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7 FilterFilter
FILTER
[FILTER] button
Shows the lter edit screen.
[ENVELOPE] button
Shows the lter envelope edit screen.
Filter Type
Selects the type of lter.
OFF No lter is used.
LPF
Low Pass Filter. This cuts the frequencies
in the region above the cuto frequency
(Cuto Frequency). Since this cuts the high-
frequency region, the sound becomes more
mellow. This is the most common lter used
in synthesizers.
BPF
Band Pass Filter. This leaves only the
frequencies in the region of the cuto
frequency (Cuto Frequency), and cuts
the rest. This can be useful when creating
distinctive sounds.
HPF
High Pass Filter. This cuts the frequencies
in the region below the cuto frequency
(Cuto Frequency). This is suitable for
creating percussive sounds emphasizing
their higher tones.
PKG
Peaking Filter. This emphasizes the
frequencies in the region of the cuto
frequency (Cuto Frequency). You can
use this to create wah-wah eects by
employing an LFO to change the cuto
frequency cyclically.
LPF2
Low Pass Filter 2. Although frequency
components above the Cuto frequency
(Cuto Frequency) are cut, the sensitivity of
this lter is half that of the LPF. This makes
it a comparatively warmer low pass lter.
This lter is good for use with simulated
instrument sounds such as the acoustic
piano.
* If you set “LPF2,” the setting for the
Resonance parameter will be ignored.
LPF3
Low Pass Filter 3. Although frequency
components above the Cuto frequency
(Cuto Frequency) are cut, the sensitivity of
this lter changes according to the Cuto
frequency. While this lter is also good for
use with simulated acoustic instrument
sounds, the nuance it exhibits diers from
that of the LPF2, even with the same Filter
Envelope settings.
* If you set “LPF3,” the setting for the
Resonance parameter will be ignored.
VCF1 Each setting simulates the operation of an
analog synthesizer’s LPF. In particular, MG,
JP, and P5 are types that are suitable for
reproducing synthesizer sounds of the past.
JP
MG
P5
PARTIAL 1–4 [L] button
Turn each partial on/o.
* These are shown only in the module layout.
Filter Slope ([-12] [-18] [-24] buttons)
This button selects the slope (steepness) of the lter.
For VCF, you can choose -12, -18, or -24.
For TVF, only -12 or -24 can be selected.
CUTOFF
Selects the frequency at which the lter begins to have an
eect on the waveform’s frequency components.
RESONANCE
Emphasizes the portion of the sound in the region of
the cuto frequency, adding character to the sound.
Excessively high settings can produce oscillation, causing
the sound to distort.
ENV DEPTH
Species the depth of the Filter envelope.
Higher settings increase the change produced by the
Filter envelope.
Negative (-) value will invert the shape of the envelope.
LFO 1/LFO 2
Species how deeply the LFO 1/LFO 2 will aect the cuto
frequency.
ENVELOPE
[FILTER] button
Shows the lter edit screen.
[ENVELOPE] button
Shows the lter envelope edit screen.
Filter Envelope
T1 T2 T3 T4
Note o
Cuto
Frequency
Time
Note on
T: Time L: Level
L3
L0
L2L1 L4
Specify the lter envelope times (Time 1–Time 4). Higher
settings will lengthen the time until the next cuto
frequency level is reached. (For example, Time 2 is the time
over which Level 1 will change to Level 2.)
* If ADSR Env Sw is ON, the Time 2 has no eect.
Specify the lter envelope levels (Level 0–Level 4). Specify
the amount of cuto frequency change at each point
relative to the reference cuto frequency (the cuto
frequency value specied in the Filter screen).
* If ADSR Env Sw is ON, only Level 3 (Sustain) has an eect.
PARTIAL 1–4 [L] button
Turn each partial on/o.
* These are shown only in the module layout.
Filter Slope ([-12] [-18] [-24] buttons)
This button selects the slope (steepness) of the lter.
For VCF, you can choose -12, -18, or -24.
For TVF, only -12 or -24 can be selected.
CUTOFF KEY FOLLOW
Use this parameter if you want the cuto frequency to
change according to the key that is pressed.
