Bedienungsanleitung Marshall JMD 1 (Seite 5 von 10) (Englisch)

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Pre-amp Topology: ECC83 pre-amplifier stage

feeding into a gain control with treble boost followed by

an ECC83 pre-amplifier clipping stage then into an

ECC83 gain stage directly coupled to an ECC83

cathode follower, then to a classic Marshall three band

EQ.

Crunch 7. Deep

Pre-Amp: Haze40

Settings: Normal Channel, Boost and Bright switches

engaged.

Asatisfyingly warm tone resembling the

Marshall Haze40 with both its Boost and

Bright switches engaged. Produces a

darker overdrive with a smooth edge and

enhanced bottom-end clout.

Pre-amp Topology: ECC83 pre-amplifier stage with

a slight mid boost feeding into an ECC83 gain stage

directly coupled to an ECC83 cathode follower, then to

a classic Marshall three band EQ.

Crunch 8. Full

Pre-Amp: 1974

The 1974 makes a return here as a full-fat rhythm tone

with extra clarity in the mids. It effortlessly sustains

chords, while individual notes still remain clear.

Pre-amp Topology: This pre-amp is also a

combination of a 1974 pre-amp and power amp used as

a pre-amp stage: ECC83 pre-amplifier stage with

original 1974 tone (Treble) and gain control followed by

a newly designed EQ where the Mid control is set at

650Hz and the Bass is controlled using a variable

capacitor. This is fed into the original 1974 phase

splitter and its EL84 push pull power amplifier with no

feedback, feeding this time into a 1960 speaker load.

OVERDRIVE SECTION 9-12

Overdrive 9. Classic

Pre-Amp: JMP-1

Settings: OD2

The JMD:1's forefather, the JMP-1 provides the tonal

backbone to this pre-amp option, which is based on the

latter's OD2 channel. This setting delivers an

aggressive and focussed sound, yet remains smooth

and fluid with distinctive mids.

Pre-amp Topology: Thesignalis fedinto a distortion/

booster circuit then into an ECC83 pre-amplifier stage

followed by an ECC83 gain stage driving a three band

EQ.

Overdrive 10. Modern

Pre-Amp: JVM410H

Settings: Crunch Channel in Red Mode

More gain within your face mids, courtesy of the JVM

Crunch channel topology set to its highest gain stage.

Afull, forgiving and tonally balanced sound that

possesses that inherent JVM cutting edge.

Pre-amp Topology: ECC83 gain stage followed by a

mild treble boosting and tuned bass tone shaping

circuitry with the gain control feeding into an ECC83

configured as a clipper, then into an ECC83 gain stage

directly coupled to a cathode follower driving a classic

Marshall three band EQ.

Overdrive 11. Deep

Pre-Amp: Bluesbreaker II + JCM800 2203

Settings: Bluesbreaker II in Boost mode with Drive

set to max, plus a custom filter linked to

bass control and 2203 topology.

Another fantastic tonal experiment, bringing together

the raw might of the JCM800 2203 and Bluesbreaker

FX pedal set to Boost. Acustom filter enhances the

bass and reduces the mids, with the blend of ’80s roar

and ’70s bottom-end delivering hot-rodded scooped

tones as they should be.

Pre-amp Topology: A boost pedal driving a custom

filter plugged into an ECC83 pre-amplifier stage

followed by a treble boosting tone shaping circuitry and

the gain control feeding into an ECC83 configured as a

clipper, then into an ECC83 gain stage directly coupled

to a cathode follower driving a classic Marshall three

band EQ.

Overdrive 12. Detuned

Pre-Amp: Mode Four

Settings: OD2 Channel – Scoop on with Tone Matrix

set to 3

This thoroughly aggressive and modern metal tone has

been created from the Mode Four's menacing OD2

channel. Its intimidating character is aided further by a

lowered mid frequency response in its EQ section, ideal

for down-tuned/baritone guitars.

Pre-amp Topology: A high headroom gain booster

followed by a gain control driving a cascaded double

ECC83 gain stage followed by a lowered mid frequency

Marshall three band EQ.

LEAD SECTION 13-16

Lead 13. Deep

Pre-Amp: BluesbreakerII+ Haze40

Settings: BluesbreakerIIin Boostmode withDrive

settomax,plusHaze Normal Channelwith

BoostandBrightswitches on.

A'boosted'Bluesbreakerpedal and aHaze40combowith

BoostandBrightswitches engagedhavebeencombined

toproducea trulydeepandgrowlingtone.Thewarm

sustainof this pre-ampmakes itidealforsoaringsolo

tones.

Pre-amp Topology:Aboostpedal drivingan ECC83

pre-amplifierstagefollowedby a gaincontrol,thenintoan

ECC83gainstagedirectly coupledto acathodefollower

drivinga classicMarshallthree bandEQ.

Lead 14. Solid

Pre-Amp: OriginalGuv'norDistortionpedal

Basedon the originalandhighly-prized Guv'norstomp

box, thispre-ampsetting deliversa throaty, pedal driven

overdrive.Itsunique mid character and resonanthigh

frequencygivesit bothdistinctive teethanda ghostly

howl,makingit idealforridingfeedback.

Pre-amp Topology:Aclassic Marshalloverdrivepedal

with 2 gainstages, diodeclippingandan enhancedmids

threebandEQ,asa fullgain pre-amp.

Lead 15. Classic

Pre-Amp: BluesbreakerII+ JCM2000 DSL100

Deliveringthe 'toneshifted'Crunchof therevered

JCM2000DSLSeriesandenhancedagain with

Bluesbreakerpedaltopology,thispre-ampoptioncreates

expansiveandcutting ’90sleadtones.

Pre-amp Topology:An ECC83pre-amplifier stage

followedby a gaincontrol intoa cascadeddoubleECC83

clippingstage,theninto anECC83gainstage directly

coupledto a cathodefollower drivinga toneshifted

Marshallthree bandEQ.

xt FX

Modern

Full - 2

Classic - 3

Natural - 4

Vintage - 5

Classic - 6

eep - 7

ull - 8

Classic

0 - Modern

1 - Deep

12 - Detuned

13 - Deep

14 - Solid

15 - Classic

16 - Modern

Full -

16 - M

JMD:1 Front Panel continued

1 3

4 5

2 2 7

9 10

ENGLISH

3-6. Classic continued . . .

Marshall JMD 1 Seite 5

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