Bedienungsanleitung Soundcraft MFX12 (Seite 17 von 48) (Englisch)

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POST-FADE), but for Foldback or Monitor feeds it is important for the send to be independent of the

fader (this is called PRE-FADE).

AUX SENDS 1 and 2 are both globally switchable between pre and post-fade (see master section

on page 20).

8 FX SEND

This control sets the level of the post-fade signal being sent to the FX bus; from there it is routed to

the FX processor. The FX Send is always post-fader.

9 PAN

This control sets the amount of the channel signal feeding the Left and Right MIX buses, allowing

you to move the source smoothly across the stereo image. When the control is turned fully left or

right you are able to route the signal at unity gain to either left or right outputs individually.

10 MUTE

All outputs from the channel except inserts are on when the MUTE switch is released and muted

when the switch is down, allowing levels to be pre-set before the signal is required. The MUTE

switch’s inbuilt LED glows when the channel is muted.

11 INPUT CHANNEL FADER

The 60mm FADER, with a custom-designed law to give even smoother control of the overall signal

level in the channel strip, allows precise balancing of the various source signals being mixed to the

Master Section. You get most control when the input GAIN is set up correctly, giving full travel on

the fader. See the “Initial Setup” section on page 33 for help in setting a suitable signal level.

12 PFL

When the latching PFL switch is pressed, the pre-fade pre-mute signal is fed to the headphones,

control room output and meters, where it replaces the MIX. The AFL/PFL ACTIVE LED on the Master

section illuminates to warn that a PFL is active. This is a useful way of listening to any required

input signal without interrupting the main mix, for making adjustments or tracing problems. When

PFL is pressed anywhere on the console, the Control Room outputs automatically switch from

monitoring the Mix Outputs.

13 PEAK LED

This LED will light when the signal level approaches clipping at any of the three monitored points:

PRE-EQ, POST-EQ and POST-FADE.

14 SIGNAL PRESENT (SP) LED

The SP LED glows when a signal is present. The feed point for the LED is post-EQ, pre-mute.

15 MIX/SUB

When this switch is up, the channel’s post-pan-pot signal is routed to the Mix (left and right) buses.

When the switch is depressed, the post-pan-pot signal is routed to the Sub-group (left and right)

buses.

It is sometimes useful to route several inputs to the sub-group buses, e.g. all the mics for a drum

kit, or all the vocal mics for a choir. These signals can then be fed to the main mix at the master

section. By doing this the levels of all of the grouped inputs can be changed together by using the

group faders instead of having to adjust all of the individual input faders, although, of course, the

individual channel faders will have to be adjusted to start with.

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Soundcraft MFX12 Seite 17

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