Bedienungsanleitung Behringer X32 Producer (Seite 30 von 74) (Englisch)

660493

Zoom out

Zoom in

Vorherige Seite

1/74

Nächste Seite

30 X32 PRODUCER DIGITAL MIXER User Manual

5.14 Using the X32 PRODUCER in recording

and production studioenvironments

While the X32 PRODUCER is primarily targeted at a live sound environment, it also

can work as an extremely full-featured and powerful studio console as well.

• The console contains extremely clean and detailed microphone preamps,

allowing you to capture up to 16 separate microphones for recording even a

very large ensemble.

• High-end analog to digital converters for each channel preserve the audio

quality as it is recorded to assorted DAW software.

• With the X32 PRODUCER’s built-in X-USB card, individual channels of audio

can be sent, inthe digital domain, to a studio DAW computer, using USB 2.0.

With this card, the X32 PRODUCER becomes the “world’s biggest computer

audio interface” allowing up to 32 channels of microphones to be sent into

the DAW software (with the addition of an S16 stagebox), while at the same

time allowing up to 32 individual channels of DAW tracks to return back to

the console for mixing “out of thebox”.

• With the X32’s full recall of all preamp and monitor settings, the

console makes a great solution for the modern home and project studio,

where multiple projects are worked on in “stages” and previous settings

need to be quickly and easily recalled. For example, if a band returns

the following week to pick up where they left o, a single “load project”

command can return the console to exactly where it left o, in terms of

mic gain settings for the dierent instruments, as well as various dierent

monitor mixes for the dierent performers.

• With its onboard MIDI ports, the X32 console can work as a large-format

control surface for many popular DAW platforms. The X32 PRODUCER’s

motorized faders can control the onscreen DAW faders, while each channel’s

mute and solo buttons can control their onscreen counterparts. This makes

it possible to quickly work with the ner nuances of a DAW mix, much better

than adjusting channel levels one at a time with the mouse.

• Since the X32 PRODUCER works with the aordable S16 digital stagebox,

thecombined system makes a great solution for routing audio signals

between a separate studio and control room. The S16 and various Ultranet

personal monitor mixers can be set up in the studio, while the console

itself is set up in the control room. A single shielded Cat5-e Ethernet cable

is all that is needed to connect the 16-32 channels of audio from 1-2 S16

boxes and all of the Ultranet mixers, a much better alternative than a thick,

noisy, andexpensive analog snake. In more modern homes and apartments

that have Cat-5 cabling running through the walls as part of a pre-built

“structured wiring” package, the S16/Ultranet mixers and X32 console can

even be set up in dierent rooms, with no need to run a long cable or leave

any doors partiallyopen!

• The various X-USB card modes to be selected on the Setup/card page can be

used to reduce the trac over USB, just in case your computer has diculty

handling the full 32x32 channel capacity. See Chapter 6 for details.

• When running a 32 track live recording from your FOH desk, you can simply

assign the card outputs to the mic inputs (local or stage box), using the

’Routing/card out’ page. Note however, that the mic preamp gain (also for

recording) will be controlled from the FOH console, and Gain changes during

the show can be heard in the recording.

• When recording track by track into a DAW, you will need to pass all audio

from the mic preamp of the console directly into the PC, and then back into

the console for monitoring. In this case, the DAW track’s record-ready status

will determine which direct and which previously recorded signal will be

audible on the console.

• This conguration can also be used in a live setup where additional FX

processing using native plug-ins is required. Your PC (provided it has

the capacity to do so) could perform as a 32 channel outboard eects

processor, allowing you to apply your favorite production processing in a live

environment to every single channel. You should however, consider that

plug-in eects have inherent latencies that add up with the PC I/O latency.

So, make sure that there are no adverse eects when applying outboard

processing. The internal latencies of the console are typically 10-15 times less

than the the latency introduced by external processing.

Please also note that in both cases, you need to adjust the physical preamp

parameters, Gain and Phantom power, from the ’Setup/preamps’ page on

the console. See details in Chapter 6.

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Behringer X32 Producer Seite 30

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Andere Handbücher von Behringer X32 Producer

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info