Bedienungsanleitung Synq SMX-1 (Seite 7 von 43) (Deutsch, Englisch, Holländisch, Französisch, Portugiesisch, Spanisch)

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ENGLISH USER MANUAL

SYNQ 9/82 SMX-1 DJ-MIxer

parameter knob”(32) you can adjust how quick the music will be panned to

the opposite side: you can choose for a gently pan or an aggressive one.

 FLANGER: This effect is best described as “putting a jet engine in the

music”. It’s as if the music turns around due to phase shifting. You can

easily change the flanger time (cycle) with the “presets”(24). These presets

can be tuned with the “Time parameter knob”(33) in a range from 100mSec

up to 16Sec. With the “Level parameter knob”(32) you can change the

flanger feedback level.

Hint: Every time you push the same preset button(24) you will restart the flanger cycle.

This gives a nice “extra touch” to the effect.

 MANUAL FILTER: This is a very effective digital frequency cutter. You can

easily change the cutoff frequency of the filter with the “presets”(24):

o Preset “2” (LPF @ 50Hz)  All frequencies above 50Hz are

filtered. You will only hear the very deep sub bass.

o Preset “4” (LPF @ 2030Hz)  All frequencies above 2030Hz

are filtered. Sounds like an old AM radio.

o Preset “8” (LPF @ 20000Hz)  All frequencies above 20kHz

are filtered. Music sounds normal.

o Preset “16” (HPF @ 210Hz)  All frequencies below 210Hz

are filtered. All the deep bass sounds are filtered, sounds like a

small FM transistor radio.

o Preset “32” (HPF @ 510Hz)  All frequencies below 510Hz

are filtered. The same as preset “16” but the FM transistor radio

seems to be a lot smaller.

The presets(24) can be tuned with the “Time parameter knob”(33) in a

range from low pass filter (LPF) @ 50Hz (display shows: L 0.05kHz) up to

high pass filter (HPF) @ 21.1kHz (display shows: H 21.1kHz). With the

“Level parameter knob”(32) you can change the filter resonance level. (This

is the Q-factor of the filter, it changes the impact of the filter on a selected

frequency)

 AUTO FILTER: This is an automatic low pass filter (LPF). The cutoff

frequency varies in cycles from 20kHz down to 50Hz. With the preset

buttons(24) you can select filter cycles that are beat synchronized.

(example: press the preset called “8”  it will take 8beats for the filter to

change its cutoff frequency from 20kHz to 50Hz and back) The presets can

be tuned with the “Time parameter knob”(33) in a range from 100mSec up

to 16Sec. With the “Level parameter knob”(32) you can change the filter

resonance level. (This is the Q-factor of the filter, it changes the impact of

the filter on a selected frequency)

 REVERB: This effect is best described as the “church effect”. Imagine you

play music in a church or in a very big, empty hall: the reverb you get from

all kinds of reflections against the walls is digitally simulated with this effect.

With the preset buttons(24) you can select 5 predefined reverb times.

These reverb times can be tuned with the “Time parameter knob”(33) in a

range from 0% to 100% in steps of 1%. With the “Level parameter

knob”(32) you can change the balance between the original and the reverb

sound.

 TRANS: Automatically cuts the sound to the rhythm of the beat. With the

“presets”(24) you can choose the length of the cutting cycles. (example:

With preset “1/4” (remember to push the “time parameter knob”(33) while

you select the preset button called “4”) the music will be cut in ¼beat

slices) The presets can be tuned with the “Time parameter knob”(33) in a

ENGLISH USER MANUAL

SYNQ 10/82 SMX-1 DJ-MIxer

range from 25mSec up to 16Sec. With the “Level parameter knob”(32) you

can adjust the “cutting time”. When completely turned to the left (display

reads “0%) cutting time is zero so no cutting effect will be heard. Turn the

“level parameter knob to the right, the cutting time becomes bigger until

you only hear very small slices of the original sound.

Hint: this effect needs some practice! You obtain the best results with constant beats, very

small cutting cycles(1/4 and 1/2beats) and larger cutting times of 50% and more.

 PITCH SHIFTER: Shifts the pitch of the sound up or down while the beat

stays unchanged. (in fact this is the opposite of what the “master tempo” on

certain CD-players tries to obtain: same pitch with changing speed/beat)

With the preset buttons(24) you can select 5 predefined pitch shifts. (preset

“8” is 0%, the music stays unchanged) With the “Time parameter knob”(33)

you can change the pitch in a range from -100% to +100% in steps of 1%.

With the “Level parameter knob”(32) you can change the balance between

the original and the shifted sound.

Hint: use the pitch shifter on a micro and you have a voice changer. (with pitch at -100%

you obtain voices from the “dark side of this world”



)

32.LEVEL (Y) PARAMETER KNOB: Used to adjust the “Y” parameter of the effects.

Please read section 31 while its function is different for each effect.

33.TIME (X) PARAMETER KNOB: Used to adjust the “X” parameter of the effects.

Mostly this is the time parameter but please read section 31 for more information.

This knob has an integrated push button that can be used in two ways:

 Push the knob while you select one of the “presets”(24) to obtain extra

presets: 1/4beat – 1/2beat – 1/1beat.

 Push the knob while turning it: in most cases you will be able to change the

time parameter of the effects more rapidly.

34.POWER SWITCH: Used to switch the mixer on and off.

35.LED VU METER: Accurate level meter with peak level memory: peak levels stay on

the display for a short time. Very important: If you want a nice and clean sound,

please pay attention the VU-meter. Most DJs use this important instrument as a

“flashy light effect”. They try to push the meter constantly to its maximum. Let’s be

clear: a good DJ wants a clean, undistorted sound. Levels over 0dB mean

“distortion” so please keep an eye on the meter! 

36.VU METER SELECTOR SWITCH: Used to select the working mode of the VU-

meter(35).

 L/R-mode: the VU-meter shows the stereo master signal on both led bars.

 CUE/PGM-mode: the VU-meter shows the master signal on one led bar

and a selected CUE-signal(39) on the other led bar. This makes it possible

to compare both signals.

37.MONO/STEREO SWITCH: Used to switch the master output in mono or stereo.

38.MASTER BALANCE: Adjusts the left-right balance of the master output.

39.CUE / BPM COUNTER SELECTOR: Used to select the source (CH-1 to CH-4) to

be monitored via the headphones output. Pressing multiple Cue-buttons makes it

possible to derive a mixed sound from the selected sources. The BPM of the

selected channel (CH-1 to CH-4) is displayed on the CUE BPM display (27).

Attention: the BPM will not be displayed correctly if 2 or more channels have been

selected!

40.3-BAND TONE CONTROLS: The frequency of each channel can be controlled

separately over a range from -30dB to +10dB: Treble@13kHz ~ Middle@1kHz ~

Bass@70Hz. In the center position the tone control is flat. (switched off)

Synq SMX-1 Seite 7

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