Bedienungsanleitung Allen-Heath MixWizard WZ4-16 (Seite 17 von 32) (Englisch)

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Allen & Heath 17 WZ

16:2 and 12:2 User Guide

The STEREO Input Channel

(WZ

12:2 only)

Dual stereo inputs Each of the two stereo channels has two stereo inputs

which can be used separately, mixed together or split so that one feeds the

channel, the other routes direct to LR. For example, you could mix two sound

effects playback devices or two reverb returns together into one channel. This

can be useful in saving channels, letting you mix many inputs in a small space.

The L input signal normals through the R input socket so that a mono source

may be plugged in to feed both left and right sides of the stereo channel.

ST1 (ST3) Unbalanced TRS inputs. The GAIN control adjusts from fully off

to +16dB gain. Press the ST1 (ST3) switch to turn the input on.

Routing mode switch Recessed switch to prevent accidental operation. In

the normal up position the ST1 (ST3) signal mixes with ST2 (ST4) into the

stereo channel. When pressed the signal is routed direct to the LR mix instead

of the channel. This lets you use these inputs as simple stereo returns in addi-

tion to the full stereo channels, providing four independent stereo sources to

the LR mix.

ST2 (ST4) Balanced TRS inputs. The GAIN control adjusts from fully off to

+16dB gain. Press the ST2 (ST4) switch to turn the input on. These inputs

always feed the stereo channels.

EQ A 4-band fixed frequency EQ provides independent control of four fre-

quency bands. HF and LF are shelving filters which affect high frequencies

above 12kHz, and low frequencies below 80Hz respectively. HM and LM are

bell shaped peak/dip filters which affect frequencies centred around 2.5kHz and

250Hz respectively. These have a width (Q) of 1.8. All bands can be boosted

or cut by up to 15dB and have a centre detented 0dB position.

AUX SENDS These work as described for the mono channel. The L and R

sides of the stereo signal sum together to feed each aux in mono. This can be

changed using an internal solder option so that L feeds auxes 1,3 and R feeds

auxes 2,4.

BAL Balances the level of the L signal against the R signal to compensate for

differences in the source signal, or to position the signal within the stereo im-

age. The centre equal level position is detented for quick resetting.

MUTE When pressed the channel signal is turned off. This affects the feed

to the LR mix, and pre and post-fade aux sends. The red indicator lights when

the channel is muted.

PFL Press PFL to listen to the summed L+R pre-fade channel signal in the

headphones or AB monitor (if configured) without affecting the main outputs.

The console main LR meters are interrupted with the channel signal. The red

PK indicator half lights to show that PFL has been selected on that channel.

PEAK The red indicator illuminates when the channel pre-fade signal is within

5dB of clipping. This gives you enough warning to reduce the GAIN control

before you hear signal distortion.

SIGNAL The green signal presence indicator lights when the channel pre-

fade signal is greater than -12dBu.

FADER Controls the channel level feeding the main LR mix and post-fade aux

sends. It also affects the direct output if this has been set to post-fade using the

internal option jumper. The fader provides +10dB maximum boost above its

normal unity gain 0dB position.

SIG

POST

PK!

BAL

AUX

MUTE

PFL

L R

PRE

AUX

(ST1+ST2)TO

9-10

-5

GAIN

-10

-20

-5

GAIN

-10

-20

EQ IN

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Allen-Heath MixWizard WZ4-16 Seite 17

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