Bedienungsanleitung Yamaha MOTIF ES7 (Seite 259 von 300) (Englisch)

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Reference Sampling Mode

Sampling Job mode

259

Owner’s Manual

■ Supplementary

Tips for using the Slice Types

• Slicing percussive phrases having short decays

First, try slicing using “beat1.” If the result has a weak attack or the

release portions of the phrase seem to overlap, try again using

“beat2.” Try adjusting the envelope sensitivity for ﬁner control.

If after using “beat1” the attack portions overlap or the overall

rhythmic feel is degraded, try again using “beat3.” Use the

SubDivide parameter to adjust the slice resolution, and make ﬁnal

adjustments with the Envelope Sensitivity parameter.

• Slicing phrases having long decays

First, try slicing using “phrase1.” If the result has a weak attack or the

release portions of the phrase seem to overlap, try again using

“phrase2.” Use the SubDivide parameter to adjust the slice

resolution, and make ﬁnal adjustments with the Envelope Sensitivity

parameter.

If after using “phrase1” the points between the slices sounds rough

and the overall feel is choppy, try again using “phrase3” or “phrase4”

and set SubDivide to a ﬁner resolution. Make ﬁnal adjustments with

the Envelope Sensitivity parameter. The “phrase3” setting is

generally best for sustained strings or brass type sounds with no

vibrato — in other words, the pitch remains constant. It can also

produce echo-like effects when applied to percussive phrases with

short decay. The “phrase4” setting is generally best for sustained

strings or brass type sounds with vibrato, as well as vocal phrases.

Wave Memory Required for Slice Operations

Individual wave data slices created through slice operations require

approximately 1.5 times the original memory because a tail section is

automatically added and fade-in and fade-out sections are

automatically created at the beginning and end of the wave data.

This helps to maintain maximum sound quality when the tempo is

increased, and results in smoother connections between slices (no

tail section is created when the “quick” slice type is selected).

A memory work area is required for the processing calculations

carried out for each slice operation, as well as sufﬁcient memory to

hold the completed waveforms. When the sampling frequency is

44.1 kHz, the approximate amount of memory (expressed in

kilobytes) required for each slice type is listed below.

beat1: Original wave size x N + (0.3 x number of slices)

beat2: Original wave size x N + (0.2 x number of slices)

beat3: Original wave size x N + (0.3 x number of slices)

phrase1: Original wave size x N + (5.8 x number of slices)

phrase2: Original wave size x N + (1.4 x number of slices)

phrase3: Original wave size x N + (0.4 x number of slices)

phrase4: Original wave size x N + (1.4 x number of slices)

quick: Original wave size x 3 + (0.7 x number of slices)

For monaural samples N = 5.5, and for stereo samples N = 8.

Also, the number of slices is doubled for stereo samples.

04: Name This Job lets you assign a name to the selected Waveform.

For speciﬁc instructions on naming, refer to page 53 in the Basic Operation section.

[F3] OTHER

01: Clean Up Memory This Job deletes all the waveforms to which User voices or Sample voices are not assigned.

02: Optimize Memory This Job optimizes the memory (DRAM) for sampling.

03: Delete All This Job deletes all the waveforms.

04: Convert to Drum Voice This Job lets you convert the selected waveform to a speciﬁc Drum voice.

Source

Waveform

Sliced

Waveform

Tail section

Fade section

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