Bedienungsanleitung Korg microKORG S (Seite 5 von 73) (Englisch)

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Introduction

256 built-in programs

The microKORG S contains 256 built-in programs. When shipped, the TRANCE–

S.E./HIT banks contain synth programs, and the VOCODER bank contains

vocoder programs.

Process the waveform of an external input source

The waveform of an external audio source can be input via the AUDIO IN 1 and

2 jacks, and processed in the same way as the internal waveforms.

Virtual Patch function

Modulators and controllers such as filter EG, amp EG, LFO 1/2, keyboard

tracking, and wheel can be virtually patched (without using actual patch cables)

to parameters such as pitch, cutoff, and amp. This gives you even more creative

flexibility.

Effects to add the finishing touch to your sound

For even greater possibilities, the microKORG S provides three types of

modulation effect, three types of delay, and an equalizer.

The delay effect can be synchronized with the arpeggiator or an external MIDI

clock, allowing numerous applications in live performance.

Step Arpeggiator

The microKORG S's arpeggiator lets you produce an arpeggio simply by holding

down a chord.

You can choose from six arpeggio types, and adjust the duration and spacing of

the arpeggiated notes. You can also specify whether a note will be on or off for

each of up to eight steps, letting you create a broad range of modified rhythms

and other effects.

Main Features

Analog modeling synthesizer

The analog modeling system of the microKORG S uses DSP technology to

simulate an analog synthesizer. Starting with a variety of different oscillator

algorithms (such as the sawtooth and square waves familiar to users of analog

synthesizers) you can use the various controls located on the front panel to edit

any sound, or to create sounds of your own. All sound parameters are organized

into “sections”. By selecting the appropriate section and turning the appropriate

knob you can edit sounds quickly, easily and intuitively. You can also modify the

sound in realtime as you perform.

Number of timbres: maximum 2 (when layer is used)

Maximum polyphony: 4 voices

Structure: 2 oscillators + noise generator: sawtooth wave, square wave,

triangle wave, sine wave, Vox wave, DWGS x 64, Noise,

Audio In (eight types)

PWM function, OSC Sync function, Ring Mod. function, OSC

Sync+Ring Mod. function

Multimode filters: -24 dB/oct LPF, -12 dB/oct LPF, -12 dB/

oct BPF, -12 dB/oct HPF (four types)

Filter EQ, Amp EG, LFO1, LFO2 (LFO: six waveforms, can be

synchronized to the arpeggiator or to external MIDI clock)

Vocoder

You can connect a mic to one of the microKORG S's AUDIO IN 1 jacks, and use it

as a vocoder – a device that imposes the spectral character of a voice (or other

audio signal) on the sound of an oscillator, producing the impression that the

oscillator is speaking.

The vocoder consists of eight channels (sixteen filters used in pairs). In addition to

simulating the sounds of classic vocoder units, you can change the filter frequency

and adjust the level and pan of each band to create original vocoder sounds.

Maximum polyphony:

4 voices

Structure:

8 channel vocoder, adjustable level/pan for each channel,

Formant Shift function, 1 oscillator + noise generator (eight types)

Filter EG, Amp EG, LFO1, LFO2 (LFO: six waveforms, can be

synchronized to the arpeggiator or to external MIDI clock)

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