CUTOFF V SENS
Use this parameter when changing the cuto frequency to
be applied as a result of changes in playing velocity.
ENV DEPTH
Species the depth of the Filter envelope.
Higher settings increase the change produced by the
Filter envelope.
Negative (-) value will invert the shape of the envelope.
LFO 1/LFO 2
Species how deeply the LFO 1/LFO 2 will aect the cuto
frequency.
-200
C4C3C2C1 C5 C6 C7
+50
+100
-100
o
-1
-2
+1
+2
Cuto frequency
(Octave)
Key
0
+200
-50
-200
1 2 3 4 5 6 7
LPF BPF HPF PKG
Level
Frequency
Cuto Frequency
High
Low
parameter value
1 2 3 4 5 6 7
C4C3C2C1 C5 C6 C7 Key
Time
0
-50
-100
+50
+100
6 PitchPitch
COARSE TUNE
Shifts the pitch in units of a semitone.
FINE TUNE
Finely adjusts the pitch in units of one cent.
RANDOM
This species the width of random pitch deviation that will
occur each time a key is pressed. If you do not want the
pitch to change randomly, set this to “0.”
* These values are in units of cents (1/100th of a semitone).
ENV DEPTH
Adjusts the amount by which the pitch envelope
modulates the OSC.
LFO 1, LFO 2
Adjust the amount by which LFO 1/2 modulate the OSC.
Pitch Envelope
T1 T2 T3 T4
L1
L0
Pitch
Note on
T：Time　　L：Level
L3
L2
Note o
Time
L4
Specify the pitch envelope times (Time 1–Time 4).
Higher settings will result in a longer time until the next
pitch is reached. (For example, Time 2 is the time over
which the pitch changes from Level 1 to Level 2.)
* If ADSR Env Sw is ON, the Time 2 has no eect.
Specify the pitch envelope levels (Level 0–Level 4).
It determines how much the pitch changes from the
reference pitch (the value set with Coarse Tune or Fine
Tune on the Pitch screen) at each point.
Positive (+) value will cause the pitch to be higher than
the standard pitch, and negative (-) value will cause it
to be lower.
* If ADSR Env Sw is ON, only Level 3 (Sustain) has an eect.
Also in this case, settings with a negative value are
ignored.
PARTIAL 1–4 [L] button
Turn each partial on/o.
* These are shown only in the module layout.
PRO EDIT parameters (PITCH)
Coarse Tune
-48–+48
[semitone]
Adjusts the pitch of the sound up or down
in semitone steps (+/-4 octaves).
Fine Tune
-50–+50 [cent] Adjusts the pitch of the sound up or
down in 1-cent steps (+/-50 cents).
Random Depth
0–1200 [cent]
This species the width of random
pitch deviation that will occur each
time a key is pressed. If you do not
want the pitch to change randomly, set
this to “0.”
* These values are in units of cents
(1/100th of a semitone).
Pitch Keyfollow
-200–+200
This species the amount of pitch
change that will occur when you play
a key one octave higher (i.e., 12 keys
upward on the keyboard).
If you want the pitch to rise one octave
as on a conventional keyboard, set
this to “+100.” If you want the pitch
to rise two octaves, set this to “+200.”
Conversely, set this to a negative (-)
value if you want the pitch to fall.
With a setting of “0,” all keys will
produce the same pitch.
C4C3C2C1 C5 C6 C7
0
+50
+100
+200
-50
-100-200 Key
Pitch
Vibrato Pitch Sens
-100–+100
Species the amount of change in the
LFO1’s Pitch Depth according to the
[VIBRATO] knob of the “Tone Screen”.
Stereo Detune
-50–+ 50
[cent]
Species the detune between L#R
when outputting in stereo.
PRO EDIT parameters (PITCH ENV)
Depth
-100–+100
Adjusts the eect of the Pitch Envelope.
Higher settings will cause the pitch
envelope to produce greater change.
Negative (-) value will invert the shape
of the envelope.
If OSC Type is other than VA, this is
limited to ±63.
