Bedienungsanleitung Yamaha P-255 (Seite 42 von 60) (Englisch)

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Customizing with Function Parameters

P-255 Owner’s Manual

Werckmeister

Kirnberger

The Werckmeister and Kirnberger tuning systems improve the

Meantone and Pythagorean tuning systems by combining them

in different ways. Both are uniquely characterized by the way in

which modulation can change the nuances of musical composi-

tions. Often used in the eras of Bach and Beethoven, they are

still employed today to reproduce the music of those periods on

the harpsichord.

F2.1 Tuning system

•Available settings: 1 ...Equal temperament

2 ...Pure Major

3 ...Pure Minor

4 ...Pythagorean

5 ...Meantone

6 ...Werckmeister

7 ...Kirnberger

•Default setting: 1 ...(Equal temperament)

F2.2 Base note

If you select a tuning system other than equal temperament,

you will also need to specify the note on which it is based.

(You can specify a base note for equal temperament, but

this setting will have no effect. It is only relevant to other

tuning systems.)

•Available settings: C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, and B

•Default setting: C

Examples of base notes as shown on display

The following parameters can be used to adjust the volume

balance between the two selected Voices and make various

other settings for Dual mode in order to best suit the piece

you intend to play. Settings can be made for each combina-

tion of Voices as described below.

Activate Dual mode, select the Voices you wish to

use, and then use the [FUNCTION] button to select

the Function parameter(s) you wish to set.

Change the setting(s) using the [-/NO] and [+/YES]

buttons.

Shortcut:

Yo u can jump directly to Function parameter F3.1 by pressing

the [FUNCTION] button with the Voice buttons for the two Dual-

mode Voices held down.

F3.1 Dual balance

This parameter can be used to optimize the volume balance

between the layered Voices. For example, you could set it

such that one Voice serves as the main sound and the other

provides a subtle accent or a textured after-sound.

•Available settings: 0 to 20 (The greater the value, the louder the

volume of Voice 1; 10 represents an equal balance.)

•Default setting: Each combination of Voices has its own default.

F3.2 Dual detune

Use this parameter to slightly detune the two Voices relative

to one another in order to thicken their combined sound.

•Available settings: -20 to 0 to 20 (The more positive the value, the

higher the pitch of Voice 1 and the lower the pitch of Voice

2. The more negative the value, the higher the pitch of

Voice 2 and the lower the pitch of Voice 1.)

•Default setting: Each combination of Voices has its own default.

F3.3 Voice 1 octave shift

F3.4 Voice 2 octave shift

These parameters are used to raise or lower the pitch of

each of Voice 1 and Voice 2 in units of one octave. In cer-

tain cases, this can enhance the combined sound of the

Voices.

•Available settings: -1, 0, and 1

•Default setting: Each combination of Voices has its own default.

F3.5 Voice 1 effect depth

F3.6 Voice 2 effect depth

Use these parameters to set the depth of the effect for each

of Voice 1 and Voice 2.

•Available settings: 0 to 20

•Default setting: Each combination of Voices has its own default.

F3.7 Reset

By pressing the [+/YES] button with this Function parame-

ter shown, you can reset all of the Dual mode settings to the

defaults for the corresponding Voice combinations.

F3. Dual mode settings

F~ G A_

Hyphen (“-”) at

top for sharp

Hyphen (“-”) at

bottom for flat

F# GAb

• The actual amount of detuning is greater for lower notes than higher notes—for

example, ±60 cents for A-1 corresponds to ±5 cents for C7. (100 cents equal one

semitone.)

• Refer to page 14 for details of what is meant by Voice 1 and Voice 2.

NOTE

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