Bedienungsanleitung Yamaha MOTIF ES7 (Seite 209 von 300) (Englisch)

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Reference Voice Mode

Supplementary infomation

209

Owner’s Manual

■ Supplementary information

Micro Tuning List

Filter Type List

LPF24D (24dB/oct Digital Low Pass Filter)

A dynamic 24dB/oct low-pass ﬁlter with a

characteristic digital sound. Compared to the

LPF24A type (below), this ﬁlter can produce a more

pronounced resonance effect.

LPF24A (24dB/oct Analog Low Pass Filter)

A digital dynamic low-pass ﬁlter with characteristics

similar to a 4-pole analog synth ﬁlter.

LPF18 (18dB/oct Low Pass Filter)

3-pole 18dB/oct low-pass ﬁlter.

LPF18s (18dB/oct Staggered Low Pass Filter)

3-pole 18dB/oct low-pass ﬁlter. This ﬁlter has a

smoother cutoff slope than the LPF18 type.

LPF12 (12dB/oct Low Pass Filter)

12dB/oct low-pass ﬁlter. This ﬁlter is designed to be

used in conjunction with a high-pass ﬁlter.

LPF6 (6dB/oct low-pass Filter)

1-pole 6dB/oct low-pass ﬁlter. No resonance. This

ﬁlter is designed to be used in conjunction with a

high-pass ﬁlter.

HPF24D (24dB/oct Digital High Pass Filter)

A dynamic 24dB/oct high-pass ﬁlter with a

characteristic digital sound. This ﬁlter can produce

a pronounced resonance effect.

[VOICE] → [EDIT] → [COMMON] → [F1] GENERAL → [SF2] PLY MODE → M.TuningNo./M.TuningRoot (page 190)

M.TuningNo. Type M.TuningRoot Comments

Equal Temp (Equal temperament)

The “compromise” tuning used for most of the last 200 years of Western music, and found

on most electronic keyboards. Each half step is exactly 1/12 of an octave, and music can

be played in any key with equal ease. However, none of the intervals are perfectly in tune.

PureMaj (Pure major)

C ~ B

This tuning is designed so that most of the intervals (especially the major third and perfect

ﬁfth) in the major scale are pure. This means that other intervals will be correspondingly

out of tune. You need to specify the key (C~B) you will be playing in.

02 PureMin (Pure minor) C ~ B The same as Pure Major, but designed for the minor scale.

03 Werckmeist (Werckmeister) C ~ B Andreas Werckmeiser, a contemporary of Bach, designed this tuning so that keyboard

instruments could be played in any key. Each key has a unique character.

04 Kirnberger C ~ B Johann Philipp Kirnberger, an 18th century composer, created this tempered scale to

allow performances in any key.

05 Vallot&Yng (Vallotti & Young) C ~ B Francescatonio Vallotti and Thomas Young (both mid-1700s) devised this adjustment to

the Pythagorean tuning, in which the ﬁrst six ﬁfths are lower by the same amount.

06 1/4 Shift (1/4 shifted) -- This is the normal equal tempered scale shifted up 50 cents.

07 1/4 tone -- Twenty-four equally spaced notes per octave. (Play twenty-four notes to move one

octave.)

08 1/8 tone -- Forty-eight equally spaced notes per octave. (Play forty-eight notes to move one octave.)

09 Indian -- Usually observed in Indian music (white keys only).

10 Arabic 1

C ~ B

Usually observed in Arabic music.

11 Arabic 2

12 Arabic 3

[VOICE] → [EDIT] → Element selection → [F3] FILTER → [SF1] TYPE → Type (page 197)

Resonance

These frequencies are

“passed” by the ﬁlter.

Resonance

LPF18

LPF18s

Resonance

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