Bedienungsanleitung Yamaha MOTIF XS7 (Seite 158 von 320) (Englisch)

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Editing a Performance

MOTIF XS Owner’s Manual

158

Voice mode Song mode Pattern mode Mixing mode Master mode Utility mode File mode

Performance

mode

Sampling

mode 1

Sampling

mode 2

Reference

Release (Release Time)

Determines how fast the Cutoff Frequency falls from the

sustain level to zero when a note is released.

Depth

Determines the range over which the cutoff frequency of the

Filter EG changes. A setting of 0 will cause the cutoff

frequency not to change. The farther from 0 the value is, the

larger the range of the cutoff frequency. For negative values,

the change of the cutoff frequency is reversed.

Settings: -64 – +0 – +63

nWhen a Drum Voice is selected, not all of the parameters

are available. Unavailable parameters are blank and

cannot be edited.

3Filter

Determines the Cutoff Frequency and Resonance for the

Filter to change the Performance sound. The setting made

here will be added to the same parameters (page 117) of

each Voice as offset.

Cutoff

Determines the cutoff frequency for the Filter. The frequency

set here is the center frequency at which the signals are

affected when they pass through each ﬁlter.

Settings: -64 – +0 – +63

Resonance/Width

This parameter’s function varies according to the selected

Filter Type. If the selected ﬁlter is an LPF, HPF, BPF (excluding

the BPFw), or BEF, this parameter is used to set the

Resonance. If the selected ﬁlter is a BPFw, this parameter is

used to adjust the frequency bandwidth.

Resonance is used to set the amount of Resonance (harmonic

emphasis) applied to the signal at the cutoff frequency. This

can be used in combination with the cutoff frequency

parameter to add further character to the sound.

The Width parameter is used to adjust the width of the band of

signal frequencies passed by the ﬁlter with the BPFw.

Settings: -64 – +0 – +63

Equalizer (EQ) Settings—[F5] EQ

From this display you can apply 3-band parametric EQ to

each individual Part, for ﬁne adjustment of the sound. The

EQ shapes for Low and High are ﬁxed as shelving types.

1Frequency

Determines the center frequency. Frequencies around this

point are attenuated/boosted by the Gain setting below.

Higher values produce higher frequencies.

Settings:

Low

50.1 Hz – 2.0 kHz

Middle

139.7 Hz – 10.1 kHz

High

503.8 Hz – 14.0 kHz

2Gain

Determines the level gain for the Frequency (set above), or

the amount the selected frequency band is attenuated or

boosted.

Settings: -12 dB – +0 dB – +12 dB

3Q (Bandwidth)

This varies the signal level at the Frequency setting to

create various frequency curve characteristics. The higher

the setting the smaller the Q (Bandwidth). The lower the

setting, the greater the Q (Bandwidth).

Settings: 0.7 – 10.3

MIDI Receive settings—[F6]

RcvSwitch (Receive Switch)

From this display you can set how each individual Part

responds to various MIDI data, such as Control Change

and Program Change messages. When the relevant

parameter is set to “on,” the corresponding Part responds

to the appropriate MIDI data. Each of the Controller names

in this display indicates the MIDI data generated by using

the corresponding Controller.

nFor Parts to which the Drum Voice is assigned, Sustain is not

available.

–

Frequency

0.7

10.3

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Yamaha MOTIF XS7 Seite 158

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