Bedienungsanleitung Korg R3 (Seite 9 von 94) (Englisch)

668721

Zoom out

Zoom in

Vorherige Seite

1/94

Nächste Seite

Envelope generators (EG1/EG2/EG3)

Envelope generators (EG) are used to apply time-varying change to the

sound parameters. Each EG consists of four parameters: attack time

(ATTACK), decay time (DECAY), sustain level (SUSTAIN), and release

time (RELEASE). Each timbre contains three of these EGs. EG1 is assigned

to control the filter cutoff frequency, and EG2 is assigned to control the

volume of the amp. You can also use virtual patching (VIRTUAL PATCH)

to assign these EGs as envelope sources for other parameters.

LFO section (LFO1/LFO2)

LFO (Low Frequency Oscillator) is used to apply cyclic change to the sound

parameters. Each timbre contains two LFOs, and for each LFO you can

choose one of five waveforms. By default, LFO1 is assigned to oscillator 1’s

analog algorithms as the knob labelled “OSCCtr2”, and LFO2 is assigned to

the modulation wheel. You can also make virtual patch settings (VIRTUAL

PATCH) to assign the LFOs as modulation sources for other parameters.

Virtual Patch (VIRTUAL PATCH)

The virtual patch section lets you freely assign modulation sources to

modulate-able parameters, giving you even more flexibility for creating

sounds. You can make six virtual patch assignments in each timbre.

Modulation Sequencer (MOD SEQUENCER)

Using a modulation sequencer, you can apply up to sixteen discrete

values (steps) to a modulate-able parameter over time, in a manner

similar to vintage analog synthesizers. The modulation sequence can

play once, repeat, loop front to back, etc. - providing movement and

complexity to the sound. The value can change abruptly at each step, or

it can smoothly transition from value to value. The value of each step can

be set using the front panel knobs, or by using the Motion Rec function to

record knob movements (changes in parameter values) in realtime.

Equalizer (EQ) and Insert Effects (INSERT FX1/FX2)

Each timbre is equipped with a two-band Equalizer to further control the

overall tone. In addition, each timbre also possesses two insert effects.

Thirty different effect types are available, and their 128 editable effect

program locations to save your favorites. Certain effects can by synced to

the tempo of the internal clock that is running the arpeggiator, or to an

external MIDI clock. BPM Sync effects can be conveniently set as note

values (Half-note, quarter-note, etc.).

Master effect (MFX)

Each program contains one master effect. You can use this to apply a

reverb or delay effect to the overall combined sound of the program

including the processing applied by the insert effects of each timbre,

adding the final touch to the complete program. You can choose from

thirty different effect types, and 128 editable effect programs.

Arpeggiator

You can apply the arpeggiator to a timbre. If the program uses two

timbres, you can apply the arpeggiator to either or both timbres. This is a

step arpeggiator with six types of arpeggios.

The structure of a program

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Korg R3 Seite 9

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info