Bedienungsanleitung Behringer X32 Producer (Seite 28 von 74) (Englisch)

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28 X32 PRODUCER DIGITAL MIXER User Manual

5.11 How do I share signals over

AES50Supermac network?

In many live sound situations, a single mixing console is used to cover both the

front of house (FOH) mix that the audience hears, as well as all the individual

“monitor mixes” that are sent to stage wedges or transmitters for in-ear

monitorsystems.

However, in larger live sound situations, it is common to operate two separate

consoles, one that covers the FOH mix, and a second, completely independent

console that covers just the monitor mixes that are sent to the talent. This makes

a lot of sense, because the FOH engineer can concentrate 100% on the audience

mix, while a completely dierent monitor engineer can dedicate himself to the

thankless task of crafting great monitor mixes for the dierent musicians.

With an analog console, operating separate FOH and monitor consoles can be

quite expensive, because the original stage microphone signals have to all be

“split” into two copies, using an expensive multi-channel microphone splitter.

The splitters ends one set of mic signals to the FOH console and the other set to

the monitor console. Microphone splitters are a specialized piece of equipment

and ones that work reliably and sound good are very expensive.

The X32 family of products, however, makes using separate FOH and monitor

consoles easy and aordable. This is due to the fact that the microphone signals,

once digitized, can be easily duplicated and sent to multiple locations, using a

single o-the-shelf shielded Cat-5e Ethernet cable. Now, an expensive and bulky

microphone splitter can be replaced by a couple of low-cost S16 digital stage

boxes, and running separate FOH and monitor consoles is within reach of even

the most modest production.

This is an example for using 2 consoles and 2 stage boxes (possible are up

to 3 per AES50 port) in a monitor/FOH setup:

1. Connect the AES50 A port on the rst S16 to the AES50 A port on the X32

on-stage console via Cat-5.

2. Connect the AES50 B port on the rst S16 unit to the AES50 A port on the

second S16 via Cat-5.

3. Connect the AES50 A port of the FOH X32 unit to the AES50 B port of the

on-stage X32 via Cat-5.

4. Now the conguration of the monitor console has to be set. Keep in mind

that in this conguration, the on-stage console will be the one controlling

the input gains of the mic preamps, so a good and intensive soundcheck

should be done.

5. Press the ROUTING switch next to the display on the on-stage console.

On the HOME tab select “AES50 A 1-8” as source for “Inputs 1-8”,

“AES50A9-16” for “Input 9-16”, and accordingly for channels 17-32.

6. To route the channels through the on-stage console to the FOH console,

switch to the AES50 B page and set “Output 1-8” to “AES50 A 1-8”,

“Output9-16” to “AES50 A 9-16”, etc.

7. On the FOH X32 console, press the ROUTING switch next to the display.

OntheHOME tab select “AES50 A 1-8” as source for “Inputs 1-8”,

“AES50 A 9-16” for“Input 9-16”, and accordingly for channels 17-32.

8. To get the main out from the FOH back to one of the stage boxes to feed

the PA, the main outs of the console which are routed per default to OUT 7

and OUT 8 have to be routed through the on-stage X32 console. To achieve

this, select the AES50 A tab and set Out 1-8 to “OUT 9-16”. On the on-stage

console, choose the AES50 A tab and set Output 1-8 to ”AES50 B 1-8”.

TheMain Outputs of the FOH console are now available on the rst S16 on

OUT 7 and OUT 8 to connect your main PA system.

9. Ready to rock!

5.12 What kinds of Utilities are available?

The X32 PRODUCER console provides various utilities that make the console much

easier and more fun to use, while providing a great deal of exibility and power.

ExamplesInclude:

Channel Customization: Various input and output channels can have custom

colors, names, and icons assigned to them, which are then shown in the color

LCD screens located on each channel strip. Using these functions, you will always

know exactly what source and destination is tied to the channel, with no need

for board tape and sharpie pens. For example, an input channel could be labeled

“kick drum” while the channel for a mix output could be labeled “Joey’s monitor”.

• Press the SELECT button for a channel you wish to assign a custom label,

icon, and color for.

• Press the home key, then page right to the CONFIG page. You can also press

the VIEW button next to the LOW CUT pot to go to the CONFIG page.

• Press the UTILITIES button.

• Adjust the various encoders to select a color, icon, and type in a name for

the selected channel. The X32 PRODUCER also provides a long list of preset

names for typical input sources and output destinations, saving time

and eort.

Copy/Paste: The X32 PRODUCER also provides a “copy and paste” function that

allows you to take settings you have congured for one channel, and copy those

settings to another channel.

• Press the SELECT button for a channel whose settings you wish to copy.

• Press the HOME button, then the UTILITY button.

• Press the 5th encoder to copy all settings of the selected channel into the

copy buer.

• Press the SELECT button for a channel who you wish to paste the settings into.

• Adjust the rst encoder to select which aspects of the channel you wish to

copy from the source channel (i.e. the one in the paste buer).

• Press the 6th encoder to “paste” the copied settings into the currently

selected channel.

Store / Load Presets: The X32 PRODUCER allows you to save and load presets

of channel settings, as well as settings made in the internal eects processor.

These stored settings can later be recalled as needed. Since the stored les can

also be stored and recalled to an attached USB drive, this means that you can save

your favorite channel settings and eects on one console, and then quickly and

easily recall and use them on a completely dierent X32 console.

• Press the SELECT button for a channel whose settings you wish to store.

• Press the HOME button, then the UTILITY button.

• Press the 3rd encoder to store all settings of the selected channel. A new

screen will appear where you can apply a custom name to the saved preset.

Behringer X32 Producer Seite 28

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