Bedienungsanleitung Yamaha DSP-Z11 (Seite 128 von 150) (Englisch)

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Glossary

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■ Audio and video synchronization (lip sync)

Lip sync, an abbreviation for lip synchronization, is a technical term that involves both

a problem and a capability of maintaining audio and video signals synchronized during

post-production and transmission. Whereas the audio and video latency requires

complex end-user adjustments, HDMI version 1.3 incorporates an automatic audio and

video syncing capability that allows devices to perform this synchronization

automatically and accurately without user interaction.

■ Bi-amplification connection

A bi-amplification connection uses two amplifiers for a speaker. One amplifier is

connected to the woofer section of a loudspeaker while the other is connected to the

combined mid and tweeter section. With this arrangement each amplifier operates over

a restricted frequency range. This restricted range presents each amplifier with a much

simpler job and each amplifier is less likely to influence the sound in some way. The

internal crossover of the speaker consists of a LPF (low pass filter) and a HPF (high

pass filter). As its name implies, the LPF passes frequencies below a cutoff and rejects

frequencies above the cutoff frequency. Likewise, the HPF passes frequencies above its

cutoff.

■ Component video signal

With the component video signal system, the video signal is separated into the Y signal

for the luminance and the P

B and PR signals for the chrominance. Color can be

reproduced more faithfully with this system because each of these signals is

independent. The component signal is also called the “color difference signal” because

the luminance signal is subtracted from the color signal. A monitor with component

input jacks is required in order to output component signals.

■ Composite video signal

With the composite video signal system, the video signal is composed of three basic

elements of a video picture: color, brightness and synchronization data. A composite

video jack on a video component transmits these three elements combined.

■ Deep Color

Deep Color refers to the use of various color depths in displays, up from the 24-bit

depths in previous versions of the HDMI specification. This extra bit depth allows

HDTVs and other displays go from millions of colors to billions of colors and eliminate

on-screen color banding for smooth tonal transitions and subtle gradations between

colors. The increased contrast ratio can represent many times more shades of gray

between black and white. Also Deep Color increases the number of available colors

within the boundaries defined by the RGB or YCbCr color space.

■ Dolby Digital

Dolby Digital is a digital surround sound system that gives you completely independent

multi-channel audio. With 3 front channels (front L/R and center), and 2 surround

stereo channels, Dolby Digital provides 5 full-range audio channels. With an additional

channel especially for bass effects, called LFE (Low Frequency Effect), the system has

a total of 5.1-channels (LFE is counted as 0.1 channel). By using 2-channel stereo for

the surround speakers, more accurate moving sound effects and surround sound

environment are possible than with Dolby Surround. The wide dynamic range from

maximum to minimum volume reproduced by the 5 full-range channels and the precise

sound orientation generated using digital sound processing provide listeners with

unprecedented excitement and realism. With this unit, any sound environment from

monaural up to a 5.1-channel configuration can be freely selected for your enjoyment.

■ Dolby Digital EX

Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-channel sources.

This is done using a matrix decoder that derives 3 surround channels from the 2 in the

original recording. For the best results, Dolby Digital EX should be used with movie

sound tracks recorded with Dolby Digital Surround EX. With this additional channel,

you can experience more dynamic and realistic moving sound especially with scenes

with “fly-over” and “fly-around” effects.

■ Dolby Digital Plus

Dolby Digital Plus is an advanced audio technology developed for high-definition

programming and media including HD broadcasts, HD DVD, and Blu-ray Disc.

Selected as a mandatory audio standard for HD DVD and as an optional audio standard

for Blu-ray Disc, this technology delivers multichannel sound with discrete channel

output. Supporting bitrates up to 6.0 Mbps, Dolby Digital Plus can carry up to 7.1

discreet audio channels simultaneously. Supported by HDMI version 1.3 and designed

for the optical disc players and AV receivers/amplifiers of the future, Dolby Digital Plus

also remains fully compatible with the existing multichannel audio systems that

incorporate Dolby Digital.

■ Dolby Pro Logic II

Dolby Pro Logic II is an improved technique used to decode vast numbers of existing

Dolby Surround sources. This new technology enables a discrete 5-channel playback

with 2 front left and right channels, 1 center channel, and 2 surround left and right

channels instead of only 1 surround channel for conventional Pro Logic technology.

There are three modes available: “Music mode” for music sources, “Movie mode” for

movie sources and “Game mode” for game sources.

