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Dolby Digital EX
Dolby Digital EX is a 6.1-channel surround format
proposed by Dolby Laboratories that allows users
to enjoy in their homes the “DOLBY DIGITAL
SURROUND EX” audio format jointly developed by
Dolby Laboratories and Lucas Films.
The 6.1
channels,
expression of space.
Dolby Digital Plus
Dolby Digital Plus is an improved Dolby Digital
signal format that is compatible with up to 7.1
channels of discrete digital sound and also
improves sound quality thanks to extra data bit
rate performance. It is upwardly compatible with
conventional Dolby Digital, so it offers greater
flexibility in response to the source signal and the
conditions of the playback equipment.
Dolby TrueHD
Dolby TrueHD is a high definition audio technology
developed by Dolby Laboratories, using lossless
coding technology to faithfully reproduce the
sound of the studio master.
This format provides the facility to support up to
8 audio channels with a sampling frequency of
96kHz/24bit resolution and up to 6 audio channels
with a sampling frequency of 192kHz/24bit
resolution. Dolby TrueHD is adopted for
applications that put very high importance on
sound quality.
Dolby Pro Logic g
Dolby g
developed by Dolby Laboratories.
Regular music such as that on
5 channels to achieve an excellent surround effect.
The surround channel signals are converted into
stereo and full band signals (with a frequency
response of 20 Hz to 20 kHz or greater) to create
a “three-dimensional” sound image offering a rich
sense of presence for all stereo sources.
Dolby Pro Logic g x
Dolby Pro Logic g x is a further
the Dolby Pro Logic g matrix decoding technology.
Audio
to achieve a natural sound with up to 7.1 channels.
There
music, “Cinema” suited for playing movies, and
“Game” which is optimized for playing games.
Explanation of terms
Dolby Pro Logic g z
Dolby g z introduces
Home
of front stereo,
5.1-channel and 7.1-channel content, Dolby Pro
Logic g z provides enhanced spaciousness, depth
and
game maintaining integrity
of the source mix.
Dolby g z decodes
cues that occur naturally in all content, directing
this information to the front height channels,
complementing the performance of left and right
surround
with Dolby Pro Logic g z height channel information
can be even more revealing, with perceptually
discrete height channel information bringing an
exciting new dimension to home entertainment.
Dolby Pro g z, with front height
also an
support
of a typical 7.1-channel system but may have
bookshelf space available
height speakers.
Dolby Volume
Automatically adjusts the volume that varies
depending on the contents and input source and
performs appropriate corrections of the frequency
characteristic.
Downmix
This of of
surround audio to less number of channels and
plays back.
DTS
This is of Digital Theater
which
When
with
field position and
in a movie theater can be obtained.
DTS 96/24
DTS 96/24 is a digital audio format enabling high
sound quality playback in 5.1 channels with a
sampling
on DVD-Video.
DTS Digital Surround
DTS
format of DTS, Inc., compatible with a sampling
frequency of 44.1 or 48 kHz and up to 5.1 channels
of digital discrete surround sound.
DTS-ES™ Discrete 6.1
DTS-ES™ Discrete 6.1 is a 6.1-channel discrete
digital audio format adding a surround back (SB)
channel to the DTS digital surround sound.
Decoding of conventional 5.1-channel audio signals
is also possible according to the decoder.
DTS-ES™ Matrix 6.1
DTS-ES™
audio format
to the surround sound
encoding. Decoding of conventional 5.1-channel
audio signals is also possible according to the
decoder.
DTS Express
DTS
rates (max. 5.1 channels, 24 to 256 kbps).
DTS-HD
This
and enhanced functionality than the conventional
DTS and is
Disc.
data
lossless
supported in Blu-ray Disc.
DTS-HD High Resolution Audio
DTS-HD High Resolution Audio is an improved
version of the conventional DTS, DTS-ES and
DTS 96/24 signals formats, compatible with
sampling frequencies of 96 or 48 kHz and up to
7.1 channels of discrete digital sound. High data
bit rate performance provides high quality sound.
This format is fully compatible with conventional
products, including conventional DTS digital
surround 5.1-channel data.
DTS-HD Master Audio
DTS-HD Master Audio is a lossless audio format
created by Digital Theater System (DTS). This
format provides the facility to support
channels with a sampling frequency of 96kHz/24bit
resolution and up to 6 audio channels with a
sampling frequency of 192kHz/24bit resolution.
It is fully compatible with conventional products,
including conventional DTS digital surround
5.1-channel data.
DTS NEO:6™ Surround
DTS NEO:6™ is a matrix decoding technology
for achieving 6.1-channel surround playback
with 2-channel sources. It includes “DTS NEO:6
Cinema” suited for playing movies and “DTS
NEO:6 Music” suited for playing music.
Dynamic range
The difference between the maximum undistorted
sound level and the minimum discernible level
above the noise emitted by the device.
H
HDCD
HDCD
®
is an encoding/decoding technology that
greatly reduces the distortion that occurs upon
digital recording while maintaining compatibility
with the conventional CD format, thus expanding
the dynamic range and achieving a high resolution.
Conventional
identified automatically to select the optimum
digital processing.
HDCP
When transmitting digital signals between devices,
this copyright protection technology encrypts
the signals to prevent content from being copied
without authorization.
HDMI
This
Interface,
be connected
audio signal can be connected using 1 cable.
L
LFE
This is an abbreviation of Low Frequency Effect,
which is an output channel that emphasizes
low frequency effect sound. Surround audio is
intensified by outputting 20 Hz to 120 Hz deep
bass.
M
MAIN ZONE
The room where this unit is placed is called the
MAIN ZONE .
MP3 (MPEG Audio Layer-3)
This is an internationally standardized audio data
compression the
compression standard. It compresses the data
volume to about one eleventh
maintaining
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