Bedienungsanleitung Yamaha MOTIF-RACK XS (Seite 68 von 118) (Englisch)

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Voice Mode

MOTIF-RACK XS Owner’s Manual

Basic Structure

Reference

Voice

Multi Utility

The Controls &

Connectors

Setting Up

Listening to

the Sound

Connections

Using a Computer

Quick Guide

Appendix

Tr igger Mode When this is set to “gate,” receiving a Note On message starts Arpeggio playback and receiving a

Note Off message stops it. When this is set to “toggle,” receiving a Note On message starts/stops

Arpeggio playback and receiving a Note Off message does not affect Arpeggio playback. Normally,

this parameter should be set to “gate.”

Settings: gate, toggle

n The Trigger Mode “toggle” setting overrides the Hold “on” setting in the Arp Edit display (page 66). In other words,

even when the Hold parameter is set to “on,” receiving a Note On message start/stops Arpeggio playback when

the Trigger Mode is set to “toggle.”

Accnt Vel Th

(Accent Velocity Threshold)

Some preset Arpeggio types include special sequence data called “Accent Phrase,” which will be

played back only when the velocities higher than a speciﬁed value are received. This parameter

determines the minimum velocity that will trigger the Accent Phrase.

Settings: off, 1 – 127

Accnt Strt Qtz

(Accent Start Quantize)

Determines the start timing of the Accent Phrase when the Velocity speciﬁed in “Accent Vel Th”

above is received. When set to off, the Accent Phrase starts as soon as the Velocity is received.

When set to on, the Accent Phrase starts on the beat speciﬁed for each Arpeggio type after the

Velocity is received.

Settings: off, on

Random SFX Some Arpeggio types feature a Random SFX function which will trigger special sounds (such as

guitar fret noises) when the Note Off message is received. This parameter determines whether the

Random SFX is active or not.

Settings: off, on

SFX Vel Offset

(Random SFX Velocity Offset)

Determines the offset value by which the Random SFX notes will be shifted from their original

velocities. If the resultant velocity value is less than zero it will be set to 1, and if the resultant velocity

is greater than 128 it will be set to 127.

Settings: -64 – +0 – +63

SFX Key on Ctrl

(Random SFX Key on Control)

When this is set to “off,” the Random SFX special sound is played with the pre-programmed velocity.

When this is set to “on,” the Random SFX special sound is played with the velocity generated when

the Note On message is received.

Settings: off, on

Arp 1 – 5 Type (Arpeggio 1 – 5 Type)

Speciﬁc settings for a selected Arpeggio in the Arp Select display.

Main Ctgry (Main Category)

Sub Ctgry (Sub Category)

Determines the Arpeggio Main Category and Sub Category including the desired Arpeggio type.

Settings: See “Category List” in the Basic Structure (page 53).

Type Determines the desired Arpeggio Type number from the speciﬁed Category. The number and name

of the selected Arpeggio Type is shown at the second line from the top of the display. Refer to the

Arpeggio Type List in “Arpeggio Type List” (separate online documentation), described on page 8.

n For details about how to use the “Arpeggio Type List,” see page 53.

Vel Rate

(Velocity Rate Offset)

Determines the offset value by which the Arpeggio notes will be shifted from their original velocities.

If the resultant velocity value is less than zero it will be set to 1, and if the resultant velocity is greater

than 128 it will be set to 127.

Settings: -100% – +0% – +100%

GTime Rate

(Gate Time Rate Offset)

Determines the Gate Time (length) of the Arpeggio notes. The Gate Time cannot be decreased

beyond its normal minimum of 1; any values outside that range will automatically be limited to the

minimum.

Settings: -100% – +0% – +100%

4 Filter

Filter parameter settings common to all elements of the Voice.

Cutoff Determines the common offset value of ﬁlter Cutoff Frequencies for all Elements (page 76). This

parameter can be changed directly via the Knob.

Settings: -64 – +0 – +63

Resonance Determines the common offset value of ﬁlter Resonance/Width for all Element (page 76). This

parameter can be changed directly via the Knob.

Settings: -64 – +0 – +63

5 EG

Using the AEG and FEG, you can control the sound transition from the moment the sound starts to the moment the sound stops. The EG

settings commonly affect all Elements.

FEG Attack

FEG Decay

FEG Release

FEG Depth

Determines the FEG (Filter Envelope Generator) parameters for each Part. Using the FEG, you can

control the transition in tonal color (Cutoff Frequency) from the moment the sound starts to the

moment the sound stops. The settings made here will be applied to the same parameters in the FEG

(page 77) of Element Edit as offset. “FEG Sustain” is not available here. “FEG Depth” can be

changed directly via the Knob.

Settings: -64 – +0 – +63

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