Bedienungsanleitung Behringer XAir - XR12 (Seite 37 von 46) (Englisch)

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37 X AIR User Manual

Stereo Chorus

Chorus samples the input, slightly detunes it and mixes it with the original

signal to produce a somewhat thicker, shimmering sound. Use it to thicken up

background vocals, or to double the sound of brass and woodwind instruments.

Where as DELAY L/R set the total amount of delay for the left and right channel,

WIDTH determines the amount of modulated delay. SPEED sets the modulation

speed. MIX adjusts the balance of the dry and wet signals. You can further sculpt

the sound by trimming some of the low and high end from the eected signal

with the LO and HI CUT knobs. Additionally, the PHASE knob can tweak the

phase oset of the LFO between left and right channel and the SPREAD knob

adjusts how much of the left channel is mixed into the right and vice versa.

Finally,theWAVE knob blends between the “Danish-style” digital triangular

chorus sound and the classic analog sine wave.

Stereo Flanger

The Flanger emulates the phase-shifting sound (comb-ltering) originally

created by applying pressure against the ange of the reel on a tape recorder.

This eect creates a unique “wobbly” sound that is quite dramatic when used on

vocals and instruments.

The controls of this eect are nearly identical to the Chorus eect block.

Additionally, the FEEDBACK can be adjusted with positive and negative amounts

and also band-limited with the FEED HC (high-cut) and FEED LC (low-cut) knobs.

Stereo Phaser

A Stereo Phaser, or phase shifter, applies multiple STAGES of modulated lters to

the input signal to create a “notch” in the frequency response, and then applies

a MIX with the original for a “swirling” eect. Use the Stereo Phaser to add a

“spaced-out” sound to vocal or instrument tracks.

SPEED adjusts the LFO rate and DEPTH sets the LFO modulation depth. The BASE

knob adjusts the frequency range of the modulated lters. The resonance is

adjusted with the RESO knob. The WAVE knob shapes the symmetry of the LFO

waveform and PHASE dials in an LFO phase dierence between the left and right

channel. The modulation source can also be the signal envelope, which produces

vowel-like opening and closing tones. The ENV MOD knob adjusts how much this

eect takes place (positive and negative modulation is possible), and the ATTACK,

HOLD and RELEASE knobs all tailor the response of this feature.

Dimensional Chorus

The Dimensional Chorus oers the most user-friendly and classic sounds,

bestdescribed as “space” and “dimensional”. The 4 MODE buttons can

be engaged individually or simultaneously for light chorus or very thick,

exaggerated modulation.

Mood Filter

The Mood Filter uses an LFO generator and an auto-envelope generator to control

a VCF (voltage-controlled lter), as well as a side chain function where the

channel B signal controls the envelope of channel A. When applied to electronic

instruments, the Mood Filter can be used to emulate the natural sound of

acoustic instruments. (Inspired by the MiniMoog)

This lter can be modulated with the signal’s envelope using the ENV MOD

(withpositive and negative amounts), ATTACK and RELEASE knobs, or the

LFOcan modulate the lter. The WAVE knob selects between 7 dierent wave

forms–triangular, sine, saw plus, saw minus, ramp, square, and random.

ThePHASE can be o set by up to 180 degrees. The SPEED knob adjusts the rate

of the LFOand the DEPTH adjusts the amount of LFO modulation. Adjustthe

resonance of the lter until self-oscillation with the RESO(nance) knob.

BASEadjusts the range of the lter from 20 Hz to 15 kHz. The MODE switch

selects between low pass (LP), high-pass (HP), band-pass (BP) and Notch. Use the

MIXknob to blend the eected signal with the dry sound. With the 4 POLE switch

engaged, there will be a steeper slope than the OFF (2 pole) setting. The DRIVE

knob adjusts the level and can also introduce an overdrive eect (as with real

analogue lters) if pushed hard. In Sidechain mode, only the left input signal is

processed and fed to both outputs. The envelope of the right input signal can be

used as a modulation source.

Rotary Speaker

Rotary Speaker emulates the sound of a Leslie rotating speaker. The Rotary

Speaker provides more exibility than its electro-mechanical counterpart,

andcan be used with a variety of instruments, and even vocals, to create a

whirling, psychedelic eect.

The LO SPEED and HI SPEED knobs adjust the rotational speed of the

SLOWand FAST Speed selection, and can be toggled with the FAST button.

TheACCEL(eration) knob adjusts how quickly the speed increases and

decreases from the Slow mode to the Fast mode. The rotation eect can also

be disengaged with the STOP button, which will stop the movement of the

speakers. DISTANCEadjusts the distance between the Rotary speakers and the

virtualmicrophone.

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