Bedienungsanleitung Behringer XAir - XR12 (Seite 35 von 46) (Englisch)

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35 X AIR User Manual

10. Eect Descriptions

Here is a list and brief description of the eects available on the X AIR mixers.

When Stereo and Dual versions of an eect are oered, use the Stereo version

when the left and right signal are to be altered together (e.g. on linked stereo

channels or buses), or Dual when you want to dial dierent settings for the left

and right signal.

Hall, Ambience, Rich Plate, Room, Chamber Reverb

These 5 reverb emulations are inspired by the Lexicon 480L. Hall simulates the

reverberation that occurs when sound is recorded in medium to large-sized

concert halls. Ambience creates a customizable virtual acoustic space to add

warmth and depth without coloring the direct sound.

The PRE DELAY slider controls the amount of time before the reverb is heard

following the source signal. DECAY controls the amount of time it takes for the

reverb to dissipate. SIZE controls the perceived size of the space being created by

the reverb. The DAMP slider adjusts the decay of the high frequencies within the

reverb tail. DIFF(usion) controls the initial reection density, and LEVEL controls

the eect output.

LO and HI CUT allow the frequencies aected by the reverb to be narrowed.

BASSMULT(iplier) controls the low frequency build-up. SPREAD emphasizes

the stereo eect of the reverb. SHAPE adjusts the contour of the reverberation

envelope. MOD SPEED controls the reverb tail modulation rate and TAIL GAIN

adjusts the volume of the reverb tail. The Rich Plate and Room reverbs allow

the stereo ECHO DELAY and the delay FEEDBACK to be adjusted independently

for each side. The Chamber reverb allows the stereo REFL(ection) DELAY and

GAINtobe adjusted independently.

Plate Reverb

A plate reverb was originally created by sending a signal through a transducer

to create vibrations on a plate of sheet metal which were then picked up as an

audio signal. Our algorithm simulates that sound with high initial diusion and a

bright colored sound. The Plate Reverb will give your tracks the sound heard on

countless hit records since the late 1950s. (Inspired by the Lexicon PCM-70)

PRE DELAY controls the amount of time before the reverberation is heard

following the source signal. DECAY controls the amount of time it takes for the

reverb to dissipate. SIZE adjusts the size of the virtual room created by the reverb

eect. The DAMP knob adjusts the decay of high frequencies within the reverb

tail. DIFF(USION) controls the initial reection density. The LO CUT knob sets the

frequency beneath which the source signal will not pass through the reverb.

The HI CUT knob sets the frequency above which the source signal will not pass

through the reverb. The BASS MULT(IPLIER) knob adjusts the decay time of the

bass frequencies. XOVER controls the crossover point for bass. MOD DEPTH and

SPEED control the intensity and speed of the reverb tail modulation.

Vintage Reverb

Based on the legendary EMT250, the Vintage Reverb delivers shimmering

bright reverb that won’t drown out or overpower your live or recorded tracks.

UseVintage Reverb to sweeten vocals and snare drums without sacricing clarity.

When layer 1 is selected, the rst slider on the left sets the reverb time from

4milliseconds to 4.5 seconds. Slider 2 controls the low frequency multiplier decay

time. Slider 3 controls the high frequency multiplier decay time. Slider 4 controls

the amount of modulation in the reverb tail. When layer two is selected, slider 1

adjusts the pre delay. Slider 2 selects the low cut frequency. Slider 3 selects the Hi

Cut frequency. Slider 4 adjusts the output level of the reverb.

When Layer 1 is selected, the far left encoder push button allows you to select

between virtual front and rear outputs. Rear is suitable for drums due to it being

less reective. Front is well-suited for vocals and other dynamic instruments.

TheVintage button enables the simulation of the input transformers.

Vintage Room

Vintage Room simulates the reverberation that occurs when sound is recorded

in a small room. When you want to add a bit of warmth and just a touch of

reverb, the Vintage Room breathes life into close-miced guitar and drum tracks.

(Inspired by the Quantec QRS)

The VU meter displays the input and output levels. Set the early reection times

for the left and right channel with ER DELAY L and ER DELAY R. ER LEVEL sets the

loudness of the early reection level. REV DELAY controls the amount of time

before the reverberation is heard following the source signal. HI/LOW MULTIPLY

adjusts the decay time of the high and bass frequencies. TIME shows the duration

of the reverb eect. ROOM SIZE adjusts the size of the room eect being created

incrementally from small to large. HIGH CUT sets the frequency above which

the source signal does not pass through the reverb. DENSITY manipulates the

reection density in the simulated room. (This slightly changes the reverb decay

time). LOW CUT sets the frequency below which the source signal does not pass

through the reverb.

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