Bedienungsanleitung Soundcraft Vi 4 (Seite 247 von 337) (Englisch)

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Soundcraft Vi Series™ User Guide 1112Page 20 - 16

DELAYS

Delays repeat a sound a short time after it rst occurs. Delay becomes echo when the output is fed back

into the input (feedback). This turns a single repeat into a series of repeats, each a little softer than the

last.

Studio Delay - Stereo

The Studio Delay features up to 1 second of stereo delay and offers a built-in ducker that attenuates the

delay output whenever signal is present at the input. This can be used to keep the original signal from

being muddied up by delay repeats.

2-Tap Delay - Stereo

The 2-Tap Delay is probably best described as an adjustable pong delay where each tap can be

individually set in relation to the delay time. The 2 taps are a calculated percentage of the actual delay

time from 1-100% (for example, if the delay time is 500ms and Tap 1 is set to 50% and Tap 2 is set

to 100%, Tap 1 time would be 250ms and Tap 2 time would be 500ms). Narrow spacing of the tap

percentages can widen the stereo image of the delay while wider tap spacing can create rhythmic delay

lines.

Modulated Delay - Stereo

The Modulated Delay is enhanced by an LFO (low frequency oscillator) that produces a chorusing effect

on the delay repeats. This is a great delay for guitar and instrument passages that need that “special

something.”

Mono Delay - Mono In/Stereo Out

The Mono Delay is the cleanest, most accurate of the delay programs, with up to 1 second of mono delay

with panned output, and the built-in ducking feature.

Pong Delay - Mono In/Stereo Out

This delay effect pans the delay repeats from left to right, while the input signal remains at its original

(center) position.

Tape Delay - Mono In/Stereo Out

In the days before digital, delays were created using a special tape recorder in which the magnetic

recording tape was looped, with closely-spaced recording and playback heads. The delay effect was

created by the tape moving in the space between the record and playback heads – while delay time

was adjusted by changing the speed of the tape loop. Although very musical-sounding, wow and utter

combined with a signicant loss of high frequencies, and to some extent also low frequencies, are all

elements commonly associated with tape recordings.

Reverse Delay - Mono In/Stereo Out

This delay effect emulates the old studio trick of ipping a tape over, playing it backwards through a tape

delay, and recording the effect. The delays “build up” from softer to louder – creating the sensation that the

delays come before the signal.

Delay Controls

Tempo

The actual delay time, as tapped in by the Tempo button. This time is expressed as tempo in BPM (beats

per minute). Tempo works in conjunction with Delay Time to set the actual delay time that is heard.

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