Velocity Sens
-100–+100
Keyboard playing dynamics can
be used to control the depth of
the pitch envelope. If you want the
pitch envelope to have more eect
for strongly played notes, set this
parameter to a positive (+) value. If you
want the pitch envelope to have less
eect for strongly played notes, set this
to a negative (-) value.
T1 Velocity Sens
-100–+100
This allows keyboard dynamics to aect
the Time 1 of the Pitch envelope.
If you want Time 1 to be speeded
up for strongly played notes, set this
parameter to a positive “+” value. If you
want it to be slowed down, set this to a
negative “-” value.
T4 Velocity Sens
-100–+100
Use this parameter when you want key
release speed to aect the Time 4 value
of the pitch envelope.
If you want Time 4 to be speeded up
for quickly released notes, set this
parameter to a positive (+) value. If you
want it to be slowed down, set this to a
negative (-) value.
Time Keyfollow
-100–+100
Use this setting if you want the pitch
envelope times (Time 2–Time 4) to be
aected by the keyboard location.
Based on the pitch envelope times
for the C4 key, positive (+) value
will cause notes higher than C4 to
have increasingly shorter times, and
negative (-) value will cause them to
have increasingly longer times.
Higher values will produce greater
change.
0
C4C3C2C1 C5 C6 C7
-50
-100
+50
+100 Key
Time
Velocity Curve
FIXED,
1–7
Selects one of the following 7 curves
that will determine how keyboard
playing dynamics will aect the pitch
envelope.
Set this to “FIXED” if you don’t want
the pitch envelope be aected by the
keyboard velocity.
1 2 3 4 5 6 7
LFO Trigger Switch
OFF, ON
If this is ON, the pitch envelope is
cyclically retriggered by LFO1.
* This is eective when Envelope Mode
is SUSTAIN.
T1/Attack, T2, T3/Decay, T4/Release
0–1023
Specify the pitch envelope times (Time
1–Time 4).
Higher settings will result in a longer
time until the next pitch is reached. (For
example, Time 2 is the time over which
the pitch changes from Level 1 to Level
2.)
* If ADSR Env Sw is ON, the Time 2 has
no eect.
T1 T2 T3 T4
L1
L0
Pitch
Note on
T：Time　　L：Level
L3
L2
Note o
Time
L4
L0, L1, L2, L3/Sustain, L4
-511–+511
Specify the pitch envelope levels (Level
0–Level 4).
It determines how much the pitch
changes from the reference pitch (the
value set with Coarse Tune or Fine Tune
on the Pitch screen) at each point.
Positive (+) value will cause the pitch
to be higher than the standard pitch,
and negative (-) value will cause it to be
lower.
* If ADSR Env Sw is ON, only Level 3
(Sustain) has an eect. Also in this
case, settings with a negative value
are ignored.
5 LFO1/2LFO1/2
Waveform buttons
Selects the waveform of the LFO.
Sine wave
Triangle wave
Sawtooth wave
Sawtooth wave (negative polarity)
Square wave
Random wave
Trapezoidal wave
Sample & Hold wave (one time per
cycle, LFO value is changed)
Chaos wave
Modied sine wave. The amplitude
of asine wave is randomly varied
once eachcycle.
A waveform generated by the data
specied by LFO Step 1–16. This
produces stepped change with
a xed pattern similar to a step
modulator.
[TEMPO SYNC] button
Set this ON if you want the LFO rate to synchronize with
the tempo.
[KEY TRIGGER] button
Species whether the LFO cycle will be synchronized to
begin when the key is pressed (ON) or not (OFF).
RATE
If Rate Sync is OFF, this species the LFO rate independently
of the tempo. Increasing this value shortens the cycle
of the LFO.
If Rate Sync is ON, this species the LFO rate as a note value.
DELAY TIME
Species the time elapsed before the LFO eect is applied
(the eect continues) after the key is pressed (or released).
* After referring to “How to Apply the LFO”, change the
setting until the desired eect is achieved.
FADE TIME
Species the time over which the LFO amplitude will reach
the maximum (minimum).
* After referring to “How to Apply the LFO”, change the
setting until the desired eect is achieved.
