Bedienungsanleitung Soundcraft M4 (Seite 19 von 48) (Englisch)

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USER GUIDE

tip and ring shorted together so that the signal path is not interrupted (see below).

5 GAIN

This knob sets how much of the source signal is sent to the rest of the mixer. Too high, and the signal will

distort as it overloads the channel. Too low, and the level of any background hiss will be more noticeable

and you may not be able to get enough signal level to the output of the mixer.

Note that some sound equipment, particularly that intended for domestic use, operates at a lower level

(-10dBV) than professional equipment and will therefore need a higher gain setting to give the same output

level. See `Initial Set Up’ on page 23 to learn how to set GAIN correctly.

6 100HZ HI-PASS FILTER

Pressing this switch activates a steep 18dB per octave filter which reduces the level of bass frequencies

only, and is a real bonus for a such a small mixer. Use this in live PA situations to clean up the mix,

reducing stage rumble or `popping’ from microphones.

7 EQUALISER

The Equaliser (EQ) allows fine manipulation of the sound, particularly to improve the sound in live PA

applications where the original signal is often far from ideal and where slight boosting or cutting of

particular voice frequencies can really make a difference to clarity. There are three sections giving the sort

of control usually only found on much larger mixers. The EQ knobs can have a dramatic effect, so use them

sparingly and listen carefully as you change any settings so that you get to know how they affect the sound.

HF EQ

Turn to the right to boost high (treble) frequencies above 12kHz by up to 15dB, adding crispness to

cymbals, vocals and electronic instruments. Turn to the left to cut by up to 15dB, reducing hiss or excessive

sibilance which can occur with certain types of microphone. Set the knob in the centre-detented position

when not required.

MID EQ

There are two knobs which work together to form a SWEPT MID EQ. The lower knob provides 15dB of boost

and cut, just like the HF EQ knob, but the frequency at which this occurs can be set by the upper knob over

a range of 240Hz to 6kHz. This allows some truly creative improvement of the signal in live situations,

because this mid band covers the range of most vocals. Listen carefully as you use these controls together

to find how particular characteristics of a vocal signal can be enhanced or reduced. Set the lower knob to

the centre-detented position when not required.

LF EQ

Turn to the right to boost low (bass) frequencies below 60Hz by up to 15dB, adding warmth to vocals or

extra punch to synths, guitars and drums. Turn to the left to cut low frequencies by up to 15dB for reducing

hum, stage rumble or to improve a mushy sound. Set the knob to the centre-detented position when not

required.

8 AUX SENDS

These are used to set up separate mixes for FOLDBACK, EFFECTS or recording, and the combination of each

the Aux Send is mixed to the respective Aux Output at the rear of the mixer. For Effects it is useful for the

signal to fade up and down with the fader (this is called POST-FADE), but for Foldback or Monitor feeds it is

important for the send to be independent of the fader (this is called PRE-FADE).

AUX SENDS 1 AND 2

These are always PRE-FADE and therefore most appropriate for foldback or monitor mixes or external

submix.

AUX SENDS 3 AND 4

These are always POST-FADE for effects sends, external submix (or for Centre Voice cluster or mono Tape

mix).

9 PAN

This control sets the amount of the channel signal feeding the Left and Right MIX or SUB buses, allowing

you to move the source smoothly across the stereo image. When the control is turned fully left or right you

are able to route the signal at unity gain to either left or right outputs individually.

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