Bedienungsanleitung Yamaha P-155 (Seite 40 von 72) (Englisch)

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Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

About Each Function

The explanations here apply when entering the Function in step 5 on page 39.

You can ﬁne tune the pitch of the entire instru-

ment. This function is useful when you play

the instrument along with other instruments

or CD music.

Use the [–/NO] and [+/YES] buttons to lower

or raise the pitch of the A3 key in approxi-

mately 0.2 Hz increments.

Te nths of a hertz are indicated on the display by the

appearance and position of a dot, as in the following

example:

You can select various scales.

Equal Temperament is the most common con-

temporary piano tuning scale. However, his-

tory has known numerous other scales, many

of which serve as the basis for certain genres of

music. You can experience these tunings with

the instrument.

F2.1: Scale

Setting range: 1: Equal Temperament

2: Pure Major

3: Pure Minor

4: Pythagorean

5: Mean Tone

6: Werckmeister

7: Kirnberger

Default setting: 1: Equal Temperament

EQUAL TEMPERAMENT

The pitch range of each octave is divided equally into

twelve parts, with each half-step evenly spaced in pitch.

This is the most commonly used tuning in music today.

PURE MAJOR/PURE MINOR

These tunings preserve the pure mathematical intervals of

each scale, especially for triad chords (root, third, ﬁfth).

You can hear this best in actual vocal harmonies - such as

choirs and a cappella singing.

PYTHAGOREAN

This scale was devised by the famous Greek philosopher

and is created from a series of perfect ﬁfths, which are col-

lapsed into a single octave.

The 3rd in this tuning are slightly unstable, but the 4th and

5th are beautiful and suitable for some leads.

MEAN-TONE

This scale was created as an improvement on the

Pythagorean scale, by making the major third interval more

“in tune.” It was especially popular from the 16th century

to the 18th century. Handel, among others, used this scale.

WERCKMEISTER/KIRNBERGER

This composite scale combines the Werckmeister and Kirn-

berger systems, which were themselves improvements on

the mean-tone and Pythagorean scales. The main feature of

this scale is that each key has its own unique character. The

scale was used extensively during the time of Bach and

Beethoven, and even now it is often used when performing

period music on the harpsichord.

F1. Fine Tuning of the Pitch

Display Value

440.0

Setting range:

440.2

427.0–453.0 (Hz)

440.4

Default setting:

446.6

440.0 (Hz)

453.0

TERMINOLOGY

Hz (Hertz):

This unit of measurement refers to the frequency of a sound and

represents the number of times a sound wave vibrates in a second.

Using the keyboard to set the pitch

You can ﬁne tune the pitch by pressing a key on the

keyboard, without having to call up the FUNCTION

display. See the “Panel Controls and Terminals”

(page 8) for the key (note) name.

To tune up (in roughly 0.2Hz steps): Hold the A-1,

B-1, and C0 keys simultaneously and press any key

between C3 and B3.

To tune down (in roughly 0.2Hz steps): Hold the A-

1, B-1, and C#0 keys simultaneously and press any

key between C3 and B3.

To restore standard pitch: Hold the A-1, B-1, C0,

and C#0 keys simultaneously and press any key

between C3 and B3.

To tune down or up, respectively, in approximately

1 Hz increments: Hold the A-1, B-1 and C0 keys or

the A-1, B-1 and C#0 keys simultaneously and press

the [–/NO] or [+/YES] button.

To restore standard pitch: Hold the A-1, B-1 and C0

keys or the A-1, B-1 and C#0 keys simultaneously

and press the [–/NO] [+/YES] buttons simulta-

neously.

F2. Selecting a Scale

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