Bedienungsanleitung Monacor DMIX-20 (Seite 32 von 41) (Deutsch, Englisch)

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5.6.1 Copying channel characteristics

For a fast adjustment of similar channels, the mixer offers the possi-

bility to copy all or speciﬁc settings of a channel to other channels�

1) Select the input channel or sum channel to be copied�

Call up any screen view which includes the button “Copy”, such as

the view “Assign” or “Channel” or a view for sound adjustment

or dynamic-range processing�

3) Tap the button “Copy”� The screen view for the copy function will

be called up� In this view, the channel currently selected (= copy

source) will ﬂash; in addition, the corresponding key will ﬂash as

well�

4) Use the keys (7, 8, 11) or tap the appropriate ﬁeld on the screen

to select the channels to which the settings are to be copied� The

keys of the channels selected will light up and the lettering of the

corresponding buttons will change to “ON”�

To deselect an unintentionally selected channel, press the key again�

Use the options at the bottom of the screen to deﬁne the settings to

be copied� Tap the ﬁelds to tick-select (✓) the settings to be copied�

To remove a tick, tap the ﬁeld again; the corresponding settings of

this ﬁeld will then not be copied to the channels selected�

Note: The option “Gain” does not refer to the input gain via the control

GAIN (1) as described in chapter 5�1 but to the volume adjustment of the

channel via the fader (24)�

To start copying, press the key ENTER (20) or tap the button “Copy”

in the lower right of the screen�

To cancel the copy process, select a different view�

To select a different channel as the copy source without exiting the

copy view, tap the button “Previous Channel” or “Next Channel”�

Polarity Gain Delay Gate EQ Assign SendComp

CH01 CH08CH02 CH03 CH04 CH05 CH06 CH07

CH16CH13 CH14 CH15

AUX1 AUX2 AUX3 SUB1 SUB2AUX4 SUB3 SUB4

CH17-18 FX1 FX2 USBCH19-20 MAIN

Copy

Channel

From

Copy to:

OFF OFF OFF OFF OFF OFF OFF OFF

OFF OFF OFF OFF

OFF OFF OFF OFF OFF OFF OFF OFF

OFF OFF OFF OFF OFF OFF

Assign

Channel

System

Routing

PEQ

GEQ

FX 1

FX 2

Gate

Comp

Mixer

DCA

Long

Faders

CH09 CH10 CH11 CH12

CH09

Fig. 17 Copying channel settings

5.7 Mixing signals

Once the input signals have been matched and, if required, their

dynamic range has been processed and their sound adjusted, the

actual task of a mixer will start: adding the signals to the outputs� As

a matter of course, there is no clear-cut order of all operating steps:

Sometimes, the sum channel MAIN is already used during sound

adjustment in order to monitor, via the ampliﬁer system, the channel

to be set; on the other hand, it is sometimes necessary to adjust the

settings of an input channel during mixing�

5.7.1 Sum signal MAIN

CH08

9.0dB

CH08

Mute

Solo

To set the signal parts of a channel for the sum

signal MAIN and /or for the subgroups (depending on

the assignment deﬁned

☞

chapter 5�3), the faders

(sliders) of all channels can be used� The motor fader

of the mixer (24) is always assigned to the channel

currently selected; when another channel is select-

ed, the motor fader will immediately be set to the

current value of this channel� The channel fader is

available on various screen views: tap and drag the

channel fader to use it as an alternative to the motor

fader� Above the fader, the gain value for the current

level setting is shown (in dB)� A small bar beneath

the gain value indicates the current position of the

signal in the stereo panorama� The current signal

level (ahead of the fader) is indicated to the right

of the slider� The boxes , , , and indicate

the assignment to the subgroups and to the sum

channel MAIN� Above this indication, coloured boxes

are shown; they indicate whether a noise gate (yellow),

a compressor (green) or an equalizer (blue) is used

and whether the phantom power supply is activated

(red)�

Fig. 18 Fader

“Mute” will be shown above the fader and “Solo” beneath the fader

when the respective functions are active� The channel name shown

beneath “Solo” is preset to the channel number and can be changed

(

☞

chapter 6�1)�

Two screen views are available for mixing: the view “Mixer” (ﬁg� 20)

displaying all channels, and the view “Long Faders” (ﬁg� 21) providing

an enlarged representation of the faders on multiple pages� To call

up the view “Long Faders”, press the key MIXER (22)� Press the key

repeatedly to change between the views “Long Faders” and “Mixer”�

The system settings (

☞

chapter 6�2�2) deﬁne the view to be displayed

when the mixer is switched on�

3.0dB

CH01

In the screen view “Mixer”, the functions “Mute”

and “Solo” are provided as boxes next to the mini-

ature representation of the fader� The enlarged

fader on the view “Mixer” indicates the channel

currently selected�

Fig. 19

The right side of both mixer views always shows the fader for the sum

channel MAIN� This fader can be operated via the motor fader when

“MAIN” has been selected; however, it is also possible to adjust the

fader with the rotary knob MAIN (25) at any time� To the left of the

rotary knob MAIN, a rotary control for each subgroup is available that

can be used to adjust the level of the respective subgroup� For the

stereo inputs CH 17/18 and CH 19/ 20, two additional rotary controls

(2) are provided�

Monacor DMIX-20 Seite 32

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