Bedienungsanleitung Monacor DMIX-20 (Seite 34 von 41) (Deutsch, Englisch)

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5.7.3.1 Setting effects

1) Press the key FX1/ FX2 (22) (repeatedly) to select the screen view

(ﬁg� 24) of the effect processor to be set�

2) Tap the appropriate button on the screen beneath “Effect Type”

to select the effect type desired (see table ﬁg� 25)�

3) Use the keys ,,





(18) or tap the appropriate control on the

screen to select the parameter to be set (see table ﬁg� 25)�

4) Use the rotary knob PARAMETER ADJUST (18) to adjust the value

of the parameter selected�

5) As an alternative, for echo effects (delay), rhythmically press the

key TAP/ ENTER (20) to match the echo period to the music�

6) For a fast comparison of the sound with and without the effect,

press the key MUTE (23) to mute the effect way� With the key

FXMUTE (14), the two internal effect channels can be directly

muted or unmuted at any time�

7) Use the button “Save” to save the settings of an effect processor

under a speciﬁc name so that they can later be called up with the

button “Load” (

☞

chapter 5�10)�

Effect Type:

Parameters:

Load

Save

Copy

Tremolo

ChorusRev

Hall

Flanger

St Delay

Flanger Rev

Room

Chorus

Plate

DelayRev

Delay

StDelayRev

Assign

Channel

System

Routing

PEQ

GEQ

FX 1

FX 2

Gate

Comp

PreDelay

129ms

Dry Out

Efx Out

50%

HDamp

RoomSize

Decay

50%

Mixer

DCA

FX1

9.5 dB

FX1

Long

Faders

Parameter

Mute

Solo

My_Effect

129ms

PreDelay

Fig. 24 Effect processor

Type Description Parameters

Hall

To simulate the reverbera-

tion in a hall

Pre Delay, Decay, Room Size, Hi Damp,

Efx Out, Dry out

Room

To simulate the reverbera-

tion in a room

Pre Delay, Decay, Room Size, Hi Damp,

Efx Out, Dry Out

Plate

To simulate the reverber-

ation of a conventional

reverberation plate

Pre Delay, Decay, Room Size, Hi Damp,

Efx Out, Dry out

Delay Echo Time, Decay, Hi Damp, Efx Out, Dry Out

StDelay Stereo echo

L Time, R Time, L Decay, R Decay, Hi Damp,

Efx Out, Dry Out

Tremolo Tremolo effect Mod Freq, Efx Out, Dry Out

Flanger Flanger effect Feed Back, Depth, Mod Freq, Efx Out, Dry Out

Chorus Chorus effect Feed Back, Depth, Mod Freq, Efx Out, Dry Out

DelayRev Echo + reverberation

Pre Delay, Rev Decay, Room Size, Rev Hi,

Rev Out, Echo Time, Echo F.B, Echo Hi,

Echo out, Dry Out

StDelayRev

Stereo echo +

reverberation

Pre Delay, Rev Decay, Room Size, Rev Hi,

Rev Out, L Time, R Time, L Decay, R Decay,

Echo Hi, Echo Out, Dry Out

FlangerRev

Flanger effect +

reverberation

Pre Delay, Rev Decay, Room Size, Rev Hi,

Rev Out, Mod F.B, Mod Depth, Mod Freq,

Mod Out, Dry Out

ChorusRev

Chorus effect +

reverberation

Pre Delay, Rev Decay, Room Size, Rev Hi,

RevOut, Mod F.B, Mod Depth, Mod Freq,

Mod Out, Dry Out

Fig. 25 Effect table

5.7.4 External effects

For external effects that are added via an Aux way:

As described in chapter 5�3�3: For each of the input channels whose

signal is to be provided with effects, use the corresponding Aux

Send control to adjust the signal part desired�

2) As described in chapter 5�3: If required, route the input channels

to which the effect signals have been returned to the sum channel

MAIN and /or the subgroups and /or add them to the monitor ways�

3) In the screen view “Mixer” or “Long Faders” or in another view,

use the faders of the input channels to which the effect signals

have been returned to set the total volume of the respective effect�

4) If required, process the signal of the Aux way that is fed to the

effect unit, e� g� adjust the sound with the parametric equalizer

(

☞

chapter 5�5�1) or process the dynamic range with the com-

pressor (

☞

chapter 5�4�2)�

5) If required, process the effect signal in its input channel, e� g� ad-

just the sound with the parametric equalizer (

☞

chapter 5�5�1) or

process the dynamic range (

☞

chapter 5�4)�

For external effects inserted into an input channel (

☞

chapter 4�7):

1) Adjust the input gain at the effect unit so that it perfectly matches

the signal� If required, use the control GAIN (1) to adjust the signal

level�

2) Set the output level of the effect unit in such a way that the input

channel is perfectly adjusted� With the indication for the Solo

function switched off [key SOLO METER (5) not illuminated], the

level on the level indicators (3) should be approx� 0 dB� The CLIP

LEDs must never light up for signal peaks; otherwise, the signal

will be distorted�

3) At the effect unit, set the desired ratio between the original signal

and the effect signal�

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