OFFSET
Raises or lowers the LFO waveform relative to the central
value (pitch or cuto frequency). Positive (+) value will
move the waveform so that modulation will occur from
the central value upward. Negative (-) value will move the
waveform so that modulation will occur from the central
value downward.
PARTIAL 1–4 [L] button
Turn each partial on/o.
* These are shown only in the module layout.
[LFO 1] [LFO 2] buttons
Select the LFO that is shown in the screen.
If STEP is selected for LFO
[TEMPO SYNC] button
Set this ON if you want the LFO rate to synchronize with
the tempo.
[KEY TRIGGER] button
Species whether the LFO cycle will be synchronized to
begin when the key is pressed (ON) or not (OFF).
RATE
If Rate Sync is OFF, the LFO rate is specied independently
of the tempo. Increasing this value shortens the cycle
of the LFO.
If Rate Sync is ON, this species the LFO rate as a note
value.
DELAY TIME
Species the time elapsed before the LFO eect is applied
(the eect continues) after the key is pressed (or released).
* After referring to “How to Apply the LFO”, change the
setting until the desired eect is achieved.
FADE TIME
Species the time over which the LFO amplitude will reach
the maximum (minimum).
* After referring to “How to Apply the LFO”, change the
setting until the desired eect is achieved.
OFFSET
Raises or lowers the LFO waveform relative to the central
value (pitch or cuto frequency). Positive (+) value will
move the waveform so that modulation will occur from
the central value upward. Negative (-) value will move the
waveform so that modulation will occur from the central
value downward.
LENGTH (upper bar)
Species the number of steps. The active steps are
highlighted.
Waveform display for each step
When you click the 9 (step number) below the waveform,
a popup appears, allowing you to select the waveform
of that step.
You can change the Step Level by dragging the waveform
up/down.
How to Apply the LFO
Apply the LFO gradually after the key is pressed
Fade Mod (Fade Mode) : ON-IN
Note on
high (more)
low (less)
Pitch
Cuto Frequency
Level
Pan
Delay
Time Fade Time
Depth
Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the eect
Fade Mod (Fade Mode) : ON-OUT
high (more)
low (less)
Pitch
Cuto Frequency
Level
Pan
Note on
Delay Time Fade Time
Depth
Apply the LFO gradually after the key is released
Fade Mod (Fade Mode) : OFF-IN
high (more)
low (less)
Delay
Time Fade Time
Depth
Note
o
Note
on
Pitch
Cuto Frequency
Level
Pan
Apply the LFO from when the key is pressed until it is released, and gradually begin to decrease
the eect when the key is released
Fade Mod (Fade Mode) : OFF-OUT
Note on
high (more)
low (less)
Delay
Time Fade Time
Depth
Note o
Pitch
Cuto Frequency
Level
Pan
PRO EDIT parameters (LFO1/LFO2)
Waveform
Selects the waveform of the LFO.
SIN Sine wave
TRI Triangle wave
SAW-UP Sawtooth wave
SAW-DW Sawtooth wave (negative polarity)
SQR Square wave
RND Random wave
TRP Trapezoidal wave
S&H Sample & Hold wave (one time per
cycle, LFO value is changed)
CHS Sample & Hold wave (one time per
cycle, LFO value is changed)
VSIN
Modied sine wave. The amplitude of a
sine wave is randomly varied once each
cycle.
STEP
A waveform generated by the data
specied by LFO Step 1–16. This
produces stepped change with a xed
pattern similar to a step modulator.
Tempo Sync Sw
OFF, ON Set this ON if you want the LFO rate to
synchronize with the tempo.
Rate Note
1/64T–4
This is eective if Rate Sync is ON.
Species the LFO rate in terms of a note
value.
Rate
0–1023
This is eective if Rate Sync is OFF.
Species the LFO rate without regard
to the tempo. Higher values produce a
faster LFO rate (a shorter cycle).
Oset
-100–+100
Raises or lowers the LFO waveform
relative to the central value (pitch or
cuto frequency). Positive (+) value will
move the waveform so that modulation
will occur from the central value
upward. Negative (-) value will move
the waveform so that modulation will
occur from the central value downward.
