Bedienungsanleitung Yamaha P-250 (Seite 77 von 102) (Englisch)

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P-250 77

Other Settings [OTHER SETTING]

Edit Operation

■Selecting a scale [Scale]

The P-250 enables you to select various scales. Equal

Temperament is the most common contemporary piano

tuning scale. However, history has known numerous

other scales, many of which serve as the basis for certain

genres of music. You can experience the tunings of these

genres.

Press the D [–]/[+] buttons to select from the scales

below.

Equal

One octave is divided into twelve equal intervals. This is

currently the most popular piano tuning scale.

PureMajor/PureMinor

Based on natural overtones, three major chords using

these scales produce a beautiful, pure sound. They are

sometimes used for chorus parts.

Pythagorean

This scale, designed by Pythagoras, a Greek philosopher,

is composed of only ﬁve pitches. The 3rd produces

swells, but the 4th and 5th are beautiful and suitable for

some leads.

MeanTone

This scale is an improvement on the Pythagorean scale

in that the swell of the 3rd has been eliminated. It

became popular during the late 16th century through the

late 18th century. Handel used this scale.

WerckMeister/KirnBerger

These scales combine Mean Tone and Pythagorean in

different ways. With these scales, modulation changes

the impression and feel of the songs. These scales were

often used in the era of Bach and Beethoven. They are

also often used now to reproduce the music of that era

on harpsichords.

If you select a scale other than Equal, you need to specify

the root note. Press the B [–(NO)]/[+(YES)] buttons to

select from C, C, D, E , E, F, F, G, A , A, B , or B.

[Scale] is a performance parameter (page 30).

■Setting the split point [SplitPoint]

Set the split point on the keyboard that separates the

right and left-hand sections.

Press the D [–]/[+] buttons to set the value (A-1 — C7).

[SplitPoint] is a performance parameter (page 30).

■Setting the key [Transpose]

The P-250’s Transpose function makes it possible to shift

the pitch of the entire keyboard up or down in semitone

intervals to facilitate playing in difﬁcult key signatures,

and to let you easily match the pitch of the keyboard to

the range of a singer or other instruments.

For example, if you set the transposition amount to “5,”

playing key C produces pitch F. In this way, you can play

the song as if it were in C major, and the P-250 will

transpose it to the key of F.

Press the C [–]/[+] buttons to select one of the following

to transpose:

Master ..........Any sound of the instrument (actual play-

ing, playback song)

Keyboard......Actual playing

Song .............Playback song

Press the D [–]/[+] buttons to set the transposition

amount from –12 (–1 octave) to 0 (standard pitch) to +12

(+1 octave).

[Transpose] is a performance parameter (page 30).

■Specifying the depth of the soft pedal [Soft-

PedalDepth]

Press the D [–]/[+] buttons to set the value (1—10).

[SoftPedalDepth] is a performance parameter (page

30).

■Specifying the depth of string resonance

[StringResonanceDepth]

This parameter is effective on the voice group

GRANDPIANO1.

Press the D [–]/[+] buttons to set the value (Off, 1—10).

[StringResonanceDepth] is a performance parameter

(page 30).

• Refer to page 61 for general information on setting the parameters.

• Refer to pages 3—5 of the separate “Data List” for information on the

default parameter settings.

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Yamaha P-250 Seite 77

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