Bedienungsanleitung Behringer X32 Producer (Seite 54 von 74) (Englisch)

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54 X32 PRODUCER DIGITAL MIXER User Manual

7.7.2 Setup Screen: Cong Tab:

The setup screen’s cong tab allows adjustment of various audio-related settings,

such as the console’s base sample rate and use of an internal or external digital

clock. It also oers choices for high-level global settings for how signal path

buses operate.

To adjust the various settings of the cong tab, perform the following steps:

1. Adjust the 1st encoder to select between Console, Show Data, and Libraries

for initialization.

2. Tap the 1st encoder to initialize the console back to its factory state.

• An “are you sure” message will appear. Use the left Page Select key to

cancel out of the operation, or the right key to conrm the operation

and initialize the console.

3. The console’s current rmware is displayed in the rst column of the main

color screen.

• If/when a rmware update is available for the console, the user simply

needs to download the new rmware le to the root level of a USB

thumb drive, attach the thumb drive to the console, and then reboot.

The console will see the rmware le and an update will be done

automatically while booting.

4. Adjust the 2nd encoder to select the digital sample rate of the console.

Choices include:

• 48 kHz

• 44.1 kHz

5. Tap the second encoder to assign the currently selected sample rate.

Tip: Note that the sample rate of the console will be the same sample rate for

any audio recorded to the onboard stereo USB recorder, as well as the sample

rate output by the AES/EBU connector that may get patched into an outboard

recorder. Thus, it is often benecial to select a sample rate that is appropriate for

the medium that recorded audio will eventually be used on.

If the program material being recorded is audio only, with no video component,

then it usually makes sense to set a sample rate of 44.1 kHz. This will ensure that

any audio recorded is compatible with the 44.1 kHz sample rate of commercial

audio CDs.

If the program material being recorded is audio that is meant to accompany

video, then it usually makes sense to set a sample rate of 48 kHz. This will ensure

that any audio recorded is compatible with the 48 kHz sample rate of the various

audio formats used on a video DVD.

6. Adjust the 3rd encoder to set the word clock synchronization of the

console to use its internal digital clock, or slave to an external digital clock.

Choicesfor the clock signal include:

• Internal clock

• External clock from the AES50-A port

• External clock from the AES50-B port

• X-USB card

Note that the graphics at the top of the screen will always display a green led

when the console has achieved proper “digital lock”, from either its own internal

clock or a valid external clock.

7. Tap the 4th encoder to cycle through the dierent settings for the console’s

internal date and time settings.

8. Adjust the 4th encoder to set the value for the currently selected

date/timesetting.

9. Adjust the 5th encoder to select the console’s “Bus Pre-Conguration”.

Thissettings allows the mix bus outputs to be congured in various

combinations of:

• Pre-fader, variable output auxiliary sends

• Post-Fader, variable output auxiliary sends

• Fixed-output sub groups

10. Choices include:

• 8 pre-fader auxiliary sends, 8 post-fader auxiliary sends,

and no sub-groups

• 8 pre-fader auxiliary sends, 4 post-fader auxiliary sends,

and 4 sub-groups

• 6 pre-fader auxiliary sends, 4 post-fader auxiliary sends,

and 6 sub-groups

• 4 pre-fader auxiliary sends, 4 post-fader auxiliary sends,

and 8 sub-groups

• 10 pre-fader auxiliary sends, 6 post-fader auxiliary sends,

and 0 sub-groups

11. Tap the 5th encoder to assign the currently selected conguration.

As the conguration is selected, a display on the right-hand side of the color

screen changes to show the currently selected conguration.

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