Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 43 von 64) (Englisch, Holländisch)

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MFX types and parameters

NOTE

Most parameter names mentioned below cannot be displayed

in full on the BK-9 and are therefore abbreviated.

1. Thru

The eects processor is bypassed.

2. Stereo EQ

This is a four-band stereo equalizer (low, mid x 2, high). Stereo

signals (like certain piano sounds) are thus not combined to a mono

signal before being processed.

z EQ Low Frequency (200, 400Hz) —Frequency of the low range

you wish to boost or cut.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

Negative values reduce the level.

z EQ High Frequency (2000, 4000, 8000Hz) —Frequency of the

high range you wish to boost or cut.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

Negative values reduce the level.

z EQ Mid 1 Frequency (200~8000Hz) —Frequency of the middle

range 1 you wish to boost or cut. This is a parametric EQ band.

z EQ Mid 1 Q (0.5, 1.0, 2.0, 4.0, 8.0) —Width of the middle range

1. Set a higher value for “Q” to narrow the range to be boosted

or cut.

z EQ Mid 2 Gain (–15dB~0~15dB) —Gain of middle range 1.

z EQ Mid 2 Frequency (200~8000Hz) —Frequency of the middle

range 2 you wish to boost or cut. This is a parametric EQ band.

z EQ Mid 2 Q (0.5, 1.0, 2.0, 4.0, 8.0) —Width of the middle range

2. Set a higher value for “Q” to narrow the range to be boosted

or cut.

z EQ Mid 2 Gain (–15dB~0~15dB) —Gain of the middle range 2.

z Level (0~127) —Output level. Use this parameter to

compensate for exaggerated level dierences resulting from the

settings you made.

3. Overdrive

Creates a soft distortion similar to that produced by vacuum tube

ampliers.

z Drive (0~127) —Degree of distortion. Also changes the volume.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Amp Simulator Type —Allows you to specify what kind of

guitar amp will be simulated: SMALL: small amp, BUILT-IN:

single-unit type amp, 2-STACK: large double stack amp, 3-STACK:

large triple stack amp.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Level (0~127) —Output level. Use this parameter to

compensate for exaggerated level dierences resulting from

the settings you made.Level (0~127) —Output level. Use this

parameter to compensate for exaggerated level dierences

resulting from the settings you made.

4. Distortion

Produces a more intense distortion than the above. The parameters

are the same as for “3. Overdrive”.

5. Phaser

Adds phase-shifted copy to the original sound and modulates it.

z Phaser Manual (100~8000Hz) —Adjusts the basic frequency

that is modulated by the eect.

z Phaser Rate (0.05~10.0Hz) —Frequency, i.e. modulation speed.

z Phaser Depth (0~127) —Modulation intensity.

z Phaser Resonance (0~127) —Amount of feedback. Higher

values create a rather more “synthetic character”.

z Phaser Mix Level (0~127) —Level of the phase-shifted sound

with respect to the original signal.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Level (0~127) —Output level. Use this parameter to

compensate for exaggerated level dierences resulting from the

settings you made.

6. Spectrum

Spectrum is a type of lter that modies the timbre by boosting or

cutting the level at specic frequencies.

z Spectrum 250Hz Gain (–15dB~0~15dB)

z Spectrum 500Hz Gain (–15dB~0~15dB)

z Spectrum 1000Hz Gain (–15dB~0~15dB)

z Spectrum 1250Hz Gain (–15dB~0~15dB)

z Spectrum 2000Hz Gain (–15dB~0~15dB)

z Spectrum 3150Hz Gain (–15dB~0~15dB)

z Spectrum 4000Hz Gain (–15dB~0~15dB)

z Spectrum 8000Hz Gain (–15dB~0~15dB) —Gain of each

frequency band.

z Spectrum Band Width Q (0.5, 1.0, 2.0, 4.0, 8.0) ) —

Simultaneously adjusts the width of the adjusted ranges for all

the frequency bands.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Level (0~127) —Output level. Use this parameter to

compensate for exaggerated level dierences resulting from the

settings you made.

7. Enhancer

This eect controls the overtone structure of the high frequencies,

adding sparkle and tightness to the sound.

z Enhancer Sens (0~127) —Sensitivity of the enhancer.

z Mix Level (0~127) —Level of the overtones generated by the

enhancer.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Level (0~127) —Output level. Use this parameter to

compensate for exaggerated level dierences resulting from the

settings you made.

8. Auto Wah

This eect controls a lter to create cyclic change in timbre (an

automatic wah eect).

z Auto Wah Filter Type (LPF, BPF) —Type of lter. LPF: the wah

eect is applied over a wide frequency range. BPF: the wah

eect is applied over a narrow frequency range.

Roland BK-9 Tone Drum Kit List Seite 43

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