Bedienungsanleitung Behringer X32 Rack (Seite 21 von 64) (Englisch)

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21 X32 RACK DIGITAL MIXER User Manual

Setting up a live stage monitor mix using the S16 Digital Stage Box:

1. Connect the S16 stage box to AES50 port A on the rear panel of the console

using a standard Cat 5 Ethernet cable.

2. On the stage, connect a cable from Output 1 of the S16 stagebox to the input

of the stage monitor.

3. Press the ROUTE button and page right to the AES50 A page.

4. Adjust the rst encoder to select “Out 1-8” for the rst 8 outputs of the

AES50 A bus, then press the encoder to make the connection.

5. Analog Outputs 1-8 on the X32 RACK are now routed to the rst 8 outputs of

the AES50 A connector, which in turn feeds the 8 analog outputs of the S16

stage box connected to the AES50 A connector.

6. Adjust the monitor mix that feeds Mix Bus 1, as described above.

Setting up a live stage monitor mix using the P16 Ultranet Bus:

1. Connect an Ultranet personal monitor mixer (or P16 distribution amplier)

to either the P16 connector on the rear panel of the X32 RACK, or to the P16

connector on an S16 stage box that is connected to the X32 RACK console.

2. Press the ROUTE button and page right to the P16 page.

3. Adjust the rst and fourth encoders to pair specic audio slots on the P16 bus

with direct outs of various console channels, pressing the fourth encoder to

complete each connection.

4. Any personal mixer connected to the P16 bus will now receive up to 16

individual audio channels, allowing its user to craft their own unique

monitor mix.

5. When using the P16 connector on an S16 connected to AES50 port A,

pressthe ROUTE button and page right to the AES50 A page, then adjust

the fth encoder to select ‘P16 1-8’, then press the encoder. Adjust the sixth

encoder to select ‘P16 9-16’, then press the encoder. Note: The P16 signals on

the S16 are sourced from AES50 channels 33-48.

Communicating with talent on stage:

1. Press the Monitor button and page over to the ‘talkback A’ tab.

2. Adjust the fourth encoder to set the destination of the talkback microphone,

pressing the encoder to set the connections. The talkback mic can be routed

to any of the individual mix buses that are feeding a monitor system.

3. Adjust the third encoder to set the volume of the talkback mic.

4. Press the button below the Talk Level knob to activate the talkback

microphone to communicate with the stage talent. The talkback button can

be set to latching or non-latching using the push action of the 5th encoder.

5.7 Everything you ought to know about Solo

and monitor sources

The X32 RACK allows you to monitor audio sources on a set of headphones or

monitor speakers when operating the console from a front-of-house position.

1. Connect a set of headphones to the ¼" phones jack on the front panel.

2. Alternatively, connect a set of monitors to the ¼" monitor outs on the

rear panel.

3. Press the Monitor button.

4. Adjust the 6th encoder to select the audio source for the monitor bus,

forexample LR PFL (LR Pre-Fader Listen). This will output the main LR

pre-fader signal to the monitors when no Solo button is selected on any of

the channels or buses.

5. Adjust the rst encoder to set the level of the monitor signal.

Then, adjust the level of the connected headphones and/or monitor

usingtheir respective level controls on the X32 RACK front panel.

6. Press the Solo button on any input or output channel to send that channel’s

audio to the solo bus. This operation will not aect the mix that the audience

is hearing, nor the monitor mix heard by the talent. Input channels take

priority over DCAs, DCAs take priority over buses, and buses take priority

over main LRC/mono.

7. Press the “Clear Solo” button above the main fader to quickly clear the solo

status of any and all channels. This is particularly useful when solo is active

on a channel that is not present on the current input layer and you wish to

quickly clear its solo status.

The solo bus also has various preferences that can be set using the second

encoder, allowing you tailor its operation to your specic working style.

Examplesinclude:

1. Use “Exclusive” if you want the act of pressing another solo button to

automatically disengage the previous solo. This is useful if you know you

will never want to solo more than one channel of material at the same time.

Inthis mode you can press several Solo buttons at the same time to solo the

corresponding channels together.

2. Use “Solo Follows Select” if you want the solo selection to automatically

follow any channel that you have selected. This allows you to quickly hear

the audio of that channel in your headphones when you select it to adjust

EQ, compression, etc. Remember that you need to solo a channel rst before

this function is active.

3. Use “Select Follows Solo” when you want the reverse to occur: Any channel

that is soloed will automatically become the currently selected channel,

allowing you quickly make adjustments for any channel you have soloed.

4. Use the “Channel Solo AFL” to listen to the channel signal after the fader and

stereo PAN.

5. Use “Mix Bus Solo AFL” to listen to the mix bus signal after the fader and

stereo PAN.

6. Use “DCA Group AFL” if you want to put the contents of a soloed DCA group into

after-fader listen mode when the solo button is pressed on a DCA channel.

7. “Use Master Fader” option lets you adjust the solo signal on the monitor/

headphones with the Master fader on the console. Note: The master output

level cannot be changed in this mode. This mode has primarily been

designed for using the X32 RACK as a pure monitor console where the main

bus is not used for your PA system.

Behringer X32 Rack Seite 21

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