the layer is darkened because the brightness is decreased.

Pin Light Replaces the colors, depending on the underlying color. If the underlying color is lighter than 50% gray, pixels

darker than the underlying color are replaced, and pixels lighter than the underlying color do not change. If the

underlying color is darker than 50% gray, pixels lighter than the underlying color are replaced, and pixels darker than

the underlying color do not change.

Hard Mix Enhances the contrast of the underlying layer that is visible beneath a mask on the source layer. The mask

size determines the contrasted area; the inverted source layer determines the center of the contrasted area.

Difference For each color channel, subtracts the darker of the input values from the lighter. Painting with white inverts

the backdrop color; painting with black produces no change.

If you have two layers with an identical visual element that you want to align, place one layer on top of the other and

set the blend mode of the top layer to Difference. Then, you can move one layer or the other until the pixels of the visual

element that you want to line up are all black—meaning that the differences between the pixels are zero and therefore the

elements are stacked exactly on top of one another.

Exclusion Creates a result similar to but lower in contrast than the Difference mode. If the source color is white, the

result color is the complement of the underlying color. If the source color is black, the result color is the underlying

color.

Subtract Subtracts the source file from the underlying color. If the source color is black, the result color is the

underlying color. Result color values can be less than 0 in 32-bpc projects.

Divide Divides underlying color by source color. If the source color is white, the result color is the underlying color.

Result color values can be greater than 1.0 in 32-bpc projects.

Hue Result color has luminosity and saturation of the underlying color, and the hue of the source color.

Saturation Result color has luminosity and hue of the underlying color, and the saturation of the source color.

Color Result color has luminosity of the underlying color, and hue and saturation of the source color. This blend mode

preserves the gray levels in the underlying color. This blend mode is useful for coloring grayscale images and for tinting

color images.

Luminosity Result color has hue and saturation of the underlying color, and luminosity of the source color. This mode

is the opposite of the Color mode.

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Adobe Premiere Pro CC - 2015 Seite 500

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Andere Handbücher von Adobe Premiere Pro CC - 2015

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info