Bedienungsanleitung Marshall JMD 1 (Seite 4 von 10) (Englisch)

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1. Input Jack Socket

Youmust always use a screened (shielded) guitar cable

and never use an unscreened (unshielded) speaker

cable.Also, this cable should be one of good quality. If

you are in any doubt regarding this, your Marshall

dealer will be more than happy to help and advise you.

2. Channel Controls

Manual - Switches the amp to manual mode. When

selected, all of the JMD:1’s settings will match the

current physical positions of the controls, it will behave

just like a conventional amplifier.

Manual mode will be automatically selected when the

unit is switched on.

As the front panel effect switches (Ext FX, Delay/Tap

Tempo, Modulation) do not have a set physical state

you are free to set them as desired. Their settings will

be remembered and recalled every time the amp is set

to manual.

Channel 1, 2, 3 & 4 - For storage and recall of four of

your favourite sounds when not using the footswitch or

MIDI.

To Recall - Simply press the channel switch for the

channel you wish to recall. The channel switch will

illuminate to show it has been selected.

Remember: When a channel preset is recalled, the

physical position of the pre-amp and FX section

controls are unlikely to match the original settings used

to program the recalled preset. The front panel switches

will automatically be updated.

To Store - Dial in the tone and FX settings you require,

when happy, select which channel to store your sound

into by holding that channel switch down for more than

1 second.All channel lights will flash to indicate your

settings have been successfully stored.

If any changes are made to the amplifier once a

channel has been recalled, the current channel light will

flash to remind you that the current settings have been

altered but not yet stored.

When changing a control, if its value matches that

stored in the currently recalled channel, the Footswitch /

MIDI Program (7) switch will illuminate for a short time.

After altering a channel’s settings, pressing Compare

(2) allows you to toggle between the edited and the

original channel settings allowing you to easily compare

the changes you are making.

3. Pre-Amp

Selects one of the JMD:1’s 16 Pre-Amps (3).

Each Pre-Amp is not only tonally different, but the

channel controls (4) - Gain, EQ and Volume will behave

just like the original depending on the Pre-Amp

selected. Experiment with these controls and your

guitar to fully explore the full potential of each setting.

CLEAN SECTION 1-4

Clean 1. Modern

Pre-Amp: JVM410H

Settings: Clean Channel in Green Mode

Based on the mighty JVM Series' Clean channel, this

pre-amp option produces one of the brightest clean

tones ever to have come from a Marshall. The tight,

controlled and well balanced tone provides plenty of

clarity and punch, thanks to a tone network that lies

before the channel’s main gain stage.

Pre-amp Topology: Single ECC83 pre-amplifier

stage driving a classic Marshall three band EQ feeding

another ECC83 gain stage directly coupled to an

ECC83 cathode follower

Clean 2. Full

Pre-Amp: JCM2000 DSL100

Settings: Clean Channel – Tone Shift on

One of Marshall's best selling

all-valve amps to date, the DSL

continues to be the weapon of

choice for many of the world's

top players. One reason for its’

immense popularity is its

vibrant clean sound with glassy

bright edge and fat resonant

punch, which has been perfectly captured here.

Pre-amp Topology: ECC83 pre-amplifier stage

followed by a tone shaping circuit set to boost bass and

treble feeding into three ECC83 gain stages directly

coupled to an ECC83 cathode follower connected to a

lower mid frequency ‘tone shifted’ Marshall three band

EQ.

Clean 3. Classic

Pre-Amp: JMP-1

Settings: Clean 1 – Bass Shift on

Straight out of the JMP-1 tonal vault comes this well

rounded tone with distinctive mid characteristics,

making this option ideal for rich chords and softer tones.

Increasing the gain results in clean lead lines with a hint

of vintage style distortion.

Pre-amp Topology: ECC83 pre-amplifier stage

followed by a tone shaping circuit with tuned bass and a

slight low mid cut feeding into an ECC83 gain stage

followed by a three band EQ.

Clean 4. Natural

Pre-Amp: JMD:1

The first of the JMD:1's new sounds, this setting is

designed to produce a totally flat response, letting the

natural tone of your guitar and the JMD:1's power

amplifier take centre stage. The well rounded and warm

tone of this particular pre-amp makes it ideal for jazz

style playing.

Pre-amp Topology: A linear pre-amp combined with

a studio style EQ section, low-shelf at 100Hz, mid-peak

at 500Hz, high-shelf at 3.5Khz. Uncoloured pre-

amplification followed by a three band cutting EQ,

where a totally flat response pre-amp gain is achieved

when Bass, Middle and Treble are set on full.

CRUNCH SECTION 5-8

Crunch 5. Vintage

Pre-Amp: 1974 & 1959 combination

Aunique marriage of the 1974 and 1959 models, two of

Marshall's most revered vintage amplifiers. The tonal

character of the 1974 has been matched perfectly with

the 1959's EQ section and is ideal for classic rhythm

sounds.

Pre-amp Topology: Thispre-ampisthecombination

ofa1974pre-ampandpowerampusedas a pre-amp

stage:ECC83pre-amplifierstagewithpresettoneand

gaincontrolfeedinganotherECC83gainstagedirectly

coupledtoanECC83cathodefollowerdrivinga classic

MarshallthreebandEQfollowedbyan18 WattEL84

pushpullamplifierwithnofeedbackdrivinga dummyload.

Crunch 6. Classic

Pre-Amp: JCM800 2203

Raw,roughandready–whatmorewouldyouexpectfrom

apre-ampbasedonthelegendaryJCM8002203!An

upfrontfocussedsoundwhichembodiestheterm‘crunch’.

xt FX

odern

Full - 2

Classic - 3

Natural - 4

Vintage - 5

lassic - 6

Deep - 7

Full - 8

Classic

10 - Modern

11 - Deep

2 - Detuned

13 - Deep

14 - Solid

15 - Classic

16 - Modern

Full -

- 7

16 - M

JMD:1 Front Panel

1 3

4 5

2 2 7

9 10

ENGLISH

Marshall JMD 1 Seite 4

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