Bedienungsanleitung Monacor DMIX-20 (Seite 27 von 41) (Deutsch, Englisch)

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5.1.4 Signal delay

For each signal (all input signals as well as mixed signals of the sub-

groups, Aux ways, effect ways and of the sum channel MAIN), a delay

can be set� This is useful when, for example, an audio source is picked

up with multiple microphones that do not have the same distance to

the audio source� In this case, the signal of the microphone closer to

the audio source can be delayed in order to avoid phase cancellation

due to the different sound delay times while the two signals are

being mixed�

Use the key ASSIGN (22) to call up the screen view “Channel”

(ﬁg� 16) (press the key twice, if required)� The button “Delay” will

appear on the left side:

0.0 ms0.0 ms

Delay Time

Delay

Fig. 7

2) To activate the delay, tap the button; it will appear in colour�

3) Use the rotary knob PARAMETER ADJUST (18) to adjust the delay

time�

4) To deactivate the delay, tap the button again�

5.1.5 Monitoring a signal

Use the Solo function to monitor the input signal of the selected

channel via headphones or via a speaker in the control room�

CAUTION Never adjust a very high volume� Permanent high vol-

umes may damage your hearing! Your ear will get ac-

customed to high volumes which do not seem to be

that high after some time� Therefore, do not further

increase a high volume after getting used to it�

1) The key SOLO CLEAR (6) will light up when at least one channel

has been set to the Solo bus� In this case, press the key so that it

extinguishes� This will ensure that the Solo bus is not used unin-

tentionally� Otherwise, the signals of multiple channels set to the

Solo bus will be mixed�

2) Press the key SOLO (23)� The signal of the selected input channel

will be set to the Solo bus�

To monitor the signal ahead of the volume control of the channel,

make sure that the key PFL (17) = “Pre-Fader Listening” is illumi-

nated (press the key, if required)�

Depending on the jack used for the headphones or the monitoring

system connected, adjust the monitoring volume with the control

HP1, HP2 or CTRL ROOM (15)�

5) To indicate the level of the signal monitored via the Solo bus, press

the key SOLO METER (5) so that it is illuminated�

5.2 Linking mono channels

If, in addition to the two stereo channel pairs CH 17/18 and CH 19/20,

further inputs for stereo signals are required, link two adjacent mono

channels as a stereo channel: The channel with the lower, uneven

number will become the left channel; the channel with the higher,

even number will become the right channel�

1) Use the keys (8) to select one of the input channels to be linked�

Please note that the settings of this channel will be adopted by the

other channel (exceptions: input gain, phantom power)�

2) Press the key LINK (23) so that it is illuminated� The channels are

now linked as a stereo channel� Both channels are selected and

can only be set together�

Note: The channels cannot be linked when one of the channels is assigned

to a DCA group (

☞

chapter 5�8)� In this case, a corresponding message will

be displayed�

3) To unlink the channels, press, with the two channels selected, the

key LINK so that it extinguishes�

The above procedure can also be used to link two adjacent subgroups

or Aux ways�

5.3 Assigning a signal path

There are many ways to add input signals to one or multiple outputs�

The following chapters will describe some of these options�

5.3.1 Signal sum MAIN

The easiest way to deﬁne a signal path is to directly route the signal

of an input to the sum channel MAIN� The sum signal MAIN will then

be available at the XLR jacks and the 6�3 mm jacks MAIN OUT (37)

and also, as a digital stereo signal, on a computer connected via the

jack USB AUDIO (35)�

1) Select the desired input channel with the appropriate key (8) and

then press the assignment key MAIN (23) so that it is illuminated�

2) To deﬁne the position of the input signal in the stereo panorama,

press the key PAN (23) and then position the signal with the rotary

knob PARAMETER ADJUST (18)� In the view “Assign” (ﬁg� 9), the

setting will be indicated as a large-scale graphic:

Fig. 8 Stereo panorama

Note: To reset the panorama setting on the screen, tap the centre of the

bar (ﬁg� 8) twice�

In the other views, a small graphic is displayed above the respective

channel faders�

For stereo channels and mono channels linked as stereo pairs, the

panorama setting will shift the stereo balance�

The level indicators (4) for the left (L) and right (R) channels indicate

the sum signal MAIN�

4) Use the key MAIN (7) to select the sum channel MAIN to be con-

ﬁgured�

5) If required, make the following adjustments and changes to the

sum channel MAIN:

–

change the balance between the left channel and the right

channel with the key PAN (23) and the rotary knob PARAMETER

ADJUST (18)

– invert the signals (see chapter 5�1�3)

– deﬁne a signal delay (see chapter 5�1�4)

– process the dynamic range (see chapter 5�4)

– adjust the sound (see chapter 5�5)

6) As already described for an input channel (

☞

chapter 5�1�5), the

sum channel MAIN can be monitored via the Solo bus� However,

the sum channel MAIN cannot be selected via the key SOLO: it is

automatically selected provided that no other channel has been

assigned to the Solo bus� The easiest way to do this is to press the

key SOLO CLEAR (6)�

5.3.2 Subgroups SUB 1– 4

It is possible to combine multiple inputs in a subgroup ﬁrst; the mixed

signal of the subgroup can then be routed to the sum signal MAIN or,

via the outputs SUB OUT 1– 4 (29), used for other purposes (e� g� for

external effects)� Thus, it is, for example, possible to group chorus parts

or various instruments of a drum set and then process them together�

To assign an input channel to one or multiple subgroups, press, with

the input channel selected, the keys SUB 1– 4 (23) of the desired

groups so that the keys light up�

The sum signal of a subgroup will be indicated by the level indicator

(4) located above the corresponding key�

Lef

Right

Pan

Monacor DMIX-20 Seite 27

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