Bedienungsanleitung Allen-Heath MixWizard Series WZ20S (Seite 20 von 32) (Englisch)

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20 WZ20S User Guide

Stereo Input channel

DUAL INPUTS A and B The stereo channel features two stereo inputs

with independent gain control and on/off switching. One source may be

selected at a time, or both may be mixed together further increasing the number

of simultaneous inputs to the mix. This means that you can leave two stereo

sources permanently connected to the console without the need to repatch or

readjust the gain settings.

GAIN A (B) Adjusts the channel input sensitivity to match the connected

source to the console 0dB operating level. This provides a 30dB range with

continuous adjustment for signals from –20dBu to +10dBu. Use the PFL system

to correctly set the gain using the console meters.

ON A (B) Switches stereo source A (RCA phono input) and/or stereo source B

(TRS jack input) on and routes it to the channel.

MONO Combines left and right to provide a mono signal from a stereo source,

or to feed a mono source to both channels.

EQUALISER The channel equaliser is a powerful tool to creatively tailor the

sound within the mix, or to deal with problems such as poor source

characteristics, noise and feedback. Start with the EQ controls set to their mid

(flat) position. Then adjust the EQ to achieve the sound you want. Take time to

experiment with the controls so you get to learn the effect the equaliser can

have on the sound.

The WZ20S stereo channel provides separate tone control over four fixed

frequency bands. The frequencies in each band may be boosted or cut by up to

15dB. The centre flat position is detented for quick resetting.

HF Turn this control clockwise to boost and anticlockwise to cut the high

(treble) frequencies. This has a shelving response with all frequencies above

the 12kHz turning point affected. Note that frequencies below 12kHz are

affected by a decreasing amount. Use HF boost to brighten up the sound by

adding sparkle to compensate for poor source material, or cut to reduce source

hiss or high frequency noise.

MF1 Turn the +/- control clockwise to boost and anticlockwise to cut the higher

mid frequencies. This has a bell shaped peak/dip response that has maximum

boost or cut at 2.5kHz. Boost to add presence, or cut to reduce harshness.

MF2 This is similar to MF1 but affects the lower mid frequencies centred on

250Hz. Boosting can enhance the warmth of the sound while cutting can clean

up a boomy sound.

LF Turn this control clockwise to boost and anticlockwise to cut the low (bass)

frequencies. This has a shelving response with all frequencies below the 60Hz

turning point affected. Note that frequencies above 60Hz are affected but by a

decreasing amount. Use LF boost to enhance low end punch, and cut to reduce

source hum and rumble.

EQ IN Switches the equaliser in or out of the signal path. Use this to check the

effect of the control settings by comparing the equalised and unequalised

signals.

-15

60Hz

-15

MF2

MF1

12kHz

-10

-5

GAIN

+15

MONO

GAIN

-10

-5

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