Bedienungsanleitung Roland Zenology (Seite 17 von 111) (Englisch)

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5 DRUM KEY/DRUM INST/EQDRUM KEY/DRUM INST/EQ

Shows the parameters of the currently selected drum instrument.

DRUM INST

FINE TUNE

Adjusts the pitch of the sound up or

down in 1-cent steps (+/-50 cents).

RDM PITCH (Random Pitch Depth)

Species the width in which the pitch is

randomly changed each time the note

is sounded.

If you do not want the pitch to change

randomly, set this to “0.”

RDM PAN (Random Pan Depth)

Use this parameter when you want the

stereo location to change randomly

each time you press a key.

Higher values will produce a greater

amount of change.

ALT PAN (Alternate Pan Depth)

This setting causes panning to be

alternated between left and right each

time a key is pressed.

ASGN TYPE (Assign Type)

Sets the way sounds are played when

the same key is pressed a number

of times.

MULTI: Layer the sound of the

same keys.

SINGLE: Only one sound can be played

at a time when the same key is pressed.

ENV Mode (Envelope Mode)

When a loop waveform is selected, the

sound will normally continue as long

as the key is pressed. If you want the

sound to decay naturally even if the key

remains pressed, set this to “NO-SUS.”

* If a one-shot type Wave is selected, it

will not sustain even if this parameter

is set to “SUSTAIN.”

V. CONTROL

(WMT Velocity Control)

Determines whether a dierent wave is

played (ON) or not (OFF) depending on

the force with which the key is played.

When set to “RANDOM,” the tone’s

constituent wave will sound randomly,

regardless of any velocity messages.

DRUM KEY

LEVEL

Adjusts the volume of the key.

PAN

Adjusts the stereo location of the key.

MUTE GRP (Mute Group)

On an actual acoustic drum set, an open hi-hat and a

closed hi-hat sound can never occur simultaneously.

To reproduce the reality of this situation, you can set up

a Mute Group.

The Mute Group function allows you to designate two or

more keys that are not allowed to sound simultaneously.

Up to 31 Mute Groups can be used.

Keys that are not belong to any such group should be

set to “OFF.”

KEY OFST (Key Oset)

Shifts the pitch in units of a semitone.

FINE TUNE (Fine Tune Oset)

Finely adjusts the pitch in units of one cent.

CUTOFF (Cuto Oset)

Adjusts how far the lter is open.

Higher values make the sound brighter, and lower values

make the sound darker.

RESO (Resonance Oset)

Emphasizes the portion of the sound in the region of

the cuto frequency, adding character to the sound.

Excessively high settings can produce oscillation, causing

the sound to distort.

Increasing this value strengthens the character, and

decreasing it weakens the character.

ATTACK (Attack Time Oset)

Adjusts the time over which the sound reaches its

maximum volume after you press the key.

Larger settings of this value make the attack gentler, and

smaller settings make the attack sharper.

DECEY (Decay Time Oset)

Adjusts the time over which the volume decreases from

its maximum value.

Larger settings of this value make the decay longer, and

smaller settings make the decay shorter.

RELEASE (Release Time Oset)

The time it takes after the key is released for a sound to

become inaudible.

If Envelope Mode is NO-SUS, this is the time until the

sounded note becomes inaudible.

Larger settings of this value make the sound linger, and

smaller settings make the sound end more sharply.

OUT ASGN (Output Assign)

Species the output destination for each key.

EQ (KEY EQ)

This is a three-band equalizer that can be individually

specied for each instrument.

You can specify the reference frequency and gain of each

band (low, mid, high). Information for the selected band is

shown in the upper left of the screen.

[EQ] button

Turns KEY EQ on/o.

MID Q

Width of the middle range.

Set a higher value to narrow the range to be aected.

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