Bedienungsanleitung Soundcraft Vi 4 (Seite 249 von 337) (Englisch)

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Soundcraft Vi Series™ User Guide 1112Page 20 - 18

Chorus - Stereo

Chorus creates a lush, full sound by combining two or more signals together where one is unaffected and

the other signals vary in pitch ver y slightly over time. Chorus is commonly used to fatten up tracks and to

add body to guitars without coloring the original tone. Chorus can also be used with discretion to thicken

a vocal track.

Flanger - Stereo

This effect was originally created by simultaneously recording and playing back two identical programs on

two tape recorders, then using hand pressure against the ange of the tape reels to slow down rst one

machine, then the other. The result was a series of changing phase cancellations and reinforcements, with

characteristic swishing, tunneling, and fading sounds.

Phaser - Stereo

The Phaser automatically moves frequency notches up and down the spectrum of the signal by means of

a low frequency oscillator (LFO), creating an oscillating “comb lter” type effect. This effect is very useful

on keyboards (especially pad presets) and guitars.

Tremolo/Pan - Stereo (Wet Only)

Tremolo/Pan creates rhythmic changes in signal amplitude. Tremolo is obtained by setting Phase to 0

degrees, and affects both channels’ amplitude simultaneously.

If the Phase is set to 180 degrees, an AutoPanner effect is generated, with the amplitude of one channel

being raised whilst that of the other channel is lowered. Speed settings below 1Hz are recommended in

this case.

Vibrato - Stereo (Wet Only)

Vibrato is obtained by smoothly varying the pitch of the signal just sharp and at of the original at a

determined rate. Phase controls whether the pitch of both channels is modulated together, or in an

opposite direction.

Rotary - Mono In/Stereo Out (Wet Only)

Rotary speaker cabinets were designed to provide a majestic vibrato/choir effect for electronic theater

and church organs. The most well known rotary speaker is the Leslie™ Model 122, which has two counter-

rotating elements: a high-frequency horn and a low-frequency rotor with slow and fast speeds. The sound

generated as the spinning elements change speed is truly magical. The swirling, spacious effect is difcult

to describe – but clearly recognizable.

The Rotary effect is modeled after a Leslie-style cabinet. The input signal is split into high and low-

frequency bands. The rotation effect is created by a synchronized combination of pitch shifting, tremolo,

and panning. Like the physical cabinet, the high (horn) and low (rotor) frequencies are “spun” in opposite

directions. Horn and rotor speeds are independent, and designed with acceleration and deceleration

characteristics to simulate the inertia of the original mechanical elements.

A virtual necessity for organ music, Rotary also sounds remarkable with guitar and electric piano rhythm

parts. In fact, this program is a great alternative to the Chorus and Tremolo effects for any sound source.

Pitch Shift - Stereo

This effect shifts the frequency spectrum of the input signal. Altering the pitch of a sound produces a wide

range effects - from subtle detunes to full interval shifts up or down a two octave range. The Pitch Shift

effect is a chromatic shifter, meaning all notes of the scale are shifted by the same interval. Pitch Shift is

very useful with guitar tracks, monophonic synth lines, or where special vocal effects are needed.

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