Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 46 von 64) (Englisch, Holländisch)

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MFX types and parameters

z NORMAL: The left delay sound will be fed back into the left

delay and the right delay sound into the right delay.

z CROSS: The left delay sound will be fed back into the right

delay and the right delay sound into the left delay.

z Delay Left (0.0~500.0ms) —Adjust the time from the direct

sound until when the left delay sound is heard.

z Delay Right (0.0~500.0ms) —Adjusts the time until the delay

sound is heard.

z Delay Feedback (–98%~0~98%) —Adjusts the amount of the

delay sound that’s fed back into the eect. Negative (–) settings

invert the phase.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Modulation Rate (0.05~10.0Hz) —Frequency, i.e. modulation

speed.

z Modulation Depth (0~127) —Adjust the depth of the

modulation.

z Modulation Phase (0~180 deg) —Adjust the spatial spread of

the sound

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

20.3 Tap Delay

The Triple Tap Delay produces three delay sounds: center, left and

right.

z Delay Left (200~1000ms, note) —Adjust the time from the

direct sound until when the left delay sound is heard.

z Delay Right (200~1000ms, note) —Adjust the time from the

direct sound until when the right delay sound is heard.

z Delay Center (200~1000ms, note) —Adjust the time delay from

the direct sound until when the center delay sound is heard.

z Delay Feedback (–98%~0~98%) —Adjusts the amount of the

delay sound that’s fed back into the eect. Negative (–) settings

invert the phase.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Delay Level Left (0~127) —Adjust the volume of the left delay

sound.

z Delay Level Right (0~127) —Adjust the volume of the right

delay sound.

z Delay Level Center (0~127) —Adjust the volume of the center

delay sound.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

21.4 Tap Delay

Delay with four repetition lines.

z Delay 1~4 (200~1000ms, note) —Adjusts the time until the

delay is heard.

z Delay Level 1~4 (0~127) —Output level of the delay sound.

z Delay Feedback (–98%~0~98%) —Adjusts the amount of the

delay sound that’s fed back into the eect. Negative (–) settings

invert the phase.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

22. Time Delay

This eect controls the delay time and pitch in realtime.

Lengthening the delay time will lower the pitch and shortening it

will raise the pitch.

z Delay Time (200~1000ms, note) —Adjusts the time until the

delay is heard.

z Delay Feedback (–98%~0~98%) —Adjusts the amount of the

delay sound that’s fed back into the eect. Negative (–) settings

invert the phase.

z Delay Acceleration (0~15) —Adjusts the time over which the

Delay Time changes from the current setting to a specied new

setting. The rate of change for the Delay Time directly aects the

rate of pitch change.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

23.2 Pitch Shifter

A Pitch Shifter changes the pitch of the original sound. This 2- voice

eect contains two pitch shifters and adds two transposed copies

to the original sound.

z Pitch Shift Mode (1~5) —Higher settings of this parameter will

result in slower response, but steadier pitch.

z Pitch A Coarse (–24~0~+12 semitone) —Adjusts the pitch of

Pitch Shift A in semitone steps (–2~+1 octaves).

z Pitch B Coarse (–24~0~+12 semitone) —Adjusts the pitch of

Pitch Shift B in semitone steps (–2~+1 octaves).

z Pitch A Fine (–100~0~+100 cent) —Makes ne adjustments to

the pitch of Pitch Shift A in 2-cent steps (–100~+100 cents). One

cent is 1/100th of a semitone.

z Pitch B Fine (–100~0~+100 cent) —Makes ne adjustments to

the pitch of Pitch Shift B in 2-cent steps (–100~+100 cents). One

cent is 1/100th of a semitone.

z Pitch A Pre Delay (0.0~500.0ms) —Adjust the time delay from

when the direct sound begins until the Pitch Shift A sound is

heard.

z Pitch B Pre Delay (0.0~500.0ms) —Adjusts the time delay from

when the direct sound begins until the Pitch Shift B sound is

heard.

z Pitch A Panpot (L64~0~63R) —Adjusts the stereo location of

the Pitch Shift A sound. L64 is far left, 0 is center and 63R is far

right.

z Pitch B Panpot (L64~0~63R) —Adjusts the stereo location of

the Pitch Shift B sound. L64 is far left, 0 is center and 63R is far

right.

z Level Balance (A100:0B, A50:50B, A0:100B) —Adjusts the

volume balance between the Pitch Shift A and Pitch Shift B

sounds. When set to A100:0B, only the sound of Pitch Shift A is

Roland BK-9 Tone Drum Kit List Seite 46

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