Bedienungsanleitung Atomos NinjaV (Seite 28 von 67) (Englisch)

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Atomos Ninja V – User Manual Edition 1: Aug 2021 26

RAW over HDMI

When connected to a supported camera via HDMI, you will be able to

record RAW data over HDMI. When RAW over HDMI is enabled on a

connected camera, your Ninja V will automatically detect the RAW signal

and prompt you to select ProRes RAW as the recording codec.

Refer to the documentation for your camera on how to enable RAW

over HDMI from the camera.

SDI RAW

You can add the SDI RAW feature to your Ninja V by purchasing the

optional SDI RAW upgrade at my.atomos.com.

After activating the feature on your Ninja V, you can use the AtomX SDI

Expansion module to record RAW over SDI from compatible cameras.

Refer to Activation section for more information on the activation process.

When RAW over SDI is enabled on a connected camera, your Ninja V

will automatically detect the RAW signal and prompt you to select

ProRes RAW as the recording codec.

To use the AtomX SDI Module for SDI RAW, rmware version 10.6 or

later needs to be installed on your Ninja V.

Compression

Tapping on this setting allows you to toggle the compression for the currently

selected codec.

Apple ProRes is built in to the Ninja V and offers three levels of compression

(HQ, 422 & LT). Avid DNx requires activation via my.atomos.com and

includes DNxHD with four levels of compression (220x, 220, 145, 36) and

DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ

and LB). DNxHD 220x/DNxHR HQX are 10-bit, whilst all others variants are

8-bit and DNxHD36 is a proxy codec.

Apple ProRes RAW also requires activation via my.atomos.com and includes

two compression options: ProRes RAW and ProRes RAW HQ. Compression

artifacts are very unlikely with ProRes RAW, and extremely unlikely with

ProRes RAW HQ.

H.265 (HEVC) is an optional paid activation via my.atomos.com and

provides three compression options HQ, MQ and LQ (High Quality, Medium

Quality and Low Quality).

Record Format

Displays resolution and frame rate that is being recorded to your HDD/SSD.

Record Bit Depth

When the H.265 codec is selected, an additional Record Bit Depth setting

will be available on the Record page. Tap to cycle through the options which

include 8-bit 4:2:0, 8-bit 4:2:2 and 10-bit 4:2:2.

7. Using the Ninja V

H.265

H.265 (HEVC)

You can add the H.265 (HEVC) codec to your Ninja V codec options by

purchasing the optional upgrade through your my.atomos.com account.

Refer to the Activation section for more information on my.atomos.com and

the activation process. Once the upgrade is purchased and has been

installed, you can select H.265 as a recording codec on the Record page.

TheH.265codecisahighlyefcientcompressedcodecthatcombines

excellentimagequalitywithasmalllesize,whichmakesitidealfor

streamingandforthesharingofles.Itisalsowellsuitedtosituations

where there is no time or budget for color grading, as you can ‘bake in’

Rec.709oracustomLUTtothelesothatyoucansharelesimmediately

at the end of a shoot.

H.265isalsoanexcellentoptionforrecordinghighqualityproxylesinan

ARRIorREDSDIworkow,whereRAWisbeingrecordedinternallyonthe

camera.YourH.265proxyrecordingscanalsousethesamelenamesas

theRAWles,sothatyoucanstarteditingwiththeproxylesimmediately

andthenusetheRAWlesforthenalcolorgrade.

ForinformationonusingRed/Arrilenamesforyourrecordings,referto

the File Naming section.

PULL DOWN

Pulldown Format

The record menu allows you to apply pulldown removal if

recording from a source that applies pulldown to the

output signal. Tap Pulldown Format to cycle between the

options. Note for 3:2 Pulldown removal, movement in the

frame may be required to accurately lock signal, simply

wave your hand in front of the camera to achieve lock.

What is Pulldown?

Many professional and consumer cameras available

today do not send true 1080p24, 1080p23.98, 1080p25,

1080p29.97 or 1080p30 signals to their HDMI outputs.

Instead they send 1080i59.94 in NTSC regions (e.g.

USA, Japan), and 1080i50 in PAL regions (e.g. Europe)

In order to convert the signal from the internal recording

format to 1080i5994 or 1080i50, they use a process

called 3:2 or 2:2 pulldown.

Record

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