527395

Roland BK-9 Tone Drum Kit List Seite 55

55
Zoom out
Zoom in
Vorherige Seite
1/64
Nächste Seite
MFX types and parameters
55
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct sound (D) and the chorus sound (W).
z Level (0~127) —Output level.
62. Band Flanger
A anger that lets you apply an eect independently to the low-
frequency and high-frequency ranges.
z Split Frequency (200~8000Hz) —Frequency at which the low
and high ranges will be divided.
z Low Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the low-range anger sound is
heard.
z Low Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z Low Rate [Hz] (0.05~10.00Hz) —Rate at which the low-range
anger sound is modulated.
z Low Rate [note] (Musical Notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z Low Depth (0~127) —Modulation depth for the low-range
anger sound.
z Low Phase (0~180 deg) —Spaciousness of the low-range
anger sound.
z Low Feedback (–98%~0~+98%) —Proportion of the low-range
anger sound that is to be returned to the input (negative
values invert the phase).
z High Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the high-range anger sound
is heard.
z High Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z High Rate [Hz] (0.05~10.00Hz) —Rate at which the high-range
anger sound is modulated.
z High Rate [note] (musical notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z High Depth (0~127) —Modulation depth for the high-range
anger sound.
z High Phase (0~180 deg) —Spaciousness of the high-range
anger sound.
z High Feedback (–98%~0~+98%) —Proportion of the high-
range anger sound that is to be returned to the input (negative
values invert the phase).
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
63. Band Step Flg
A step anger that lets you apply an eect independently to the
low-frequency and high-frequency ranges.
z Split Frequency (200~8000Hz) —Frequency at which the low
and high ranges will be divided.
z Low Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the low-range anger sound is
heard.
z Low Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z Low Rate [Hz] (0.05~10.00Hz) —Rate at which the low-range
anger sound is modulated.
z Low Rate [note] (Musical Notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z Low Depth (0~127) —Modulation depth for the low-range
anger sound.
z Low Phase (0~180 deg) —Spaciousness of the low-range
anger sound.
z Low Feedback (–98%~0~+98%) —Proportion of the low-range
anger sound that is to be returned to the input (negative
values invert the phase).
z Low Step Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the low step rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
z Low Step Rate [Hz] (0.10~20.00Hz) —Rate at which the steps
will cycle for the low-range anger sound.
z Low Step Rate [note] (musical notes) —Rate parameters can
be set as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
z High Pre Delay (0.0~100.0ms) —Delay from when the original
sound is heard to when the high-range anger sound is heard.
z High Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z High Rate [Hz] (0.05~10.00Hz) —Rate at which the high-range
anger sound is modulated.
z High Rate [note] (musical notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z High Depth (0~127) —Modulation depth for the high-range
anger sound.
z High Phase (0~180 deg) —Spaciousness of the high-range
anger sound.
z High Feedback (–98%~0~+98%) —Proportion of the high-
range anger sound that is to be returned to the input (negative
values invert the phase).
z High Step Rate [sync] (Hz, Note) —Use this parameter to
specify whether (“Note”) or not (“Hz”) the high step rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z High Step Rate [Hz] (0.10~20.00Hz) —Rate at which the steps
will cycle for the high-range anger sound.
z High Step Rate (note) musical notes —Rate parameters can be
set as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
64. VS Overdrive
This is an overdrive that provides heavy distortion.
z Drive (0~127) —Degree of distortion. Also changes the volume.
z Tone (0~127) —Sound quality of the Overdrive eect.
z Amplier Sw (O, On) —Turns the Amp Simulator on/o.
z Amplier Type (Small, Built-In, 2-Stack, 3-Stack) —Type of
guitar amp. SMALL: small amp, BUILT-IN: single-unit type amp, 2-
STACK: large double stack amp, 3-STACK: large triple stack amp.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
… 55 …

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Forenregeln

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Art des Missbrauchs:

Zum Beispiel antisemitische Inhalte, rassistische Inhalte oder Material, das zu einer Gewalttat führen könnte.

Beispielsweise eine Kreditkartennummer, persönliche Identifikationsnummer oder unveröffentlichte Privatadresse. Beachten Sie, dass E-Mail-Adressen und der vollständige Name nicht als private Informationen angesehen werden.

Forenregeln

Um zu sinnvolle Fragen zu kommen halten Sie sich bitte an folgende Spielregeln:

Neu registrieren

Registrieren auf E - Mails für Roland BK-9 Tone Drum Kit List wenn:


Sie erhalten eine E-Mail, um sich für eine oder beide Optionen anzumelden.


Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Wenn Sie innerhalb von 15 Minuten keine E-Mail mit dem Handbuch erhalten haben, kann es sein, dass Sie eine falsche E-Mail-Adresse eingegeben haben oder dass Ihr ISP eine maximale Größe eingestellt hat, um E-Mails zu erhalten, die kleiner als die Größe des Handbuchs sind.

Ihre Frage wurde zu diesem Forum hinzugefügt

Möchten Sie eine E-Mail erhalten, wenn neue Antworten und Fragen veröffentlicht werden? Geben Sie bitte Ihre Email-Adresse ein.



Info