Bedienungsanleitung Korg Kross 2 (Seite 119 von 152) (Englisch)

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Editing a Drum Kit Before you start editing…

113

9. In the DRUM KIT> DS 1 page, set the Drumsample 1

Bottom Vel. to 80.

Now, Drumsample2 will sound when you play softly, at

velocities of 79 or less–and Drumsample1 will sound

when you play harder, with velocities of 80 or more.

The meter to the left side of the Velocity Zone graphic

indicates the note-on velocity value. This lets you verify

the drumsample that will be sounded by a given velocity.

10.Next, set Drumsample1’s Xfade to 20, and its Curve to

Linear.

Notice that the graphic now shows the two ranges

tapering into one another. Between 80 and 100,

Drumsample2 will fade out, and Drumsample1 will fade

in, creating a gradual velocity transition instead of a hard

split.

Fine-tuning the sound of each sample

1. If you like, adjust the Levels for the two

Drumsamples.

This can be very useful in creating a smooth velocity split

or crossfade.

2. As necessary, specify the tuning, EG parameters, and

filter.

For each drumsample, adjust the Tune, Attack (Amp EG

Attack), Decay (Amp EG Decay), Cutoff, and

Resonance.

To link sounds such as hi-hat open and close

1. Access the DRUM KIT> VOICE page.

2. Use Excl (Exclusive) Group to assign the

drumsamples to groups.

For example, by creating a group containing keys to

which related drum samples such as hi-hat close and open

are assigned, you can prevent an unnatural situation in

which multiple types of hi-hat sound are heard

simultaneously.

If closed hi-hat and open hi-hat are assigned to the same

group, and you play the closed hi-hat while the

previously played open hi-hat is still sounding, the open

hi-hat sound stops, just as it would on an actual hi-hat.

Sustaining the sound even after the key is

released (Hold)

Use the Hold function for instruments that should continue

sustaining even after the key is released, such as a crash

cymbal. The way this works will depend on the settings of

the program and drum kit.

Set the Hold function as follows.

1. Access the Program mode P-BASIC>NOTE-ON page.

2. Make sure that the Key Zone setting Hold is on.

Once you’ve turned on Hold for the Program, the

function is controlled on a note-by-note basis according

to settings within the Drum Kit.

3. Access the Global/Media mode DRUM KIT>VOICE

page.

4. For each key, set the Note-Off (Enable Note-Off

Receive) parameter as desired.

If this check box is not selected, notes will be held, and

the sound will continue even after the key is released.

If it is checked, the key will not be held.

If you turn off Hold in the Program, no keys will be held

- regardless of their Note-Off (Enable Note-Off

Receive) setting.

Controlling effects for each key

Drum Kits have their own, built-in mixers. For each key, you

can control the Insert Effects bussing, Master Effects sends,

and pan.

Bus settings for each key

For example, you can change settings so that the snare is sent

to IFX1, the kick to IFX2, and the other sounds to L/R.

1. Access the Program mode P-FX ROUTING> BUS

page.

2. Make sure that the DKIT-SET check-box is checked.

When Use DKit Setting is on, the Program will use the

Bus Select and Effects Send settings for each key of the

Drum Kit.

When Use DKit Setting is off, the Program will ignore

the Drum Kit’s Bus Select and Effects Send settings.

3. Access the Global/Media mode DRUM KIT> VOICE

page.

4. Use the Bus Select parameter to send drum sounds

through their own Insert effects, or to the L/R

outputs.

If you like, you can send each note to its own Insert

effect, or to the individual audio outputs, in addition to

the L/R outputs.

Tip: In most preloaded drum kits, the drum instruments

have the same Bus (IFX/Output) Select settings

according to their type, as follows.

Snares → IFX1

Kicks → IFX2

Cymbals → IFX3

Toms, Percussions, other → IFX4

5. Use Send1 and Send2 to set the send levels to the

master effects.

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