Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 45 von 64) (Englisch, Holländisch)

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MFX types and parameters

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

14. Space-D

This is a multiple chorus that applies two-phase modulation in

stereo. It gives no impression of modulation, but produces a

transparent chorus eect.

z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between

the incoming direct signal and the moment when the chorus

starts working.

z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation speed.

z Chorus Depth (0~127) —Modulation intensity.

z Chorus Phase (0~180deg) —Spatial spread of the sound.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

15. St. Chorus

This is a stereo chorus. A lter is provided so that you can adjust the

timbre of the chorus sound.

z Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is used.

z LPF: cuts the frequency range above the Cuto value.

z HPF: cuts the frequency range below the Cuto value.

z Cuto Frequency (200~8000Hz) —Basic frequency of the lter.

z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between

the incoming direct signal and the moment when the chorus

starts working.

z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation speed.

z Chorus Depth (0~127) —Modulation intensity.

z Chorus Phase (0~180 deg) —Spatial spread of the sound.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

16. St. Flanger

This is a stereo anger. It produces a metallic resonance that rises

and falls like a jet airplane taking o or landing.

z Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is used.

z LPF: cuts the frequency range above the Cuto value.

z HPF: cuts the frequency range below the Cuto value.

z Cuto Frequency (200~8000Hz) —Basic frequency of the lter.

z Flanger Pre Delay (0.0~100.0ms) —Adjusts the delay time from

when the direct sound begins until the anger sound is heard.

z Flanger Rate (0.05~10.0Hz) —Frequency, i.e. modulation

speed.

z Flanger Depth (0~127) —Modulation intensity.

z Flanger Phase (0~180 deg) —Spatial spread of the sound.

z Flanger Feedback (–98%~0~98%) —Adjusts the proportion of

the anger sound that is fed back into the eect. Negative (–)

settings will invert the phase.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

17. Step Flanger

A Step Flanger is a anger eect with clearly noticeable steps rather

than continuous pitch changes.

z Flanger Pre Delay (0.0~100.0ms) —Adjusts the delay time from

when the direct sound begins until the anger sound is heard.

z Flanger Rate (0.05~10.0Hz) —Frequency, i.e. modulation

speed.

z Flanger Depth (0~127) —Modulation intensity.

z Flanger Feedback (–98%~0~98%) —Adjusts the proportion of

the anger sound that is fed back into the eect. Negative (–)

settings will invert the phase.

z Step Rate (0.10~20.0Hz, note) —Rate (period) of pitch change

z Flanger Phase (0~180deg) —Spatial spread of the sound.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

18. St. Delay

Delay is an eect that allows you repeat the input signal, thus

creating echoes (repetition).

z Delay FBK Mode (Normal, Cross) —Select the way in which

delay sound is fed back into the eect.

z NORMAL: The left delay sound will be fed back into the left

delay and the right delay sound into the right delay.

z CROSS: The left delay sound will be fed back into the right

delay and the right delay sound into the left delay.

z Delay Left (0.0~500.0ms) —Adjust the time from the direct

sound until when the left delay sound is heard.

z Delay Right (0.0~500.0ms) —Adjust the time from the direct

sound until when the right delay sound is heard.

z FBK Phase Left (Normal, Invert) —Select the phase of the left

delay sound.

z NORMAL: Phase is not changed.

z INVERT: Phase is inverted.

z FBK Phase Right (Normal, Invert) —Select the phase of the

right delay sound. NORMAL: Phase is not changed. INVERT:

Phase is inverted.

z Delay Feedback (–98%~0~98%) —Adjusts the amount of the

delay sound that’s fed back into the eect. Negative (–) settings

invert the phase.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

19. Mod. Delay

This eect adds modulation to the delayed sound, producing an

eect similar to a Flanger.

z Delay FBK Mode (Normal, Cross) —Select the way in which

delay sound is fed back into the eect.

Roland BK-9 Tone Drum Kit List Seite 45

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