Rate Detune
0–127
Subtly changes the LFO cycle speed
(Rate parameter) each time you press a
key.
Higher values produce greater change.
This parameter is invalid if Tempo Sync
is ON.
Delay Time
0–1023
Species the time elapsed before
the LFO eect is applied (the eect
continues) after the key is pressed (or
released).
* After referring to “How to Apply the
LFO”, change the setting until the
desired eect is achieved.
Delay Time Keyfollow
-100–+100
Adjusts the value for the Delay Time
parameter depending on the key
position, relative to the C4 key (center C).
To decrease the time that elapses
before the LFO eect is applied (the
eect is continuous) with each higher
key that is pressed in the upper
registers, select a positive (+) value;
to increase the elapsed time, select
a negative (-) value. Higher values
will produce greater change. If you
do not want the elapsed time before
the LFO eect is applied (the eect is
continuous) to change according to the
key pressed, set this to “0.”
0
C4C3C2C1 C5 C6 C7
-50
-100
+50
+100 Key
Time
Fade Mode
ON-IN Species how the LFO will be applied.
* After referring to “How to Apply the
LFO”, change the setting until the
desired eect is achieved.
ON-OUT
OFF-IN
OFF-OUT
Fade Time
0–1023
Species the time over which the LFO
amplitude will reach the maximum
(minimum).
* After referring to “How to Apply the
LFO”, change the setting until the
desired eect is achieved.
Key Trigger Sw
OFF, ON
Species whether the LFO cycle will be
synchronized to begin when the key is
pressed (ON) or not (OFF).
Pitch Depth
-100–+100
Species how deeply the LFO will aect
pitch.
* If OSC Type is other than VA, the range
is limited to -63–+63.
Filter Depth
-100–+100 Species how deeply the LFO will aect
the cuto frequency.
Amp Depth
-100–+100 Species how deeply the LFO will aect
the volume.
Pan Depth
-63–+63
Species how deeply the LFO will aect
the pan.
MEMOMEMO
Positive (+) and negative (-) value for
the Depth parameter result in diering
kinds of change in pitch and volume. For
example, if you set the Depth parameter
to a positive (+) value for one partial, and
set another partial to the same numerical
value, but make it negative (-), the
modulation phase for the two partials will
be the reverse of each other.
This allows you to shift back and forth
between two dierent partials, or combine
it with the Pan setting to cyclically change
the location of the sound image.
Phase Position
Species the LFO’s starting phase value when Key
Trigger is ON.
* This has no eect if Waveform is RND, S&H, or CHS.
01 cycle
11/4 cycle
21/2 cycle
33/4 cycle
PRO EDIT parameters (STEP LFO1/STEP LFO2)
Step Length
1–16 This is eective if Waveform is STEP.
Species the step size that is looped.
Step 1-16
-72–+72
This is eective if Waveform is STEP.
Specify the Depth value of each step.
If you want to specify this in pitch scale
degrees (100 cents), the settings are as
follows.
11Pitch Depth: 51, Step: multiples of 6 … up to
one octave of change
22Pitch Depth: 74, Step: multiples of 3 … up to
two octaves of change
33Pitch Depth: 89, Step: multiples of 2 … up to
three octaves of change
* If OSC Type is not VA, the Pitch Depth
setting range is limited to -63–+63, so
only “1” above is possible.
Step Curve 1-16
0–36 Species the type of curve at each step.
& “Step curve types”
Step curve types
Curve Type 0
Curve Type 1–6 (variations of square wave)
1 2
5 6
3 4
Curve Type 7–10 (variations of ascending saw)
7 8 9 10
Curve Type 11–15 (variations of descending saw)
11
15
12 13 14
Curve Type 16–19 (variations of ascending exponential)
16 17 18 19
Curve Type 20–23 (variations of descending exponential)
20 21 22 23
Curve Type 24–27 (variations of ascending charging curve)
24 25 26 27
Curve Type 28–31 (variations of descending charging curve)
28 29 30 31
Curve Type 32–36 (other variations)
32 33 34 35
36
… 10 …

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