Bedienungsanleitung Yamaha RX-V595a (Seite 41 von 63) (Englisch, Französisch)

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However, at the normal level suitable for listening in your room,

the low-level parts of source sound often cannot be heard well

because they will be lost among noise in your environment.

Dolby Digital technology has also made it possible to reduce an

original sound track’s dynamic range for a home audio format

by “compressing” the sound data.

MAX: In this position, a source encoded with Dolby Digital

is reproduced in the original sound track’s wide

dynamic range to provide you with powerful sounds

just like those in a movie theater.

Selecting this position will be even better if you can

listen to a source at a high output level in a room

specially soundproofed for audio/video enjoyment.

STD (Standard):

In this position, a source encoded with Dolby Digital

is reproduced in the “compressed” dynamic range of

the source that is suitable for low-level listening.

MIN: In this position, the dynamic range is more reduced

than in the STD position.

Selecting this position will be effective when you

must listen to a sound source at a low level.

* In this position, it may happen that sound is output

faintly or not output normally depending on the

source. In that case, select the MAX or STD

position.

DTS LFE (Adjusting the level of the LFE

channel for DTS)

Control range: –10 dB to +10 dB (in 1 dB steps)

Preset value: 0 dB

* This adjustment is effective only when DTS is being decoded

and the signals of the selected source encoded with DTS

contain LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they are

output from the same speakers, the ratio of the LFE signal level

to the level of the other signals can be adjusted.

(See page 8 for details about the LFE channel.)

ADJUSTMENTS IN THE “SET MENU” MODE

The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening

and video watching.

1. CNTR (CENTER SPEAKER)

2. REAR (REAR SPEAKERS)

3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT)

5. M.LVL (MAIN LEVEL)

6. D.D.LFE

(DOLBY DIGITAL LFE LEVEL)

For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,

see page 21. (Once you have selected the appropriate

settings, you do not have to change any settings unless an

alteration is made in your speaker system.)

D.D.LFE (Adjusting the level of the LFE

channel for Dolby Digital)

Control range: –20 dB to 0 dB (in 1 dB steps)

Preset value: 0 dB

* This adjustment is effective only when Dolby Digital is being

decoded and the signals of the selected source encoded with

Dolby Digital contain LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they are

output from the same speakers, the ratio of the LFE signal level

to the level of the other signals can be adjusted.

(See page 8 for details about the LFE channel.)

D.RNG (Adjusting the dynamic range)

Choices: MAX/STD/MIN

Preset position: MAX

* This adjustment is effective only when Dolby Digital is being

decoded.

“Dynamic range” is the difference between the maximum level

and the minimum level of sounds.

Sounds on a movie originally designed for movie theaters

feature a very wide dynamic range.

Dolby Digital technology can modify the original sound track

into a home audio format with this wide dynamic range un-

changed.

Powerful sounds of extremely wide dynamic range are not

always suitable for home use. Depending upon the condition of

your listening environment, it may not be possible to increase

the sound output to a level as high as that in a movie theater.

7. D.RNG (DYNAMIC RANGE)

8. DTS LFE (DTS LFE LEVEL)

9. C.DELAY (CENTER DELAY)

10. GUARD (MEMORY GUARD)

11. INPUT (INPUT MODE)

01RX-V595a-e/f5 6/24/99, 11:45 AM41

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