Bedienungsanleitung Roland DP90 (Seite 45 von 64) (Englisch)

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Various Settings (Function Mode)

Indication Value Explanation

Strg Res (*1)

Producing the Resonance of the Strings When the Keys Are Played

(String Resonance)

This adjusts the string resonance of the acoustic piano sound (the sympathetic vibrations of strings for previously played notes that occur when you

play another note).

Higher settings will make the sympathetic vibration louder.

OFF, 1–10

KO Res (*1)

Playing Sounds When the Keys Are Released (Key O Resonance)

This adjusts sympathetic vibrations such as an acoustic piano’s key-o sound (the subtle sound that occurs when you release a note).

Higher settings will make the sympathetic vibration louder.

OFF, 1–10

Cabinet (*1)

Adjusting the Sympathetic Resonance of the Grand Piano Body

(Cabinet Resonance)

Adjusts the body resonance of the grand piano itself.

Higher values will produce a larger body resonance.

OFF, 1–10

SoundBrd (*1)

Adjusting the Clarity of Individual Notes in a Chord

(SoundBoard Behavior)

When you play a chord, this setting improves the clarity of the individual notes in the chord, creating a more beautiful resonance.

Higher settings produce a clearer resonance.

OFF, 1–10

Trnspose (*1)

Specifying What the Transpose will Aect (Transpose Mode)

This setting speci es what the transpose will aect. You can use the transpose to change the

pitch of both the song and the keyboard, only the pitch of the song, or only the pitch of the

keyboard.

KBD The sound of the keyboard

SONG The song being played back

BOTH The sound of the keyboard and the song being played back

Oct Shft

Changing the Pitch of the Tone in Octave Steps (Octave Shift)

You can change the pitch of the Tone 2 in Dual Play (p. 15) and Lower tone in Split Play (p. 16) an octave at a time.

Altering the pitch in one-octave units in this way is called “Octave Shift.”

For example, you can raise the pitch of the Lower Tone to the same pitch of the Upper Tone in Split Play.

-2–0–+2 (octave)

Rec Mode

Selecting the Format for Recording (Recording Mode)

You can choose whether to record as SMF or as audio.

MEMO

You can also switch the recording mode by holding down the [ ] (Rec) button and using the [–] [+] buttons.

SMF SMF parts will be recorded separately. This allows you to re-record just a single part, or to overdub dierent parts.

Audio The recording will be made as audio data. The recorded song can be used in your computer.

DPdl Prt (*1)

Changing How the Pedal Eects Are Applied (Damper Pedal Part)

When you press the damper pedal during Dual play or Split play, the pedal eect is normally

applied to both tones, but you can also select the tone to which the eect is to be applied.

R+L All enabled

R Applied only to the Tone 1 (in dual mode)/Right-hand Tone (in split mode)

L Applied only to the Tone 2 (in dual mode)/Left-hand Tone (in split mode)

MEMO

(*1) This parameter can be saved by the “Memory Backup” operation (p. 39).

Operation Guide Panel Descriptions Before You Play Performing Practicing

Convenient Functions

Appendix

Function Mode

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