Bedienungsanleitung Yamaha MOTIF XS7 (Seite 157 von 320) (Englisch)

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Editing a Performance

MOTIF XS Owner’s Manual 157

Voice mode

Song mode

Pattern mode

Mixing mode

Master mode

Utility mode

File mode Performance

mode

Sampling

mode 1

Sampling

mode 2

Reference

)Accent Vel Threshold

(Accent Velocity Threshold)

Some preset Arpeggio types include the special sequence

data called “Accent Phrase,” which will be played back

only when the velocities higher than a speciﬁed value are

received. This parameter determined the minimum velocity

that will trigger the Accent Phrase.

Settings: off, 1 – 127

!Accent Start Quantize

Determines the start timing of the Accent Phrase when the

Velocity speciﬁed in Accent Vel Threshold above is

received. When set to off, the Accent Phrase starts as soon

as the Velocity is received. When set to on, the Accent

Phrase starts on the beat speciﬁed for each Arpeggio type

after the Velocity is received.

Settings: off, on

@Random SFX

Some Arpeggio types feature the Random SFX function

which will trigger the special sound such as fret noise of

the guitar when the note is released. This parameter

determines whether the Random SFX is active or not.

Settings: off, on

#Random SFX Velocity Offset

Determines the offset value by which the Random SFX

notes will be shifted from their original velocities. If the

resultant velocity value is less than zero it will be set to 1,

and if the resultant velocity is greater than 128 it will be set

to 127.

Settings: -64 – +0 – +63

$Random SFX Key On Control

When this is set to “on,” the Random SFX special sound is

played with the pre-programmed velocity. When this is set

to “off,” the Random SFX special sound is played with the

velocity generated when the note is pressed.

Settings: off, on

%MIDI Out Switch (MIDI Output Switch)

When this is set to on, Arpeggio playback data is output

from the MIDI terminal.

Settings: off (not output), on (output)

^MIDI Out Channel (MIDI Output Channel)

Determines the MIDI transmit channel for Arpeggio

playback data. When this is set to “kbd,” Arpeggio

playback data is output via the MIDI transmit channel

(page 137) set in the Performance Play mode.

Settings: 1 – 16, kbd (Keyboard Channel)

EG Settings—[F4] EG

You can control the sound transition from the moment a key

is pressed to the moment at which it is released. You can

also adjust the tone brilliance by setting the Cutoff

Frequency and Resonance.

1AEG (Amplitude EG)

Determines the AEG (Amplitude Envelope Generator)

parameters for each Part. The following parameters can be

used to control the change in volume from the moment a

note is pressed on the keyboard to the moment the sound

stops. The setting made here will be applied to the AEG

parameters (page 123) of each Voice as offset.

Attack (Attack Time)

Determines the speed of attack from the time a key is played

until the maximum initial level of the EG is reached.

Decay (Decay Time)

Determines how fast the volume falls from maximum attack

level to the sustain level.

Sustain (Sustain Level)

Determines the sustain level at which the volume will continue

while a note is held, after the initial attack and decay.

Release (Release Time)

Determines how quickly the sound decays to silence after the

key is released.

Settings: -64 – +0 – +63

nWhen a Drum Voice is selected, Sustain Level and

Release Time are not available.

2FEG (Filter EG)

Determines the FEG (Filter Envelope Generator)

parameters for each Part. Using the FEG, you can control

the transition in tonal color (Cutoff Frequency) from the

moment the sound starts to the moment it stops. The

setting made here will be applied to the FEG parameters

(page 119) of each Voice as offset.

Attack (Attack Time)

Determines the speed of ﬁlter variation from the time a note is

played until the maximum initial level of the Cutoff Frequency

is reached.

Decay (Decay Time)

Determines how fast the Cutoff Frequency falls from maximum

attack level to the sustain level.

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Yamaha MOTIF XS7 Seite 157

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