Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 47 von 64) (Englisch, Holländisch)

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MFX types and parameters

output; when set to A0:100B, only the sound of Pitch Shift B is

output.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

24. FBK Pitch

Pitch Shifter with several echoes.

z Pitch Shift Mode (1~5) —Higher settings of this parameter will

result in slower response, but steadier pitch.

z Pitch Coarse (–24~0~+12 semitones) —Adjust the pitch of the

pitch shifted sound in semitone steps (–2~+1 octaves).

z Pitch Fine (–100~0~+100 cent) —Make ne adjustments to

the pitch of the pitch shifted sound in 2-cent steps (one cent is

1/100th of a semi tone).

z Pitch Pre Delay (0.0~500.0ms) —Adjust the time delay from

when the direct sound begins until the pitch shifted sound is

heard.

z Pitch Feedback (–98%~0~98%) —Adjust the proportion (%) of

the processed sound that is fed back into the eect. Negative (–)

settings will invert the phase.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

25. Reverb

A nice Reverb eect.

z Reverb Type (Room 1, Room 2, Stage 1, Stage 2, Hall 1, Hall

2) — Type of reverb.

z Room1: Dense reverb with short decay.

z Room2: Sparse reverb with short decay.

z Stage1: Reverb with greater late reverberation.

z Stage2: Reverb with strong early reections.

z Hall1: Reverb with clear reverberance.

z Hall2: Reverb with rich reverberance.

z Reverb Pre Delay (0.0~100.0ms) —Adjusts the delay time from

the direct sound until the reverb sound is heard.

z Reverb Time (0~127) —Time length of reverberation.

z Reverb HF Damp (200~8000Hz, Bypass) —Adjusts the

frequency above which sound fed back to the eect is ltered

out. If you don’t want to lter out any high frequencies, set this

parameter to BYPASS.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

26. Gate Reverb

This is a special type of reverb in which the reverberant sound is cut

o before its natural length.

z Reverb Type (Normal, Reverse, Sweep 1, Sweep 2) —Type of

reverb.

z NORMAL: Conventional gated reverb.

z REVERSE: Backwards reverb.

z SWEEP1: The reverberant sound moves from right to left.

z SWEEP2: The reverberant sound moves from left to right.

z Reverb Pre Delay (0.0~100.0ms) —Adjusts the delay time from

the direct sound until the reverb sound is heard.

z Reverb Gate Time (5~500ms) —Adjusts the time from when

the reverb is heard until it disappears.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

27. OD Chorus

This eect connects an Overdrive and a Chorus in series. (“Series”

means that the output signal of the rst eect is also processed by

the second).

z Overdrive Drive (0~127) —Degree of distortion. Also changes

the volume.

z Overdrive Panpot (L64~0~63R) —Stereo location of the

overdrive sound.

z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between

the incoming direct signal and the moment when the chorus

starts working.

z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation speed.

z Chorus Depth (0~127) —Modulation intensity.

z Chorus Balance (D100:0W, D50:50W, D0:100W) —Volume

balance between the direct sound (D) and the chorus sound

(W).

z Level (0~127) —Output level.

28. OD Flanger

This eect connects an Overdrive and a Flanger in series.

z Overdrive Drive (0~127) —Degree of distortion. Also changes

the volume.

z Overdrive Panpot (L64~0~63R) —Stereo location of the

overdrive sound.

z Flanger Pre Delay (0.0~100.0ms) —Adjusts the delay time from

when the direct sound begins until the anger sound is heard.

z Flanger Rate (0.05~10.0Hz) —Frequency, i.e. modulation

speed.

z Flanger Depth (0~127) —Modulation intensity.

z Flanger Feedback (–98%~0~98%) —Adjusts the proportion of

the anger sound that is fed back into the eect. Negative (–)

settings will invert the phase.

z Flanger Balance (D100:0W, D50:50W, D0:100W) —Volume

balance between the direct sound (D) and the anger sound

(W).

z Level (0~127) —Output level.

29. OD Delay

This eect connects an overdrive and a delay in series.

z Overdrive Drive (0~127) —Degree of distortion. Also changes

the volume.

z Overdrive Panpot (L64~0~63R) —Stereo location of the

overdrive sound.

z Delay Time (0.0~500.0ms) —Adjusts the time until the delay is

heard.

z Delay Feedback (–98%~0~98%) —Adjusts the amount of the

delay sound that’s fed back into the eect. Negative (–) settings

Roland BK-9 Tone Drum Kit List Seite 47

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