Bedienungsanleitung Behringer X32 Producer (Seite 41 von 74) (Englisch)

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41 X32 PRODUCER DIGITAL MIXER User Manual

7. 2 Home Screen

The home screen contains a high-level overview of the selected input or output

channel, and oers various adjustments not available through the dedicated

top-panel controls:

The home screen contains the following separate tabs:

1. Home: General signal path for the selected input or output channel

2. Cong: Allows selection of signal source/destination for the channel,

conguration of insert point, and other settings

3. Gate: Controls and displays the channel gate eect beyond those oered by

the dedicated top panel controls

4. Dynamics: Controls and displays the channel dynamics eect (compressor)

beyond those oered by the dedicated top panel controls

5. EQ: Controls and displays the channel equalizer eect beyond those oered

by the dedicated top panel controls

6. Sends: Controls and displays for channel sends, such as sends metering and

send muting

7. Main: Controls and displays for the selected channel’s output

7.2.1 Home Screen: Home Tab

The home tab of the home screen displays a general signal path for the currently

selected input or output channel. It visually displays various parameters of the

input, gate, insert point, equalizer, dynamics, output path, and buses.

The home tab contains the following parameters (divided into two pages)

thatcan be adjusted using the six rotary-push encoders.

Page 1

1. Adjust the 1st encoder to control the input gain (trim) of the channel.

2. Tap the 1st encoder to link the channel with its adjacent channel.

3. Adjust the 2nd encoder to set the threshold of the channel noise gate.

4. Tap the 2nd encoder to toggle the channel noise gate in/out of the

signalpath.

5. Adjust the 3rd encoder to toggle the channel’s insert point between

pre-fader and post-fader status.

6. Tap the 3rd encoder to toggle the channel insert in/out of the signal path.

7. Adjust the 4th encoder to toggle the channel dynamics between pre-EQ and

post-EQ status.

8. Tap the 4th encoder to toggle the channel EQ in/out of the signal path.

9. Adjust the 5th encoder to set the threshold of the channel compressor.

10. Tap the 5th encoder to toggle the channel compressor in/out of the

signalpath.

11. Adjust the 6th encoder to pan the selected channel within the main

stereooutput.

12. Tap the 6th encoder to assign the selected channel to the main

stereooutput.

Page 2

1. Adjust the 1st encoder to select the console channel currently controlled by

the home screen.

2. Tap the 1st encoder to toggle +48V phantom power on/o for the currently

selected input.

3. Tap the 2nd encoder to toggle phase ip on/o for the currently

selectedchannel.

4. Adjust the 3rd encoder to select which of the 8 DCA groups the currently

selected channel will be assigned to.

5. Tap the 3rd encoder to assign the currently selected channel to the selected

DCA group.

6. Adjust the 4th encoder to select which of the 6 mute groups to assign the

currently selected channel to.

7. Tap the 4th encoder to assign the currently selected channel to the selected

mute group.

8. Tap the 5th encoder to toggles solo on/o for the currently selected channel.

9. Adjust the 6th encoder to adjust the fader level for the currently

selectedchannel.

10. Tap the 6th encoder to toggle mute on/o for the currently selected channel.

7.2.2 Home Screen: Cong Tab

The conguration tab allows selection of signal source/destination for the

channel, conguration of insert point, and other settings, as well as conguration

of the channel delay.

The cong tab contains the following parameters that can be adjusted using the

six rotary-push encoders:

1. Adjust the 1st encoder to control the input gain (trim) of the channel.

2. Tap the 1st encoder to allow linking of the channel with adjacent channel.

3. Adjust the 2nd encoder to set the low-cut frequency of the channel.

4. Tap the 2nd encoder to toggle the low-cut lter in/out of the signal path.

5. Adjust the 3rd encoder to scroll among all of the possible sources for

thechannel.

6. Tap the 3rd encoder to select the currently highlighted source and assign it

to the channel.

7. Adjust the 4th encoder to set the amount of digital line delay applied to

thechannel.

*Note – this is not an echo eect

8. Tap the 4th encoder to toggle the delay in/out of the signal path.

9. Adjust the 5th encoder to toggle the channel insert between pre and post

EQ/compressor.

10. Tap the 5th encoder to toggle the channel insert in/out of the signal path.

11. Adjust the 6th encoder to scroll among the signal path choices for the

insertpoint.

12. Tap the 6th encoder to assign the selected signal path to the insert point.

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Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

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