Bedienungsanleitung Korg R3 (Seite 7 von 94) (Englisch)

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Introduction

6. Modulation Sequencers

Just as step sequencers provide new pitch data to an oscillator over time,

the Modulation Sequencers can provide changes in modulation data over

time, in a way similar to a classic analog sequencer. Each modulation

sequence can be set to provide a new discreet value at each step, or to

send out a continuously changing value using the values assigned to

each step as a “map”. Modulation Sequences can be recorded in step time

or in real time.

7. Built-in EQ and effects to add polish to your sound

Each timbre is equipped with two insert effects and a two-band equal-

izer. Each two-timbre program provides a master effect that lets you add

a final touch to your overall sound. Thirty different effect algorithms are

available.

8. Arpeggiator

You can set the R3’s arpeggiator to produce an arpeggiated pattern of

notes by simply holding down a chord. There are six arpeggio types, and

you can adjust the gate time, swing amount, and note value of the

arpeggiated notes. You can also create rhythmic variations by turning off

specific steps of the arpeggio pattern.

9. Editor/Librarian software

By connecting the R3 to your computer, you can use the Editor/Librarian

software (included free) to edit all of the R3’s parameters from your

computer. The R3 is also equipped with USB/MIDI, eliminating the need

for a MIDI interface.

Main Features

1. MMT (Multi Modeling Technology) synthesis engine

In addition to traditional analog synthesizer waveforms, the R3 also

provides a wide range of oscillator algorithms, including formant waves,

noise, and 64 DWGS (Digital Waveform Generator System) waves. With

this rich assortment of oscillator algorithms, your R3 can produce a vast

array of sonic variations.

2. Advanced Formant Motion vocoding

The

includes a sixteen band vocoder. In addition to simulating the

classic “talking instrument” vocoder sounds of yester-year, you can shift

the filter frequencies and adjust the level and panning of each band to

create highly original vocoder sounds. There’s also a Formant Motion

feature that lets you capture the changing formants - even words -from

your voice and reproduce them later as you play the keyboard, without a

microphone present!

3. 128 easily editable programs

When shipped from the factory, the R3 contains 128 preloaded programs.

Banks A–N are loaded with 112 synth programs, while banks O and P

contain sixteen vocoder programs. By selecting a page and turning any of

the four knobs, you can quickly and intuitively edit these sounds. In

addition to detailed editing, these same knobs can be used as Perfor-

mance Edit controllers to modify the sound as you play.

4. External sound processing

Any external audio source can be connected to the R3 via the AUDIO

INPUT 1 and 2 jacks, and processed in the same way as the internal

waveforms.

5. Virtual Patches

Modulators and controllers such as the filter EG, amp EG, LFO 1/2,

keyboard tracking, and the modulation wheel can be routed to control

parameters such as pitch, cutoff, and amp. This virtual patching mimics

the patching versatility of modular analog synthesizers (without using

actual patch cables) to provide more creative flexibility.

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