Note: An individual project should only use one Time Base, as it defines the frame rate
used for timecode and editing. To vary the capture frame rate above or below the base
frame rate defined by the project’s time base, enable VARISPEED in the SHUTTER menu.
Timecode: select to change displayed timecode track, force Jam sync or reset camera clock.
Jam Sync: instructs the camera to replace its internal Time of Day value with external time-
code read from the 5pin LEMO connector. This value is updated at the first frame of each re-
cording, provided a valid external timecode source is present. If the external source is not pre-
sent, the camera auto-increments the timecode until the external source is re-connected.
Time Code Output: when un-checked, timecode is disabled on the 5-pin LEMO timecode I/O
connector. If checked, the current Time Code value is provided on the 5-pin LEMO timecode
I/O connector. Time Code is always embedded in HD-SDI irrespective of this setting.
Cross Jam: activates 23.98 from 29.97 fps time code sync. The RED-ONE camera will accept
a 29.97 fps time base external Time Code signal and generate a synchronized 23.98 Time
Code signal for use with the camera’s 23.98 fps recording. Normally used with OUTPUT off.
Cross Gen: activates 29.97 from 23.98 fps time code sync. The RED-ONE camera will gener-
ate a 23.98 Time Code signal for use with the camera’s 23.98 fps recording, and also gener-
ates a synchronized 29.97 fps Time Code signal for use by an external device, available as an
output from the 5-pin timecode I/O connector. Normally used with JAM SYNC off.
