Bedienungsanleitung Native Massive X (Seite 118 von 133) (Englisch)

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(10) Release (R): Defines the amount of time it will take for the envelope to fall from the set Sus-

tain level and fade to zero.

(11) Env Level: Defines the overall level of the envelope.

(12) Velocity: Controls the influence of the incoming MIDI note’s velocity on the overall amplitude

of the envelope. When turned fully left, the envelope amplitude is not influenced by the velocity of

the incoming notes. When the fader is turned fully right, the overall envelope amplitude is directly

proportional to the velocity of the incoming notes. The Velocity button changes the slope of the

Velocity control from linear to logarithmic, when activated.

13) Trigger: Selects one of three settings (Gate, OneShot, LoopGate), that determine the enve-

lope's response to incoming MIDI notes.

• With Gate is selected, the envelope is started and read out until its end when triggered. If the

key is released before the Sustain stage of the envelope, it will immediately jump to the Re-

lease stage.

• With OneShot selected, the envelope is read to end, even if the key is released before the

Sustain stage

• LoopGate creates a loop between the Attack and Decay stages.

• Loop creates a loop from the entirety of the envelope, including the Release stage.

(14) Display: Provides a visual representation of the envelope shape, based on how the knobs

and menus are set. Move the controls described above to see how each parameter influences the

shape of the envelope.

19.3. Modulation Envelope

The Modulation envelope in MASSIVE X offers a highly flexible and precise way of shaping your

signal. Through comprehensive routing options, this envelope can be used to control virtually any

aspect of the signal.

Alongside the standard Attack, Decay, Sustain and Release parameters, one Delay stage and

two Hold stages provide additional control over the shape and contour of the envelope, enabling

you to create sounds that seemingly have multiple sustain stages. The Delay control is typically

used to delay the start of modulation, or to delay the impact of a modulation source. It occurs be-

fore the start of the envelope and can be particularly useful in sound design, for example, creating

a measured time between the onset of the Amplifier envelope and a Filter envelope. By delaying

the Filter envelope, a double attack-style effect is produced, opening a world of intricate sound de-

sign possibilities.

Attack Shape and Decay Shape allow you to determine the slope of the envelope when rising

and falling. This allows for more precise sculpting and contouring, as different shapes are more

suitable for different musical uses. Linear shapes set a direct path from one stage to the next,

while exponential curves are commonly used to create pitch sweeps, as they create a more effec-

tive continuous sweep than a linear or logarithmic envelope.

The Modulation Envelope contains the following parameters and controls:

Modulators

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