Bedienungsanleitung Behringer Xenyx XL1600 (Seite 11 von 22) (Englisch)

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11 XENYX XL3200/XL2400/XL1600 User Manual

LOW MID

A second semi-parametric peak lter processes the upper mid range. TheFREQ

control selects the frequency which is boosted or cut by using the HIGHMIDcontrol.

LOW

The low-frequency range is processed with a shelving lter below 80 Hz.

The EQ push-button switch activates the equalizer. Toggle the EQ to give you a

quick comparison between unprocessed and processed signal.

5.1.1 FX, MON, AUX send paths

The send paths FX, MON and AUX allow you to tap the signals of one or more

channels and route them to other outputs. This way you can create individual mixes

for eects (FX) and musicians performing on stage (MON). Using the FX/MON/AUX

send outputs, the mix is fed to the stage loudspeakers and eectsunits.

FX 1 and FX 2

The FX buses are used as send paths to external eects units. The signal is usually

tapped after the channel fader and therefore is aected by the position of the

channel fader.

The FX control adjusts the volume level of the channel signal to the eects unit.

PRE

Press the PRE switch to change the routing of both eects paths from

“post-fader” to “pre-fader.” This way the volume level of the eects signal is not

aected by the channel fader.

Both the FX control on the channel and the corresponding Master FX SEND control

need to be fully turned up as well. Connect the FX Send output to the input of the

eects unit. The eects signal is routed back through the FX Returns found in the

master section.

Monitor 1 and 2:

The monitor buses are used as send paths to stage monitors. The monitor sends

are hardwired pre-fader. This means the volume level of the monitor mix is not

aected when using the channel fader.

The MON control adjusts the volume level of the channel signal in the

monitorbuses.

AUX

The aux buses are used as additional, exible send paths for various applications.

The AUX control adjusts the volume level of the channel signal in the aux buses.

The sum of all aux signals is determined by the corresponding AUX SEND control

found in the main section. The signals can be routed from the corresponding

AUXSEND outputs. Both the aux send paths can be amplied up to +15 dB and

are pre-fader and post-fader switchable in the main section.

Pre-fader or post-fader:

For most applications using external eects signals, the aux send path should be

switched to post-fader so that the eects volume level in a channel is aected by

the position of the channel fader. If not, the eects signal would be audible even

with a pulled down fader. For monitoring applications, the aux send paths are

usually switched to pre-fader and therefore are not aected by the channel fader.

To oer you the utmost exibility, the FX buses can be switched to pre-fader in

each channel. What's more, you may switch the AUX buses in the main section

between pre-fader and post-fader. This gives you a maximum of 6 pre-fader

buses or, alternatively, 4 post-fader plus 2 pre-fader buses.

5.1.2 Channel fader, pan control, mute control, etc.

PAN

The PAN control determines the position of the channel signal in the stereo mix

as well as the subgroup to which the channel signal is routed.

MUTE

The MUTE switch mutes the channel. This means that the channel signal has been

removed from the main mix and subgroups. At the same time the FX, monitor

and aux paths of the respective channel are muted as well. The corresponding

MUTE LED indicates that the channel has been muted.

SOLO

Use the solo function to listen in on a channel. Press the channel's SOLO switch to

hear the signal on your headphones. Simultaneously, the monitor meter ½ switches

to the solo signal, allowing you to level the signal correctly (see chapter X). The signal

to be listened in on is tapped either before (PFL, mono) or behind (AFL,stereo) the

channel fader and the pan control (depending on the state of the PFL/AFL switch.

Thecorresponding LED lights up when the solo function isactivated.

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