Bedienungsanleitung Soundcraft M4 (Seite 21 von 48) (Englisch)

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USER GUIDE

STEREO INPUT CHANNELS

Each stereo input channel comprises two pairs of inputs per channel strip:

1 INPUTS STE-1/2/3/4

These inputs accept 3-pole `A’ gauge (TRS) jacks. Use these inputs for sources such as keyboards, drum

machines, synths, tape machines or processing units. The inputs are BALANCED for low noise and top

quality from professional equipment, but you can use UNBALANCED sources by wiring up the jacks as

shown in the “Wiring it Up” section earlier in this manual, although you should then keep cable lengths as

short as possible. Mono sources may be used by plugging into the left jack only.

2 GAIN

The GAIN control sets the level of the channel signal.

3 RETURNS RET-1/2/3/4

These inputs are unbalanced on RCA phono connectors, and are intended for use with CD players, DAT

machines or Hi-Fi equipment. Alternatively they may be used as simple effects returns or stereo instrument

inputs.

4 GAIN

The GAIN control sets the input level to the channel, allowing matching to a wide range of line level sources.

5 EQUALISER

HF EQ

Turn to the right to boost high (treble) frequencies, adding crispness to percussion from drum machines,

synths and electronic instruments. Turn to the left to cut these frequencies, reducing hiss or excessive

brilliance. Set the knob in the centre-detented position when not required. The control has a shelving

response giving 15dB of boost or cut at 12kHz.

LF EQ

Turn to the right to boost low (bass) frequencies, adding extra punch to synths, guitars and drums. Turn to

the left to reduce hum, boominess or improve a mushy sound. Set the knob to the centre-detented position

when not required. The control has a shelving response giving 15dB of boost or cut at 60Hz.

6 AUX SENDS

These are used to set up a separate mixes for FOLDBACK, EFFECTS or recording, and the combination of

each the Aux Send is mixed to the respective Aux Output at the rear of the mixer. For Effects it is useful for

the signal to fade up and down with the fader (this is called POST-FADE), but for Foldback or Monitor feeds

it is important for the send to be independent of the fader (this is called PRE-FADE).

AUX SENDS 1 AND 2

These are always PRE-FADE and therefore most appropriate for foldback or monitor mixes or external

submix.

AUX SEND 3 AND 4

These are always POST-FADE for effects sends, external submix (or for centre Voice cluster or mono Tape

mix.

BALANCE

This control sets the amount of the channel signal feeding the Left and Right MIX or SUB buses, allowing

you to balance the source in the stereo image. When the control is turned fully right or left you feed only

that side of the signal to the mix. Unity gain is provided by the control in the centre-detented position.

8 MUTE

All outputs from the channel are enabled when the MUTE switch is released and muted when the switch is

down.

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