■ Dolby Pro Logic IIx

Dolby Pro Logic IIx is a new technology enabling discrete multi-channel playback

from 2-channel or multi-channel sources. There are three modes available: “Music

mode” for music sources, “Movie mode” for movie sources (for 2-channel sources

only) and “Game mode” for game sources.

■ Dolby Surround

Dolby Surround uses a 4-channel analog recording system to reproduce realistic and

dynamic sound effects: 2 front left and right channels (stereo), a center channel for

dialog (monaural), and a surround channel for special sound effects (monaural). The

surround channel reproduces sound within a narrow frequency range. Dolby Surround

is widely used with nearly all video tapes and laser discs, and in many TV and cable

broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital

signal processing system that automatically stabilizes the volume on each channel to

enhance moving sound effects and directionality.

■ Dolby TrueHD

Dolby TrueHD is an advanced lossless audio technology developed for high-definition

disc-based media including HD DVD and Blu-ray Disc. Selected as a mandatory audio

standard for HD DVD and as an optional audio standard for Blu-ray Disc, this

technology delivers sound that is bit-for-bit identical to the studio master, offering a

high-definition home theater experience. Supporting bitrates up to 18.0 Mbps, Dolby

TrueHD can carry up to 8 discrete channels of 24-bit/96 kHz audio simultaneously.

Supported by HDMI version 1.3 and designed for the optical disc players and AV

receivers/amplifiers of the future, Dolby TrueHD also remains fully compatible with

the existing multichannel audio systems and retains the metadata capability of Dolby

Digital, allowing dialog normalization and dynamic range control.

■ DSD

Direct Stream Digital (DSD) technology stores audio signals on digital storage media,

such as Super Audio CDs. Using DSD, signals are stored as single bit values at a high-

frequency sampling rate of 2.8224 MHz, while noise shaping and oversampling are

used to reduce distortion, a common occurrence with very high quantization of audio

signals. Due to the high sampling rate, better audio quality can be achieved than that

offered by the PCM format used for normal audio CDs.

■ DTS 96/24

DTS 96/24 offers an unprecedented level of audio quality for multi-channel sound on

DVD video, and is fully backward-compatible with all DTS decoders. “96” refers to a

96 kHz sampling rate compared to the typical 48 kHz sampling rate. “24” refers to 24-

bit word length.

DTS 96/24 offers sound quality transparent to the original 96/24 master, and 96/24 5.1-

channel sound with full-quality full-motion video for music programs and motion

picture soundtracks on DVD video.

■ DTS Digital Surround

DTS digital surround was developed to replace the analog soundtracks of movies with a

6.1-channel digital sound track, and is now rapidly gaining popularity in movie theaters

around the world. DTS, Inc. has developed a home theater system so that you can enjoy

the depth of sound and natural spatial representation of DTS digital surround in your

home. This system produces practically distortion-free 6-channel sound (technically,

front left and right, center, surround left and right, and LFE 0.1 (subwoofer) channels

for a total of 5.1 channels). This unit incorporates a DTS-ES decoder that enables 6.1-

channel reproduction by adding the surround back channel to the existing 5.1-channel

format.

■ DTS Express

DTS Express is an advanced audio technology for the optional feature on Blu-ray Disc

or HD DVD, which offers high-quality, low bit rate audio optimized for network

streaming, and Internet applications. DTS Express is used for the Secondary Audio

feature of Blu-ray Disc or the Sub Audio feature of HD DVD. These features deliver

audio commentaries (for example, the additional commentaries made by the director of

a film) on demand by the users via the Internet, etc. DTS Express signals are mixed

down with the main audio stream on the player component, and the component sends

the mixed audio stream to the AV receivers/amplifiers via digital coaxial, digital

optical, or analog connections.

■ DTS-HD Master Audio

DTS-HD Master Audio is an advanced lossless audio technology developed for high-

definition disc-based media including HD DVD and Blu-ray Disc. Selected as a

mandatory audio standard for both HD DVD and Blu-ray Disc, this technology delivers

sound that is bit-for-bit identical to the studio master, offering a high-definition home

theater experience. Supporting bitrates up to 18.0 Mbps for HD DVD and up to 24.5

Mbps for Blu-ray Disc, DTS-HD Master Audio can carry up to 7.1 discrete channels of

24-bit/96 kHz audio simultaneously. Supported by HDMI version 1.3 and designed for

the optical disc players and AV receivers/amplifiers of the future, DTS-HD Master

Audio also remains fully compatible with the existing multichannel audio systems that

incorporate DTS Digital Surround.

Glossary

Yamaha DSP-Z11 Seite 128

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